for Flute and Guitar plus Percussion-Performed by Katarzyna Bury flute Accompaniment: Christian Reichert guitar; Jochen Hank percussion Here is a collection of Latin masterpieces arranged for flute guitar and percussion. From the fabled Granada and François Borne's rousing Fantasy on Themes from Bizet's Carmen to Brasilian superstar Celso Machado's magnificent Suite Popular Brasileira and Astor Piazzolla's Libertango there is a wealth of thrilling music for every flutist. Listen to virtuosi Katarzyna Bury and Christian Reichert perform these classic pieces in a complete reference recording. Then you take Ms. Bury's place alongside Mr. Reichert and the percussionist for a Latin music-fest that you will neverforget! Bravo! Includes a newly engraved authoritative printed solo part and a compact disc containing a complete version with soloist in digitally recorded stereo; then a digital stereo version of the accompaniment minus the soloist.

Joseph Weigl's Die Schweizerfamilie (The Swiss Family) is one of the best-loved operas of the 19th century. Although the music of the opera continues to enthrall it has sadly all but disappeared from the stage. In the archive of the Aschaffenburg music library is an arrangement by Weigl's contemporary F. Brand of almost the entire opera for flute and guitar. This edition contains a selection of these pieces with which to rediscover this wonderfully lyrical music.

Lute Tablature Edition. Renaissance Lute Repertoire-Lute Tablature Edition can be viewed as either a supplement to the popular Introduction to the Lute: for Lute and Guitar Players or as a standalone edition of 16th-century lute tablatures. Play from beautifully-typeset scores, music by John Dowland, Francesco da Milano, Vincenzo Galilei (father of the famous astronomer) and many others, including vihuela composers Narváez and Milán. Together, this collection provides a beautiful and extensive overview of music for the renaissance lute. This edition is in French lute tablature. There is a separate edition in guitar tablature, Renaissance Lute Repertoire-Guitar Tablature Edition. / Niveau : Intermédiaire / Classique / Date parution : 2019-05-27/ Tablatures / Luth

Cette Méthode de Luth Baroque peut vous donner les bases techniques et musicales nécessaires à l’obtention d’une structure assez solide et complète du jeu du luth baroque. Et c’est là tout l’enjeu et le défi de l’écriture de cet ouvrage : donner, au plus grand nombre de passionnés, l’opportunité de s’exprimer à travers le luth baroque, et ce, indépendamment de leur niveau d’apprentissage. Notre livre est destiné non seulement à celui qui n’a jamais joué d’un instrument de musique, mais aussi au guitariste avisé qui veut s’initier aux mystères du luth baroque ! Mode d’emploi Notre Méthode de Luth Baroque est divisée en trois parties. La première partie, plutôt théorique, aidera à mieux comprendre la façon de jouer la musique écrite pour le luth baroque. Nous avons jugé indispensable d’avoir des connaissances élémentaires de solfège occidental mais aussi de la tablature (forme de notation musicale spécifique au luth). Ces connaissances, insuffisantes si étudiées de manière isolée, ont été enrichies d’un lexique des pièces instrumentales ainsi que de biographies de la plupart des compositeurs de musique pour luth baroque à 11 et 13 chœurs. En deuxième partie, nous avons dédié tout un chapitre à l’étude de la technique et de la production sonore du luth. Riche en photos et détails de toutes les étapes techniques que nous devrons franchir, ce chapitre est, sans aucun doute, le plus important de toute notre Méthode pour bien comprendre l’univers sonore du luth baroque ! Ensuite, nous vous proposons 21 exercices, tous d’un niveau élémentaire, mais progressifs, accompagnés de plusieurs pièces de musique. Vous allez d’abord jouer des mélodies pour ensuite ajouter les basses, et seulement après commencer à jouer les ornements. En troisième partie, nous avons choisi près de 250 pièces pour luth baroque à 11 et 13 chœurs. Ces pièces, divisées en trois niveaux, sont d’un degré de difficulté qui s’échelonne du niveau « débutant », « moyen » à « avancé ». Nous avons, tout comme à l’époque baroque, séparé ces pièces selon leurs tonalités et leur nom. Aussi, nous n’avons choisi que très peu de tonalités différentes, afin que le luthiste débutant puisse travailler l’essentiel de son instrument, au lieu de perdre son temps à essayer de s’accorder tout le temps et de jouer des morceaux bien trop complexes pour son niveau. Il n’y a pas de mauvaise musique mais, parfois, il y a de mauvais musiciens ! Faire de la musique n’est simplement pas jouer des notes et réaliser quelques acrobaties, souvent sans intérêt. Un musicien « mûr » se plaît le plus souvent à jouer une simple mélodie et à jouir des merveilles sonores de son instrument ! Nous espérons que cette méthode pourra aider ceux qui n’ont pas accès à un professeur (même si nous leur conseillons d’aller en voir un le plus régulièrement possible), mais aussi tous les professeurs n’ayant pas suffisamment de matériel pour faire travailler, d’une manière systématique, leurs élèves. Bon courage à tous ! Miguel Yisrael - formerly Miguel Serdoura, now carrying the surname of his mother - was born in Lisbon, where he began his musical and artistic career, earning his Diploma in Classical Guitar in 1994. In 1995, he moved to Paris, where he studied the lute with Claire Antonini in the Early Music Department of the Conservatoire Supérieur de Paris - CNR. He also took part in several master classes in his discipline, with Rolf Lislevand and other prestigious artists. From 1999 to 2004, he completed his musical education at the Schola Cantorum Basiliensis in Basel, Switzerland with the grand maestro Hopkinson Smith. As a soloist, Miguel Yisrael has given recitals in France, Portugal, United-Kingdom, Germany, Belgium, Switzerland, China and USA. In 2000, he took part in a television documentary devoted to the lutenist Hopkinson Smith, broadcast by Arte, Mezzo, Classica, RTBF and TSR. He currently lives and teaches baroque and renaissance lute in Paris, where he gives frequent concerts/lectures in the framework of the “Musicien au Musée” program of the Musée de la Musique - Cité de la Musique in Paris. Miguel Yisrael performs on lutes built by Cezar Mateus, Princeton, USA, and with strings from Mimmo Peruffo, Vicenza, Italy. He recorded his first solo CD for the Dutch Label Brilliant Classics in 2008.

