SKU: ST.C461
ISBN 9790570814619.
This edition replaces the old Nova Edition NM394 and the subsequent but also now defunct EMA142. Both previous editions are now out of print. This is a freshly edited, updated and greatly improved edition.[bg_collapse view=link color=#4a4949 icon=arrow expand_text=Show More collapse_text=Show Less ]Gioacchino Rossini: Variations for Oboe and PianoRossini was still a student at the Liceo Filarmonico in Bologna when he wrote these Variations at the age of 18. Originally thought to have been written for Clarinet in C and Orchestra, recent scholarship, culminating in Heinz Holliger’s brilliant recording (Philips 9500 564), has provided many good reasons why the oboe is clearly the solo instrument. Not only does it ‘look like’ oboe music but the writing (within the oboe’s exact range at that time) ignores more than an octave of the clarinet’s potential range. Also, it is most unusual to find the solo wind instrument duplicated in the accompanying orchestral parts, thus providing unnecessary competition in timbre.Frédéric Chopin: Variations on a Theme by RossiniNo such ambiguity surrounds the origin of Chopin’s Variations on a Theme from Rossini’s opera La Cenerentola — orginally for flute. It is not definitely known for whom they were written, but they may have been either for his father (who played the flute), or for his close friend Matuszynski. They date from 1826-30 and here transposed from the original E major into D major for the oboe, provide a valuable addition to the oboist’s nineteenth century repertoire.[/bg_collapse]Arranged by Mark GoddardGrades 7–8Former Spartan Press Cat. No.: EMA142.
SKU: BR.MR-2295
ISBN 9790004488430. 9 x 12 inches.
It is difficult to determine exactly how many oboe concertos Antonio Vivaldi wrote. Although the present Concerto in F major was earlier seen as a secure work by Vivaldi (therefore it has the old RV-number 458), Vivaldi's authorship got even more disputable (in contrast to the C major Concerto RV 446 MR 2294). The doubts cannot even be dispelled by the existence of two sources from a large collection in Lund, Sweden. The Adagio central movement deserves our particular attention, as it was transmitted in different versions in the two sources. In this first edition for oboe and piano, the non-ornamented version is given first and followed by the version supplied by editor Sandro Caldini with ornaments typical of Vivaldi's time, which make this version of the Adagio particularly interesting for performers.In this first edition for oboe and piano, the non-ornamented version is given first and followed by the version supplied by editor Sandro Caldini with ornaments typical of Vivaldi's time.
SKU: BT.AMP-355-404
ISBN 9789043138789. 9x12 inches. English-German-French-Dutch.
Philip Sparkeââ¬â¢s Starter Solos is the first volume of a progressive series of books that takes the young wind player from beginner to accomplished musician. Specifically tailored for each instrument, this collection of 20solos starts with pieces based on only a handful of notes and carefully introduces new musical elements, such as articulation, dynamics and key signatures, in a structured progression to speed the learning process. The booksprovide invaluable additional material to complement any teaching method. Starter Solos comes with an online audio access. The advantages of playing either with piano or audio accompaniment are that the beginning playercan now experience the important aspects of ensemble playing from their earliest lessons, thus developing the essential skills of listening while they play and maintaining strict tempo, which is not always a factor when playingalone. Philip Sparkeââ¬â¢s Starter Solos is het eerste deel van een serie boeken met muziek voor jonge blazers. Deze bundel van twintig soloââ¬â¢s begint met stukken die op een handvol noten zijn gebaseerd. Nieuwe muzikale elementen(articulatie, dynamiek, enz.) worden op een doordachte, gestructureerde manier toegevoegd. Dit studiemateriaal vult elke leermethode aan en is steeds toegesneden op het betreffende instrument. Uitgave met online audio: Devoordelen van het spelen met begeleiding - hetzij met een pianist, hetzij met de opname - zijn dat de beginnende speler de belangrijke aspecten van het ensemblespel kan ervaren vanaf de eerste lessen en essentiële vaardigheden kanaanleren: het luisteren tijdens het spelen en het handhaven van een strak tempo. Bij het alleen spelen komen deze factoren minder aan de orde.Das frühe Lernstadium ist, neben einem guten Lehrer im Unterricht, für jedes Instrument zweifellos das Wichtigste. Von