SKU: ST.K49

ISBN 9790220224461.

All eighteen pieces in this collection are reliably dated to the reign of James I, and whether by named composers or anonymous ones, appear in sources other than the notable virginal books preserved in the Fitzwilliam Museum, Cambridge. The contents demonstrate the variety of forms in the keyboard repertoire of this period, from plainsong-based compositions to dances by Orlando Gibbons. The 'Pretty ways for young beginners to look on', possibly by Thomas Tomkins, are a fascinating example of music contemporary to the time, written with the didactic purpose of instructing musicians in the techniques of counterpoint.

CONTENTS
Prelude in d: Edward Gibbons
Gaudent in caelis: Anon.
Miserere: Anon.
Upon a plainsong: Attrib. Orlando Gibbons
Verse in G: Anon.
Fantasia in a: John (or Thomas) Holmes
Fantasia in G: Attrib. Orlando Gibbons
Fantasia in G: Anon.
Pavan in e: Anon.
Galliard in C: Anon.
Galliard in F: Anon.
Fortune my foe: Anon.
Alman in F: Thomas Tomkins
Ballet in G: James Harding, arr. Anon.
Coranto in C: Anon.
Jig in G: Anon.
Tomboy: Anon.
Pretty ways for young beginners to look on: Anon. (Thomas Tomkins?).

SKU: ST.MB96

ISBN 9790220223853.

This volume is the first of two intended to extend the coverage of keyboard music in Musica Britannica comprehensively into the first quarter of the 17th century. (The other, MB102, includes material from the two virginal books in the Fitzwilliam Museum, Cambridge.) The present edition contains music by anonymous and a dozen or so named composers, including the complete keyboard works of Nicholas Carleton, the surviving twenty 'Miserere' canons by Thomas Woodson, and the anonymous 'Pretty ways for young beginners to look on'. The 77 complete pieces are organised by genre, including preludes, plainsong settings, voluntaries, dances and character pieces. Drawing on 22 manuscripts which mostly also transmit music by Byrd and other noted virginalists, this residue of music from these sources shows great diversity and a pleasing level of technical skill and musical interest, sufficient to enhance our wider view of English Renaissance music.

SKU: ST.MB102

ISBN 9790220225123.

Complementary to MB96, the 85 items in MB102 complete the coverage of the Fitzwilliam Virginal Book in Musica Britannica. With the exception of four pieces by Sweelinck available elsewhere, MB102 contains all the Fitzwilliam content not otherwise already published in individual MB virginalist-composer collections or in the three anthology volumes, MB1, MB55 and MB66. In addition, there are ten pieces from another important keyboard source in the collection of Cambridge's Fitzwilliam Museum, the Tisdale Virginal Book. The volume was a long-time project of the late Christopher Hogwood, and has been brought to completion by his co-editor Alan Brown.

SKU: GI.G-7280

ISBN 9781579998561. English, Spanish.

GIA Publications, Inc., the publisher of numerous single-author and single-composer collections of hymn texts and tunes, has put together its first-ever anthology of hymns. While insufficient in number for single-author or single-composer editions, these new texts and tunes by a diverse group of creative people are worthy of having the opportunity to “find their vocation.” Encompassing a variety of styles, this collection of 50 hymns includes new texts by John Dalles, Jacque Jones, Joy Patterson, John Thornburg, and new tunes by John Karl Hirten, Ron Krisman, and Leo Nestor. Also included are texts and tunes by John L. Bell, Mary Louise Bringle, Ruth Duck, Delores Dufner OSB, Sylvia Dunstan, Marty Haugen, Sally Ann Morris, Carl Schalk, and Adam Tice.