SKU: SU.12800040
BachScholar Edition Vol. 40: SIGHT-READING & HARMONY: GRADES 3-4 (Early Intermediate) (12 pages) is a short and practical book that presents forty-eight selected sight-reading excerpts and two sample exams taken from Sight-Reading & Harmony (Complete Edition). It is the second volume of five in Sight-Reading & Harmony’s Sight-Reading Only Edition series, created specifically for piano and organ teachers and students who wish to concentrate on sight-reading only without being burdened by the technical exercises and musical theory covered in the extensive, 220-page Sight-Reading & Harmony (Complete Edition). Ideal for students of all ages of early intermediate to intermediate levels, college and university classes, keyboard & theory group classes, piano and organ teachers and students, and self-learners. Keyboard Published by: BachScholar.
SKU: SU.12800080
BachScholar Editions Vol. 80: J.S. BACH: Sinfonia from Cantata 29: Etude on One Staff with Two Hands (5 pages) presents a unique and accessible transcription of Bach’s exciting Sinfonia from Cantata 29, which Bach reworked from his previously composed Preludio from Partita No. 3 for Solo Violin. The present edition notates Bach’s original solo in the treble clef played with alternating hands: stems up = R.H. and stems down = L.H. Sharing the solo between the two hands results in a difficulty half that of romantic, virtuoso transcriptions that add chords and accompaniment material in the bass clef. This unique transcription offers pianists Grades 5 and up a fun and rewarding study which fosters evenness of touch and tone and explores innovative fingerings and hand crossings. This transcription of Bach’s exciting Sinfonia from Cantata 29 has something for everyone — piano students, teachers, and concert artists alike! Published by: BachScholar.
SKU: HH.HH451-SOL
ISBN 9790708146582.
At the heart of George Berg's oeuvre are his seven collections of keyboard music. His sonatinas for harpsichord were a by-product of his teaching, appearing in three volumes between 1759 and 1762. Technically fairly simple, these are lively, inventive and finely polished works. Berg's sonatinas are as well suited to the piano as the harpsichord sonatas of Domenico Scarlatti from which they draw so much inspiration, provided that the player makes sparing (or no) use of the sustaining pedal and avoids over-fussy dynamic variation.
SKU: HH.HH450-SOL
ISBN 9790708146575.
At the heart of George Berg’s oeuvre are his seven collections of keyboard music. His sonatinas for harpsichord were a by-product of his teaching, appearing in three volumes between 1759 and 1762. Technically fairly simple, these are lively, inventive and finely polished works. Berg’s sonatinas are as well suited to the piano as the harpsichord sonatas of Domenico Scarlatti from which they draw so much inspiration, provided that the player makes sparing (or no) use of the sustaining pedal and avoids over-fussy dynamic variation.
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