SKU: JK.01913
Vocal solo for medium-low voice and piano accompaniment, based on scriptural text from Matthew 6:28, reminding all that the Lord loves and will care for His children. Highest note: Eb. Lowest note: G (below middle C). Also available for high voice (#01575), medium voice (#00755), and low voice (#01434).Composer: Roger HoffmanLyricist: Roger HoffmanDifficulty: Medium / medium acc.Performance time: 4:00Reference: Matthew 6:28* best-selling item.
SKU: SU.91570030
Medium Voice, Piano Duration 3' Version also available for tenor Published by: Subito Music Publishing Performed by Gino Quilico on the CD Steven Mercurio: Many Voices.
SKU: SU.92070461
Medium Voice & Piano Text by: Luis Lloréns Torres (trans. by Virginia Sierra) Duration: 12' Composed: 2013 Published by: Subito Music Publishing Commissioned by Ravinia Festival President and CEO Welz Kauffman, Program Director Kevin Murphy, and the Ravinia Festival's Steans Music Institute for the 251h Anniversary of the Institute in 2013 YouTube: (High Voice Key).
SKU: SU.96010540
Instrumentation: Medium Voice & Piano Duration: 2'30 Composed: Published by: Subito Music Publishing.
SKU: SU.80500161
Medium Voice & Piano Duration: 6' 30 Composed: 1962 Published by: Pear Tree Press.
SKU: SU.92070501
Instrumentation: Medium Voice & Piano Duration: 15' Composed: 2015 Published by: Subito Music Publishing.
SKU: SU.80500181
1. A Musical Instrument (Elizabeth Barrett Browning) 2. The Aim Was Song (Robert Frost) Medium Voice & Piano Duration: 6' Composed: 2018 Published by: Pear Tree Press.
SKU: SU.27110031
Based on Elinor Wylie’s magical poem, Velvet Shoes is an evocation of a single moment of pure peace and silence. Medium Voice & Piano Duration: 4’ Composed: 2007 Published by: Raymond J. Lustig Music.
SKU: SU.94010830
Text by Frances Ellen Watkins HarperCommissioned by Tulsa Opera, Inc. for the Tulsa Race Massacre Centennial Memorial Concert (Greenwood Overcomes)Medium Voice & Piano Duration: 5'30 Composed: 2021 Published by: Subito Music Publishing.
SKU: HL.49046716
UPC: 842819112822. 9.0x12.0x0.204 inches.
SKU: HL.49045824
Max Kowalski (18821956) was a full-time lawyer who never gave up on his passion for music: singing lessons during his law studies, conducting and counterpoint classes, among others, at Dr. Hochs Konservatorium in addition to his work at his own law office in Frankfurt. While studying, he already published his first works; 15 song cycles were published until 1933. In the years that followed, the Jewish-born Kowalski was restricted in working both as a lawyer and as a composer due to his persecution by the National Socialists. In 1938 he was arrested, deported to the concentration camp of Buchenwald and finally forcedto flee into exile in London. Contemporaries called Kowalski a lyricist among the composers. The choice of texts of his songs shows his great knowledge and love of German literature. For example, he set to music texts by Friedrich Holderlin or Rainer Maria Rilke, but also Indian or Japanese poems. Kowalski left numerous unpublished songs which are published by Schott Music in a two-volume edition: Volume 1 (ED 22586) contains his Jewish songs (1935-37), the Heinrich Heine cycle (1937) and all English-language songs (1941-46). Volume 2 (ED 22587) contains Kowalski's late works: the songs based on texts by Friedrich Holderlin (1950) and the Geisha Lieder according to Klabund (1951).
SKU: HL.49019234
ISBN 9790001187220. UPC: 884088907563. 9.0x12.0x0.07 inches. German.
Again and again, there happen to be possibilities to bring early and previously unpublished music by B. A. Zimmermann to light - as is the case with this 'Song of Abelone' on a poem by Rainer Maria Rilke which Zimmermann set to music in 1939. The recording of all songs of the composer is now followed by a printed edition - an interesting insight into the early 'composition workshop' of Zimmermann.
SKU: BA.BA07787
ISBN 9790006506996. 34 x 28.2 cm inches. Language: German. Text: Härtling, Peter.
For many, the title will awaken memories of the demonstrations against the clearance of the Flörsheim Forest to allow for a new runway at the Frankfurt Airport. Both the poem, which extends beyond this local incident to remind us of the seriousness of our global situation, and the music join together to form an expressive, universally valid call for the conservation of our core values, our future together: “Die Erde jedoch wird sich wehren. Sie wird uns, am Ende, nichts mehr geben als den Staub, in dem wir aufgehn.†(The earth, however, will resist. She will, in the end, not give us any more than dust, into which we will submerge.) It is up to us, to prevent the situation from advancing so far: “Wir, die wir zu ihren Schülern wurden, sollten die Lehre der Bäume verbreiten.†(We, the students, should spread the teachings of the trees.â€
SKU: BA.BA09370
ISBN 9790006537334. 29.6 x 21 cm inches.
World Premiere 31/10/2008, Kassel.
SKU: HL.358924
ISBN 9781705120484. UPC: 840126944341. 8.5x11.0x0.053 inches.
SKU: HL.49047247
SKU: HL.49017944
ISBN 9790001157209. 9.0x12.0x0.09 inches. German.
In 'Kinderfreuden' Enjott Schneider perfectly manages to set the five - partly absurdly funny - poems by Wilhelm Busch to music. The texts of 'Die Tute', 'Verfruht', 'Kurz und grob', 'Selbstgefallig' and 'Motto' virtually invite the composer to open his bag of tricks. These little pieces will certainly give every singer and his or her accompanist on the piano great pleasure.Schneider studied music and German studies and has been professor of music theory (meanwhile of film composition) in Munich since 1979. His extensive activities as composer, performer, music writer and lecturer have made him a versatile musician whose compositional oeuvre ranges from 'classic' avant-garde to pop music.
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