SKU: ST.C551
ISBN 9790570815517.
Bagatelle for Oboe and Piano was composed in 1950. This is the first time that the piece has been published.Mary Chandler was born in Kent in 1911. She studied music privately, and her teachers included Harry Farjeon (composition), Margaret Eliot and Leon Goossens (oboe) and Harold Craxton (piano). She read English at Oxford University and taught in London schools before joining the City of Birmingham Symphony Orchestra as principal oboist. She appeared with the CBSO as soloist (oboe and piano) and composer and gave broadcasts and recitals in the Midlands. Later, as a free-lance orchestral player, she formed the Mercian Trio (flute, oboe and piano) which gave concerts around the country.In 1960 Mary became Area Director of the Kent Music School, in charge of its wind teaching and of the varied activities of its Tonbridge Music Centre. She conducted many student groups and composed and arranged music for them until she retired in 1971. She continued to be actively involved in music thereafter, examining, composing and organising concerts. She spent her later years in Gloucestershire and died in 1996.Dr. Kristin Leitterman is currently the Assistant Professor of Oboe at Arkansas State University in Jonesboro, Arkansas, USA, where she teaches oboe and bassoon, Double Reed Techniques, and coaches small chamber ensembles. She is also the Director of the Lucarelli Oboe Master Class, a week-long immersive oboe master class founded by Bert Lucarelli in 1996. As a guest artist she has presented master classes at many institutions, including the Manhattan School of Music, New York University, and the Hartt School.As a researcher, Kirstin has interests in the life and works of Mary Chandler. She has presented her research at The Juilliard School, Music by Women Festival, the International Double Reed Society conferences, and the Brazilian Double Reed Society’s conference in João Pessoa, Paraíba, Brazil.
SKU: ST.C550
ISBN 9790570815500.
Traveller’s Joy — Two Walking Tunes for Oboe and Piano was composed in 1956. This is the first time the piece has been published.Mary Chandler was born in Kent in 1911. She studied music privately, and her teachers included Harry Farjeon (composition), Margaret Eliot and Leon Goossens (oboe) and Harold Craxton (piano). She read English at Oxford University and taught in London schools before joining the City of Birmingham Symphony Orchestra as principal oboist. She appeared with the CBSO as soloist (oboe and piano) and composer and gave broadcasts and recitals in the Midlands. Later, as a free-lance orchestral player, she formed the Mercian Trio (flute, oboe and piano) which gave concerts around the country.In 1960 Mary became Area Director of the Kent Music School, in charge of its wind teaching and of the varied activities of its Tonbridge Music Centre. She conducted many student groups and composed and arranged music for them until she retired in 1971. She continued to be actively involved in music thereafter, examining, composing and organising concerts. She spent her later years in Gloucestershire and died in 1996.Dr. Kristin Leitterman is currently the Assistant Professor of Oboe at Arkansas State University in Jonesboro, Arkansas, USA, where she teaches oboe and bassoon, Double Reed Techniques, and coaches small chamber ensembles. She is also the Director of the Lucarelli Oboe Master Class, a week-long immersive oboe master class founded by Bert Lucarelli in 1996. As a guest artist she has presented master classes at many institutions, including the Manhattan School of Music, New York University, and the Hartt School.As a researcher, Kirstin has interests in the life and works of Mary Chandler. She has presented her research at The Juilliard School, Music by Women Festival, the International Double Reed Society conferences, and the Brazilian Double Reed Society’s conference in João Pessoa, Paraíba, Brazil.
SKU: ST.C513
ISBN 9790570815135.
Sonatina for Oboe and Piano was composed in 1967 and given its first performance by Dinah Demuth, to whom it is dedicated. The Sonatina for Cor Anglais and Piano of 1968 was also written for Dinah Demuth, then a member of the Midland Light Orchestra, whose broadcasts included solo works such as these two Sonatinas. This Sonatina was originally published by Phylloscopus Publications in 1995.Dr. Kristin Leitterman is currently the Assistant Professor of Oboe at Arkansas State University in Jonesboro, Arkansas, USA, where she teaches oboe and bassoon, Double Reed Techniques, and coaches small chamber ensembles. She is also the Director of the Lucarelli Oboe Master Class, a week-long immersive oboe master class founded by Bert Lucarelli in 1996. As a guest artist she has presented master classes at many institutions, including the Manhattan School of Music, New York University, and the Hartt School.As a researcher, Kirstin has interests in the life and works of Mary Chandler. She has presented her research at The Juilliard School, Music by Women Festival, the International Double Reed Society conferences, and the Brazilian Double Reed Society’s conference in João Pessoa, Paraíba, Brazil.Former Spartan Press Cat. No.: PP160.
SKU: BT.DHP-1165698-401
ISBN 9789043150101. English-German-French-Dutch.
