SKU: HL.48182998
UPC: 888680877194. 9.0x12.0x0.053 inches.
“As a prestigious composer of the early 20th century, Maurice Ravel's Piece in the Habanera style, transcribed for the Oboe by Fernand Gillet, or for Cor Anglais by G. A. Leduc, contains many features which continue to make the composer's music popular and loved to this day. Known for his masterful melodies and rich harmonies, Piece in the Habanera style clearly exemplifies these qualities through flourishing Oboe or Cor Anglais lines and evocative, chordal and rhythmic Piano accompaniments. Moreover, Habanera rhythms heard throughout the piece create further excitment. All of these musical elements combine to create a highly enjoyable piece for the Oboe and Cor Anglais repertoire. In addition, the clear print of separate solo and accompaniment parts in this edition of Piece in the Habanera style make this an irresistable purchase for aspiring Oboe and Cor Anglais players.â€.
SKU: BR.MR-2295
ISBN 9790004488430. 9 x 12 inches.
It is difficult to determine exactly how many oboe concertos Antonio Vivaldi wrote. Although the present Concerto in F major was earlier seen as a secure work by Vivaldi (therefore it has the old RV-number 458), Vivaldi's authorship got even more disputable (in contrast to the C major Concerto RV 446 MR 2294). The doubts cannot even be dispelled by the existence of two sources from a large collection in Lund, Sweden. The Adagio central movement deserves our particular attention, as it was transmitted in different versions in the two sources. In this first edition for oboe and piano, the non-ornamented version is given first and followed by the version supplied by editor Sandro Caldini with ornaments typical of Vivaldi's time, which make this version of the Adagio particularly interesting for performers.In this first edition for oboe and piano, the non-ornamented version is given first and followed by the version supplied by editor Sandro Caldini with ornaments typical of Vivaldi's time.
SKU: BT.EMBZ8318
English-German-Hungarian.
An Evening in the Village was composed in 1908 as no. 5 of the Ten Easy Piano Pieces. It has become one of Bartók's favorite works, which the composer himself was fond of playing at recitals. As he explained in an American interview, it was ''an original composition that is ... with themes of my own invention but ... the themes are in the style of the Hungarian-Transylvanian folk tunes. There are two themes. The first one is a parlando-rubato-rhythm and the second one is more in a dance-like rhythm. The second one is more or less the imitation of a peasant flute playing.'' Bartók also orchestrated the piece in 1931 as no. 1 of Hungarian Sketches. In 2015 we are launching aseries entitled Bartók Transcriptions for Music Students to mark the 70th anniversary of the composer s death. This involves reissuing our tried publications, and publishing some further, new transcriptions that fulfill in every respect the strict aesthetic demands of the earlier ones. We trust these publications will allow us to introduce still more music students to the realm of one of the great geniuses of 20th-century music. Das 1908 als Nr. 5 der Zehn leichten Klavierstücke komponierte Klavierwerk Ein Abend am Lande ist ein echter Bartók-Schlager, der auch vom Komponisten selbst mit Vorliebe im Rahmen seiner Konzerte vorgetragen wurde. In einem amerikanischen Interview äußerte er sich dazu, ''… es handelt sich um eine Originalkomposition, das heißt, ihre Themen stammen von mir, wobei diese Themen jedoch den Stil der siebenbürgisch-ungarischen Volkslieder aufgreifen. Von seinen zwei Themen hat das erste Parlando-Rubato-Charakter, das zweite ist eher von einem Tanzrhythmus geprägt … und ist mehr oder weniger die Imitation eines bäuerlichen Blockflötenspiels.'' Im Jahr 1931 instrumentierte Bartókdas Stück als Nr. 1 der Bilder aus Ungarn auch für Orchester.
SKU: HL.48186530
UPC: 888680832018. 9.0x12.0x0.058 inches.
Piece in G minor, Op. 5 is a piece for Oboe and Piano accompaniment composed by Gabriel Pierne. Its medium difficulty will enable intermediate players and above levels to play it, and to appreciate its features. Really enjoyable, this early work, written in 1833, lasts approximately 2?30 and has been transcribed for many other instruments. It is perfect for recitals and concerts. The book contains the score and Oboe part. The score mentions the possibility of replacing the Oboe by a Violin or a Cello. Gabriel Pierne (1863-1937) won the Prix de Rome in 1882.The composer wrote many chamber compositions, Piano pieces, symphonic music and some oratorios..
SKU: BT.AMP-361-400
ISBN 9789043136679. 9x12 inches. English-German-French-Dutch.
Sounds Classical for Oboe is a collection of graded solos selected specifically for the developing oboe player.
Designed to correlate with grades 1-4 of the exam syllabus of the Associated Board of the royal Schools of Music, the pieces are drawn from four centuries of classical repertoire ranging from Susato to Sullivan, and will provide ideal material forpractice or recital.
Also available: Sounds Classical for Bassoon, AMP 362-400Sounds Classical for Oboe is een verzameling van solos die speciaal voor hoboleerlingen zijn geselecteerd - in oplopend niveau.
De stukken komen qua moeilijkheidsgraad overeen met niveau 1-4 van de examenbundel van de Britse Associated Board of the Royal Schools of Music. Ze bestrijken een periode van vier eeuwen klassiek repertoire - van Susato tot Sullivan - en ze vormenideaal materiaal voor zowel lessen als optredens.