Unsurpassed in his day as a lute virtuoso, John Dowland (1563–1626) today continues to delight singers, musicians, and music lovers alike. This collection of 45 songs includes all the works in Dowland's original third and fourth books of lute songs, the composer's contributions to his son's anthology of 1610, and a dance for solo guitar. Content : THE THRID AND LAST BOOKE I. Farewell too fair II. Time stands still III. Behold a wonder here IV. Daphne was not so chaste V. Me, me and none but me VI. When Phoebus first did Daphne love VII. Say Love if ever thou didst find VIII. Flow not so fast ye fountains IX. What if I never speed? X. Love stood amaz'd XI. Lend your ears to my sorrow XII. By a fountain where I lay XIII. Oh what hath overwrought XIV. Farewell unkind farewell XV. Weep you no more, sad fountains XVI. Fie on this feigning XVII. I must complain XVIII It was a time when silly bees could speak XIX. The lowest trees have tops XX. What poor astronomers are they XXI. Come when I call (for two voices and two lutes) A PILGRIMES SOLACE I. Disdain me still II. Sweet stay awhile III. To ask for all thy love IV. Love those beams V. Shall I strive with words to move (Mignarda, a galliard is Dowland's title for the solo lute version of the lyre Shall I strive with words to move. VI. Were every thought an eye VII. Stay Time awhile thy flying VIII. Tel me true Love (with chorus) The next three with treble and bass viols ofr violin and cello: IX. Go nightly cares X. From silent night XI. Lasso vita mia XII. In this trembling shadow XIII. If that a sinner's sighs A three-part work: XIV. Thou mighty God XV. When David's life XVI. When the poor cripple XVII. Where sin sore wounding XVIII. My heart and tongue were twins The next with chorus: XIX. Up merry mates XX. Welcome black night XXI. Cease these false sports THREE AYRES FROM A MUSICALL BANQUET Far from triumphing Court Lady if you so spite me In darkness let me dwell GALLIART TO LACHRIMAE A lute solo from A Pilgrimes Solace, transcribed for guitar

Par MC FARLANE RONN. Ce livre constitue la première anthologie de la baie de Mel de littérature de luth et mandore de la Renaissance dans sa forme originale de la tablature. Il offre également les mêmes 56 tunes avec goût transcrits dans l'onglet et de la notation de la guitare moderne standard. Pour l'académiquement inclinée ou ceux qui veulent simplement examiner les notes originales, cette édition comprend un in-folio téléchargeable de la tablature de luth et mandore originale plus une explication approfondie du système de tablature de luth. / Niveau : Débutant à Intermédiaire / Scottish - Solos / Tablatures / Luth

Flute-12 outstanding arrangements for the beginning jazz ensemble written by experienced educational arrangers and composers. A variety of styles and tempos are included: swing ballads rock pop holiday Latin and a great warm-up chart titled 'Loosen Up.' This collection of charts is written for full instrumentation of 5 saxophones 3 trumpets 3 trombones and 4 rhythm but designed to sound full and complete with reduced instrumentation of just nine players - 2 Alto Saxes Tenor Sax 2 Trumpets Trombone Piano Bass and Drums. Optional parts are available for C Flute Tuba (doubles Bass part) Horn in F (doubles 1st Trombone) and Baritone Horn T.C. (doubles 1st Trombone).Rhythm section parts offer suggestions for voicings and rhythms and guitar chord frames are included to assist young guitarists. Solos are written out for improvised sections and there is plenty of full sounding ensemble. Conductor's book includes a full length CD recording. Titles are: Chattanooga Choo Choo * El Gato Gordo * James Bond Theme * A Jazzy Merry Christmas * The Judge * Li'l Darlin' * Loosen Up * One O'Clock Jump * Over the Rainbow * Peter Gunn Theme * The Pink Panther * Rock This Town.

