SKU: HL.51481639
UPC: 196288215851. 8.25x11.75x0.074 inches.
Gounod had no qualms about arranging well-known works by earlier masters after his own fashion. Thus in 1852 he added a melody with its own operatic climax to the famous arpeggios of the C-major Prelude BWV 846 from Bach's Well-Tempered Clavier. He first published instrumental versions of it under the title âMéditationâ, then tried fitting various texts to the melody until in 1859 he arrived at the definitive vocal version using the text of the Ave Maria. Already by the 1890s it was claimed that â[we] have heard this sweet melody innumerable times from the best lady singersâ, and its popularity has continued to the present day. Reason enough, then, for Henle Verlag to publish an Urtext edition of this worldwide hit, based on the sources and with appropriate critical commentary. In 1859, at the same time as the original edition for high voice, editions for middle and low voice, presumably commissioned by the publishers, were also issued. Following this model, the Henle Urtext edition of âAve Mariaâ is also offered in two transpositions for the lower register.
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SKU: AP.36-M325991
UPC: 660355168611. English.
Erich Wolfgang Korngold (1897-1957) composed a song in 1915 titled Österreischischer Soldatenabschied (Austrian Soldier's Song of Farewell) for the Austrian War Relief Fund. This work inspired the set of four songs titled Lieder des Abschieds (Abschiedslieder; Songs of Farewell), Op. 14, each contemplating the unwilling separation of loved ones, which was written between 1920 and 1921 for alto and piano. These melancholy works are considered among Korngold's finest songs. Songs: 1. Sterbelied (Requiem); 2. Dies eine kann mein Sehnen nimmer fassen (The one thing my desire can never comprehend); 3. Mond so gehst du wieder auf (Moon once again you rise); 4. Gefasster Abschied (Calm Farewell) - this is based on the earlier Österreischischer Soldatenabschied. This version was first performed on November 5, 1921, in Vienna, the composer on the keyboard. Korngold also conducted the premiere of his orchestral version on January 14, 1923, also in Vienna.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: HL.48187298
UPC: 888680826956. 7.0x11.0x0.27 inches.
“As Proust liked to remind us, Reynaldo Hahn (1875-1947) had a clear voice that was really appreciated in Paris at the time: he believed Hahn?s mouth was a genius music instrument that was letting the most beautiful, sad yet warm voice out when he was singing. Following the first volume written in 1986, Melodies Volume 2 comprises twenty exciting songs for Voice with Piano Accompaniment, composed by Reynaldo Hahn. These twenty melodies are: Quand la nuit n'est pas étoilée ? Cantique - La Délaissée - La chère blessure ? Théone - Le souvenir d'voir Cante -Quand je fus pris au pavillon - Chanson au bord de la fontaine - Sur l'eau ? Fumée - Le printemps - Dans la nuit - Les fontaines - A Chloris - Le rossignol des lilas - A nos morts ignorés - Ma jeunesse - Le plus beau présent - Puisque j'ai mis ma lèvre - La douce paixâ€.
SKU: HL.49045824
Max Kowalski (18821956) was a full-time lawyer who never gave up on his passion for music: singing lessons during his law studies, conducting and counterpoint classes, among others, at Dr. Hochs Konservatorium in addition to his work at his own law office in Frankfurt. While studying, he already published his first works; 15 song cycles were published until 1933. In the years that followed, the Jewish-born Kowalski was restricted in working both as a lawyer and as a composer due to his persecution by the National Socialists. In 1938 he was arrested, deported to the concentration camp of Buchenwald and finally forcedto flee into exile in London. Contemporaries called Kowalski a lyricist among the composers. The choice of texts of his songs shows his great knowledge and love of German literature. For example, he set to music texts by Friedrich Holderlin or Rainer Maria Rilke, but also Indian or Japanese poems. Kowalski left numerous unpublished songs which are published by Schott Music in a two-volume edition: Volume 1 (ED 22586) contains his Jewish songs (1935-37), the Heinrich Heine cycle (1937) and all English-language songs (1941-46). Volume 2 (ED 22587) contains Kowalski's late works: the songs based on texts by Friedrich Holderlin (1950) and the Geisha Lieder according to Klabund (1951).
SKU: JK.19046
Original vocal solo for medium voice and piano accompaniment, arranged in A flat to D flat major, with easy-to-play notes. This piece is sung through a child's eyes, who ponders on the creations of the earth.Composer: Janice Kapp Perry Lyricist: Ruth S. Kapp Difficulty: Medium-easy / medium acc.*** Some Janice Kapp Perry products may require a few days additional shipping time. Thank you!
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