Ook verkrijgbaar: Sounds Classical for Bassoon, AMP 362-400SOUNDS CLASSICAL ist eine Sammlung von im Schwierigkeitsgrad fortschreitenden Soli, die speziell für werdende Oboisten ausgewählt wurden. Philip Sparke wählte für dieses Buch Stücke aus dem klassischen Repertoire aus vier Jahrhunderten aus - vonSusato über Telemann, Händel, Grieg, Purcell, Mozart bis Sullivan - das ideale Material zum Üben oder Vorspielen!Sounds Classical for Oboe est une collection de solos de difficulté croissante, sélectionnés spécifiquement pour les hautbo stes débutants. Ces pièces couvrent quatre siècles du répertoire classique, de Susato Sullivan, et se prêtentparfaitement l’étude comme une interprétation en concert.
SKU: YM.GTW01090837
ISBN 9784636908374.
20 songs arranged for solo oboe and piano. Oboe part with a book for piano accompaniment and Karaoke CD. 20Shou Shuang Huang Guan Du Zou Qu ,Gang Qin Ban Zou . Han Shuang Huang Guan Pu Ji Gang Qin Ban Zou Pu &Ban Zou CD. 1. Soshunfu(Ode to Early Spring); 2. Oborozukiyo(A Night with a Hazy Moon); 3. Furusato(My Old Town); 4. Haru yo Koi(Come spring!); 5. Hana wa Saku(Flowers Will Bloom); 6. Hamabe no Uta(A Song at the Seaside); 7. Shonen Jidai(Boyhood); 8. Natsu no Omoide(A Memory from Summer); 9. Shabondama(Soap Bubbles); 10. Machibo-oke(Waiting in Vain); 11. Satoukibi Batake(In a Large Field of Sugarcane); 12. Chiisai Aki Mitsuketa(I've Found a Little Autumn); 13. Yuyake Koyake; 14. Kojo no Tsuki(Moon over the Ruined Castle); 15. Kawa no nagare no Yo ni(As a River's Running); 16. Sen no Kaze ni natte(A Thousand Winds); 17. Miagete goran Yoru no Hoshi wo(Look up at the Night sky); 18. Nagori Yuki(Snowfall at the end of the Winter); 19. Kita no Kunikara(From Northern Country); 20. Nada SouSou(Down Come My Tears) 1. Zao Chun Fu ; 2. Meng Long Yue Ye ; 3. Gu Xiang ; 4. Chun Tian ,Lai Ba ; 5. Hua Zheng Zai Kai ; 6. Hai Bin Zhi Ge ; 7. Shao Nian Shi Dai ; 8. Xia Ri Hui Yi ; 9. Fei Zao Pao ; 10. Man Zhou Chang Ge ; 11. Gan Zhe Tian ; 12. Zhao Dao Liao Xiao Xiao De Qiu Tian ; 13. Wan Xia Jian Dan ; 14. Huang Cheng Zhi Yue ; 15. Chuan Liu Bu Xi ; 16. Hua Wei Qian Feng ; 17. Yang Wang Xing Kong ; 18. Can Xue ; 19. Bei Guo Zhi Lian ; 20. Lei Guang Shan Shan.
SKU: HL.48186455
UPC: 888680828639. 9x12 inches.
“Born to an Italian father and a French mother, Eugène Bozza (1905-1991) divided his music studies between the Academia Santa Cecilia in Rome and the Conservatoire de Paris, where he was taught by Henri Büsser and Henri Rabaud. His chamber music compositions reveal a marked predilection for wind instruments, as reflected in Fantaisie pastorale for oboe and piano (1939) and New-Orléans for bass saxhorn and piano (1944). During his stay a few years earlier at the Villa Medici in Rome (1936), Bozza had written his Aria Pour Saxophone Alto Et Piano ' a free adaptation of the third movement of Johann Sebastian Bach's Organ Pastorale in F major BWV 590. This expansive and nostalgic melody, which unfolds over a regular meter, has become one of the most widely played SaxoEphone pieces in the world. Having enjoyed such success, Éditions Leduc has decided to supplement its republication with an audio version that will enable saxoEphonists to carry out 'full-scale' practice.&rdquo.
SKU: BT.EMBZ2467
An ABRSM syllabus title 2014-21, Grade 6.From 1906 on Béla Bartók was collecting folksongs on a regular basis. It was in 1907, during his first collecting trip to Transylvania, that he jotted down those three melodies in Gyergyóteker patak, Cs k, which he both provided with piano accompaniment (From Gyergyó) and arranged for solo piano (Three Hungarian Folksongs from Cs k) in the same year. The melodies were played by a ''sixty-year old man'' on a peasant flute. In 2015 we are launching a series entitled Bartók Transcriptions for Music Students to mark the 70th anniversary of the composer s death. This involves reissuing our tried publications, and publishing some further,new transcriptions that fulfill in every respect the strict aesthetic demands of the earlier ones. We trust these publications will allow us to introduce still more music students to the realm of one of the great geniuses of 20th-century music.
SKU: HL.14030791
8.25x12.0x0.051 inches.
This title is taken from Dvorak. However. The models from which the songs are derived are clearly identifiable, as are the composers from whose language they have been derived. The piece appears to be in one movement though it is in fact two with a coda. The first is French in style, a sort of Waltz. It is quick and harks upon the likes of Francaix and where its idiom becomes more advanced, Messaien. The other is Germanic, a slow movement with echoes of German expressionism - perhaps Richard Strauss, perhaps Mahler. The two movements are partly complete; the cod reconciles their differences and completes them. I see the piece as my own version of En blanc et noir.
SKU: BT.FORFWJ01
SKU: UM.15711
ISBN 9790224415711.
SKU: BT.PL3410
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