Following on from Jessica's hugely successful book Celtic Music for Flute she has produced a Volume 2 which contains 46 pieces ranging from lovely portraits to lively jigs. They come from traditions including Irish Scottish Welsh and Manx and were gathered from various sources: among others manuscripts written for Bagpipe Lute Mandora Fiddle and Voice. The unique personality and sound of the Flute complements them all. A few of the tunes are more than 400 years old; some are new. All have that inexplicable but necessary magic the quality which draws the flutist to begin the tune again just one more time...Whether a march lilt love song or lament eachmelody in this collection is a gem; many are sure to become cherished favorites. The accompanying Play-Along CD includes all the tunes in the same order in which they appear in the book. This CD features separate channels for Flute and Guitar so that the flutist can play along with the Guitar accompaniment. Allan Alexander artfully renders the chords on Guitar providing a harmonic tapestry over which the melodies float.

For Flute-100 Ultimate Blues Riffs for Flute the Beginner Series by musician educator and world renowned author Andrew D. Gordon is an exhaustive guide to introduce beginner students to the various phrases or ???riffs??? that make up Flute playing both from a rhythmic and soloing standpoint.Due to the continued success of his more advanced series 100 Ultimate Blues Riffs Andrew decided to author a similar type of book for beginner students.This book is ideal for the beginner to intermediate music student with most of the examples notated in the easier keys. Besides learning how to play Blues riffs the book is a useful tool for sight readingexercises with many different rhythms.The 12 bar Blues progression and the Blues scale in Andrew???s opinion the two most important aspects of playing the Blues is explained in detail as well as ???straight??? and ???swing??? rhythms.There are five sections to the riffs in the book section 1 contains basic Blues riffs section 2 contains Rhythm and Blues influenced riffs section 3 contains Blues/Boogie Woogie riffs section 4 contains Rock influenced Blues riffs and section 5 contains Gospel influenced Blues riffs. Included with this book is an audio CD that contains all the riffs recorded twice: first sax melody piano guitar bass and drums and second just the rhythm track of piano guitar bass and drums so you can play-a-long.Review of the Sax version of the book by Skip Spratt of The Sax Shed https://saxshed.comAndrew D. Gordon of ADG Productions has recently updated and added to his popular series of books with 100 Ultimate Blues Riffs The Beginner Series. The original publication by the same title is geared toward intermediate to advanced students. Both books feature a companion CD and optional midi files that will help in the practice of these 100 blues riffs.I had the opportunity to preview the tenor saxophone books from the series; however the same books are published for other instruments as well. Saxophonist Frank Villafranca of the Super Groovers demonstrates each riff with the rhythm section first with and opportunity for play-along following each demo track. Andrew Gordon writes ???For people who want to improve their

arranged for flute and guitar-Erik Satie's famous gymnopedies arranged for Flute (or Violin) and Guitar by Mary Criswick.

Arranged For Flûte And Whistle With Guitar Chords. Par MC CASKILL MIZZY. Cette collection de littérature soigneusement sélectionnée représente les joyaux de la musique traditionnelle écossaise. Comprend une grande variété de gigues, bobines, hornpipes, des strathspeys, airs, and ballades arrangés pour les flûte et/ou d whistle avec accompagnement au piano. Tous les morceaux sont écrits dans les clés de D, G, A pour tenir compte de l'éventail des doigtés disponibles pour système simple flutes, D-sifflet et flutes Boehm-style. Cette collections disposées en performance définit avec accompagnement au piano et présente les flûte ornementée et sans fioritures / whistle versions pour chaque pièce. Paroles de la chanson et les accords de guitare suggéré en outre renforcent ces mélodies de pratique ou de la performance. Intermédiaire en difficulté. Inclut un CD de performance qui contient les onze ensembles ornementées dans le livre sur les flûte ou tin whistle. / Niveau : Intermédiaire / Scottish - Solos / Recueil / Flûte Traversière

American folk music is just right for flute. From the lyrical beauty of Amazing Grace and Shenandoah to the rollicking good fun of Lane County Bachelor and Old Joe Clark these 34 tunes will keep you playing and keep your listeners dancing and singing. All of the tunes can be played on flute alone or with piano guitar or any chord instrument. Chord symbols are included with the music. The lyrics are included in the book. Lyrics can help with learning rhythm or with memorization of the melody. They allow the player to sing aswell as play or to invite others to sing along. Besides they are fun. The Play-Along CD includes two sections. The first section of the CD includes all of the tunes with Jessica Walsh on flute and Andrew D. Gordon on piano. The second section is a Play-Along featuring wonderful piano accompaniments arranged by Anita Briggs. The music notation for the piano accompaniments is in PDF format and is available for download.

Description Renaissance Flute Made Easy presents a variety of easy sixteenth century songs and dances for the silver (Boehm) flute, including allemandes, branles, pavanes, and round dances. The book also contains piano and guitar arrangements for each piece, and the audio includes accompaniment by a consort of Renaissance instruments. This appealing collection works well in both lesson and performance settings.