SKU: HL.14007346
ISBN 9780711912885.
Simple arrangements of twenty-three popular classics - includes Sheep May Safely Graze, La Paloma and the stirring William Tell Overture. All pieces feature full melody, arranged for the novice orearly player, along with full chord guide and suggestions for appropriate auto-accompaniments.
SKU: SU.80101352
Keyboard Duration: 5' Composed: 2014 Published by: Zimbel Press The formal inspiration for this piece came from early Italian keyboard toccatas (those of Frescobaldi are probably the most famous today, though there are certainly many others). However, the early influences do not come exclusively from a single source. The toccatas of Hassler, the ricercari of Steigleder, the fantasias of Cornet and Kerckhoven, the fugues of Couperin, and anonymous late medieval keyboard music all are thrown into the mix, and blended with a contemporary use of mixed modality. This piece may be played on any keyboard instrument (organ, piano, harmonium/reed organ, harpsichord, clavichord, or electronic keyboard).
SKU: SU.80101342
Keyboard Duration: 8' Composed: 2013 Published by: Zimbel Press Ricercari are three pieces inspired by the keyboard music of the early and mid 16th century. During this time, the genre of the ricercare developed as a sort of instrumental motet and a kind of proto-fugue. Each work here is a contrapuntal ricercare in a modal cast, each in a different number of voices. However, all three blend elements of the 16th century style with more contemporary sounds. These pieces may be played on any keyboard instrument (organ, piano, harmonium/reed organ, harpsichord, clavichord, or electronic keyboard).
SKU: SU.80101353
Keyboard Duration: 6' Composed: 2014 Published by: Zimbel Press Inspired by Bach's BWV 998 (a keyboard piece likely originally conceived for the lautenwerk or lute harpsichord), this piece may be played effectively on any keyboard instrument (organ, piano, harmonium/reed organ, harpsichord, clavichord, or electronic keyboard). The opening triple-meter prelude in Eb major is sunny and bright in character, with its arpeggiated textures evoking plucked strings. The fughetta begins in the relative minor (C), with a darker and more dissonantly chromatic character; however, it works through several keys to end in Eb major. The concluding allegro returns to joyous mood of the opening movement (though its middle section returns again to C minor).
SKU: SU.80101365
These three dances (pavane, tordion, and allemande) are inspired by Renaissance forms, although they employ a harmonic and melodic language that blends allusions to Renaissance harmony with more contemporary elements. They may be played on any keyboard instrument. Organ and harpsichord are the most likely candidates, but performance on clavichord, harmonium, reed organ, piano, or even electronic keyboard is also possible. Instrumentation: Keyboard. Composed: 2014 Published by: Zimbel Press.
SKU: ST.K46
ISBN 9790220224010.
The keyboard concertos in K46 contain both solo material and a simple reduction of the orchestral passages, and this allows the concertos to be played either with or without orchestral accompaniment. Full details are given in the introduction as well as in MB94. Sets of instrumental material which may be used to accompany the concertos are available. William FELTON: Concerto op. 1 no. 1 in C major (1744) Benjamin COOKE: Concerto in D major (1749) William HAYES: Concerto in D major (1755) Thomas ARNE: Concerto no. 5 in G minor (by 1755?) Thomas CHILCOT: Concerto set 1 no. 2 in A minor (1756).
SKU: GI.G-9600K
ISBN 9781622772650.
In creating the African American ecumenical hymnal, One Lord, One Faith, One Baptism it was imperative to the core committee that the hymnal serve as a needed resource for the many denominations in the African American Church. It was the committee’s strong desire that this hymnal would represent and preserve the rich theological, cultural, and musical heritages of these traditions and offer a full breadth of music representing historical as well as vibrant contemporary worship, while looking toward the future. It was also of utmost importance that this hymnal draw the body of Christ together so that it may be enlarged, enriched, and inspired to live and worship based on what unites us: “one Lord, one faith, one baptism.†This hymnal contains selections of diverse styles and genres, including traditional ecumenical hymns, contemporary texts written for the twenty-first-century church, praise and worship selections, music from Taizé, choral responses, responsorial psalmody, traditional and contemporary gospel music, and Negro spirituals.
SKU: GI.G-9600
In creating the African American ecumenical hymnal, One Lord, One Faith, One Baptism it was imperative to the core committee that the hymnal serve as a needed resource for the many denominations in the African American Church. It was the committee’s strong desire that this hymnal would represent and preserve the rich theological, cultural, and musical heritages of these traditions and offer a full breadth of music representing historical as well as vibrant contemporary worship, while looking toward the future. It was also of utmost importance that this hymnal draw the body of Christ together so that it may be enlarged, enriched, and inspired to live and worship based on what unites us: “one Lord, one faith, one baptism.†This hymnal contains selections of diverse styles and genres, including traditional ecumenical hymns, contemporary texts written for the twenty-first-century church, praise and worship selections, music from Taizé, choral responses, responsorial psalmody, traditional and contemporary gospel music, and Negro spirituals. The editors maintained a remarkably high degree of excellence in selecting and presenting this repertoire, and church musicians of all tastes could find this anthology useful either as a reference or as a repository for imaginitive congregational song. Jason Overall, The Journal of the Association of Anglican Musicians, Volume 27, Number 10, December 2018.
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