SKU: BT.DHP-1064198-400

ISBN 9789043126304. 9x12 inches. English.

Keyboard World is a beginner method for keyboard that is especially suitable for older children or teenagers who are learning the keyboard and can be used with or without a teacher, for individual lessons or for group lessons. The different ways of using the keyboard are introduced: playing with or without the automatic accompaniment, reading notes and chord symbols, but also playing by ear, as well as composing and improvising. Each lesson begins with an overview of the new material which will follow. After a rhythm or aural exercise, a piece without automatic accompaniment follows (in other words, you are playing in the style of a piano) for which you will need to read notes forboth hands. These pieces can be played along with the enclosed CD. On the right-hand page, you will find pieces for playing with an automatic accompaniment - here you will need to read notes for the right hand, and read chord symbols for the left hand.At the end of each lesson, there’s an assignment: e.g. note riddles, theory questions, composition tasks or musical games. The first six lessons differ slightly from this pattern, because at the beginning a bit more time is needed to explain the details.

SKU: ST.MB96

ISBN 9790220223853.

This volume is the first of two intended to extend the coverage of keyboard music in Musica Britannica comprehensively into the first quarter of the 17th century. (The other, MB102, includes material from the two virginal books in the Fitzwilliam Museum, Cambridge.) The present edition contains music by anonymous and a dozen or so named composers, including the complete keyboard works of Nicholas Carleton, the surviving twenty 'Miserere' canons by Thomas Woodson, and the anonymous 'Pretty ways for young beginners to look on'. The 77 complete pieces are organised by genre, including preludes, plainsong settings, voluntaries, dances and character pieces. Drawing on 22 manuscripts which mostly also transmit music by Byrd and other noted virginalists, this residue of music from these sources shows great diversity and a pleasing level of technical skill and musical interest, sufficient to enhance our wider view of English Renaissance music.

SKU: TL.TCL013651

ISBN 9780857363954.

This CD contains recordings of all pieces and exercises featured on Trinity College London's Electronic Keyboard syllabus for Grades 4 and 5, valid from 2015–2018.
The syllabus features a wide variety of musical genres and makes use of a wide range of keyboard functions, voices and styles.
Improvisation pieces contain ad-lib passages to encourage inventiveness, originality and style. These have not been recorded, so students can use the CD as a backing track to practise for these sections.

SKU: AP.12-0571538258

ISBN 9780571538256. English.

Designed to help you overcome all your sight-reading problems, this book follows the same progressive format as previous editions: technical aspects are introduced step by step, firstly through rhythmic and melodic exercises, then by studying prepared pieces with associated questions, and finally 'going solo' with a series of meticulously graded sight-reading pieces.

SKU: ST.K49

ISBN 9790220224461.

All eighteen pieces in this collection are reliably dated to the reign of James I, and whether by named composers or anonymous ones, appear in sources other than the notable virginal books preserved in the Fitzwilliam Museum, Cambridge. The contents demonstrate the variety of forms in the keyboard repertoire of this period, from plainsong-based compositions to dances by Orlando Gibbons. The 'Pretty ways for young beginners to look on', possibly by Thomas Tomkins, are a fascinating example of music contemporary to the time, written with the didactic purpose of instructing musicians in the techniques of counterpoint.

CONTENTS
Prelude in d: Edward Gibbons
Gaudent in caelis: Anon.
Miserere: Anon.
Upon a plainsong: Attrib. Orlando Gibbons
Verse in G: Anon.
Fantasia in a: John (or Thomas) Holmes
Fantasia in G: Attrib. Orlando Gibbons
Fantasia in G: Anon.
Pavan in e: Anon.
Galliard in C: Anon.
Galliard in F: Anon.
Fortune my foe: Anon.
Alman in F: Thomas Tomkins
Ballet in G: James Harding, arr. Anon.
Coranto in C: Anon.
Jig in G: Anon.
Tomboy: Anon.
Pretty ways for young beginners to look on: Anon. (Thomas Tomkins?).

SKU: SU.80101322

A set of 24 three movement sonatas that can be played on any keyboard instrument (organ, piano, harmonium/reed organ, harpsichord, clavichord, or electronic keyboard). The composer writes the following: My inspiration for composing these sonatas comes as a direct result of the music of the Renaissance and early Baroque. It is an attempt by this composer to capture in his own musical vocabulary some of the 'essence' that pervades the music of these past centuries. These pieces are easy to play and extremely useful for services, recitals, or teaching. Instrumentation: Keyboard. Composed: 2012 Published by: Zimbel Press.

SKU: M7.VOGG-369

ISBN 9783802403699. English.

This songbook contains a selection of some of the most popular classical pieces. It is carefully structured according to the level of difficulty. It can be combined with almost any keyboard method on the market or used as a stand-alone songbook. The notation of each song features standard notation, fingering suggestions, chord diagrams and even information on automation and factory presets. The appendix contains helpful advice on how to practice, explanations on some of the most important symbols in tempo and expression notation and an index of the essential terms and chords in single finger mode, making this book a great learning tool for all keyboarders.