großer Bedeutung ist aber auch motivierendes Lehrmaterial.Für diese Ausgabe beriet sich Philip Sparke mitvielen Lehrern, wie man am besten neue Noten einführt und zugleich einen Rahmen schafft, in den sich neue musikalische Elemente in sinnvoller Reihenfolge einfügen lassen. Unterstützt von diesen Soli und Etüden in dreiverschiedenen Schwierigkeitsstufen können Instrumentalschüler schnell zu richtigen Musikern heranreifen. Jedes Buch ist genau auf die Bedürfnisse und Anforderungen des einzelnen Instrumentes zugeschnitten. Die Stücke in dieserAusgabe können dank der im Buch in Notenform enthaltenen und online als Audiotracks zugänglichen Begleitungen auch gut alleine oder mit einem Pianisten einstudiert und aufgeführt werden. Der Vorteil dabei ist, dass Anfänger sonicht nur die wichtigsten Aspekte des Ensemblespiels erfahren, sondern auch von Anfang an die Fähigkeit entwickeln, während des Spielens zugleich zuzuhören und das Tempo zu halten.Starter Solos est un recueil motivant offrant une présentation structurée des techniques de jeu et dââ¬â¢apprentissage. Les solos composés par Philip Sparke constituent les premiers pas plaisants de votre entrée dans leformidable monde de la musique ! Les enregistrements sont disponibles en ligne au format MP3 : vous trouverez une version intégrale de chaque pièce ainsi quââ¬â¢une version où ne subsiste que lââ¬â¢accompagnement. La versionpapier des accompagnements de piano est jointe au recueil.Accanto ad un buon insegnante, il materiale da studio valido è senza dubbio la cosa più importante al fine di un buon apprendimento. Eââ¬â¢ quindi importante mettere a disposizione dellââ¬â¢allievo materiale motivante. Nello scriverequesti soli, Philip Sparke si è consultato a più riprese con insegnanti ed allievi per mettere a punto brani che consentono anche ai più inesperti di suonare in modo soddisfacente. Gli accompagnamenti al piano sono accessibilionline come file MP3.
SKU: HL.51481248
UPC: 196288308096. 9.25x12.25x0.23 inches.
âOboe Concerto 1945, inspired by an American soldier, (oboist from Chicago)â â was what Richard Strauss noted down. And the oboist 0nd soldier with the American occupation John de Lancie had indeed asked Richard Strauss in May 1945 whether he had ever thought of writing an oboe concerto. Strauss answered in the negative, but soon got to work anyway. In October 1945, he had completed the score in Swiss exile; the premiere took place in Zurich in 1946. Not until 1948 did the first edition appear in London, presumably for the most part without the composer's involvement, for both the printed score and the orchestral parts exhibit numerous errors. Some of these have been known for a while, though others have only now been discovered by Hansjörg Schellenberger through his exact reconciliation of the autograph full score with the autograph particella. The world-class oboist thus presents this concerto for thefirst time in a Henle Urtext edition in both full score and piano reduction!
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SKU: ST.H498
ISBN 9790220225468.
From the composer of My Family and Other Animals for clarinet, here is a new collection of engaging and beautifully imagined oboe pieces by Edmund Jolliffe. Each one is not only a picturesque or playful study, but also a reflection of the anthology's title, addressing aspects of technique and interpretation through shapely melodies crafted around an aspiring phrase or phrases in the instrument's upper register. For oboists of between grades three and five standard, these pieces offer eight unique opportunities for thoroughly enjoyable and rewarding playing.
SKU: HL.48181136
French oboist, organist, teacher and composer, Charles Colin (1832-1881) studied at the Paris Conservatoire where he won many prizes. Colin then went on to lead a successful musical career and his wealth of experience led to the composition of Famous Solos for Competitions, which remain highly regarded to this day. Significantly, the entire compilation of Famous Solos for Competitions was performed 1983 by oboe students at the University of Washington. The first solo, Colin's Opus 33 is challenging for the advanced oboist. The work addresses many technicalities, including complex rhythms, a range of articulation, variations in performance directions, dynamics and time signatures, ornamentation and wide range, among other aspects. For all aspiring, advanced oboe players, Colin's Famous Solos for Competitions is an essential addition to the repertoire, providing excellent audition and competition pieces.
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