Which instrument renders a better representation of the unfortunate attempt of the young Icarus to fly beneath the sun? The composer Pascal Proust has many years’ experience as a musician and music teacher. His output includes several hundredcompositions for the most diverse instrumentations. He wrote Icare for oboe players at the level of approximately 3 4 years’ study and paid special attention to an easy-to-follow, attractive musical style. As a result, Icare is an idealperformance or competition work for young musicians.Welk instrument kan de onfortuinlijke poging van de jonge Icarus om onder de zon te vliegen beter bezingen? De componist Pascal Proust heeft jarenlange ervaring als muzikant en muziekdocent. Zijn oeuvre omvat honderden composities voor de meestdiverse instrumentaties. Hij schreef Icare voor hobo sten die ongeveer drie tot vier jaar les hebben, waarbij hij speciaal aandacht heeft besteed aan een makkelijk te volgen, aantrekkelijke muziekstijl. Daardoor is Icare een ideaalvoordrachts- of wedstrijdstuk voor jonge muzikanten.Welches Instrument könnte besser die unglücklichen Versuche des jungen Ikarus besingen, der zu nahe an die Sonne flog? Der Komponist Pascal Proust kann aus seiner langjährigen Erfahrung als Musiker und Musikpädagoge schöpfen; sein Oeuvre umfasstmehrere hundert Kompositionen für verschiedenste Besetzungen. Er schrieb Icare für Oboisten mit ungefähr 3 4 Jahren Unterrichtserfahrung und legte besonderes Augenmerk auf einen leicht verständlichen, attraktiven musikalischen Stil. Dadurcheignet sich Icare ideal als Vortrags- und Wettbewerbsstück für junge Musiker.Quel instrument chanterait mieux les malheureuses tentatives du jeune Icare pour voler sous le soleil ? Le compositeur Pascal Proust puise volonté dans son immense expérience de musicien et professeur de musique ; son catalogue d’oeuvres englobeplusieurs centaines de compositions pour divers instruments. Il a notamment écrit Icare pour hautbo stes ayant environ 3 4 années de pratique, dans un style musical accessible et coloré. De ce fait, Icare est la pièce idéale pour toutexamen ou audition de jeunes musiciens.
SKU: BT.EMBZ3769
English-German-Hungarian.
The source of the present edition of the Oboe Concerto in A minor by Antonio Vivaldi is the Collected Works of Vivaldi, edited by Malipiero, published by Ricordi 1955. The title of the original score is Concerto in La minore per oboe, archi e cembalo the original setting: Oboe, Violini I-II, Viole, Violoncelli, Contrabassi and Cembalo. The arrangement for oboe and piano is kept in accurate conformity with the musical text of score, the continuo part - however - has been more freely adapted (of course within the possibilities of baroque style). The piano part contains the entire orchestral material in the Tutti-s, thus the soloist is not obliged to play all the Tutti parts.However, in Movement I and III the first and last Tutti may never be omitted by the performer. Die Grundlage dieser Ausgabe des Oboenkonzertes in A-Moll von Antonio Vivaldi ist die von Malipiero redigierte Gesamtausgabe (Ricordi, 1955). Der Titel der Originalpartitur lautet: Concerto in La minore per oboe, archi e cembalo: die Besetzung ist folgende: Oboe, Violini I-II, Viole, Violoncelli, Contrabassi, Cembalo. Die Ausgabe für Oboe und Klavier ist dem Urtext der Partitur getreu, doch ist die Ausarbeitung des Continuos etwas freier behandelt (natürlich nur im Rahmen der vom Stil der Barockmusik gebotenen Möglichkeit). Die Klavierstimme enthält an den Tuttistellen das Stimmaterial des ganzen Orchesters: der Solist ist daher nicht verpflichtet, sämtliche Tuttimitzuspielen. (Im I. und III. Satz dürfen jedoch die ersten und letzten Tutti vom Solisten nicht weggelassen werden.
SKU: HL.51481248
UPC: 196288308096. 9.25x12.25x0.23 inches.
âOboe Concerto 1945, inspired by an American soldier, (oboist from Chicago)â â was what Richard Strauss noted down. And the oboist 0nd soldier with the American occupation John de Lancie had indeed asked Richard Strauss in May 1945 whether he had ever thought of writing an oboe concerto. Strauss answered in the negative, but soon got to work anyway. In October 1945, he had completed the score in Swiss exile; the premiere took place in Zurich in 1946. Not until 1948 did the first edition appear in London, presumably for the most part without the composer's involvement, for both the printed score and the orchestral parts exhibit numerous errors. Some of these have been known for a while, though others have only now been discovered by Hansjörg Schellenberger through his exact reconciliation of the autograph full score with the autograph particella. The world-class oboist thus presents this concerto for thefirst time in a Henle Urtext edition in both full score and piano reduction!
About Henle Urtext
What I can expect from Henle Urtext editions:
SKU: BR.MR-2295
ISBN 9790004488430. 9 x 12 inches.
It is difficult to determine exactly how many oboe concertos Antonio Vivaldi wrote. Although the present Concerto in F major was earlier seen as a secure work by Vivaldi (therefore it has the old RV-number 458), Vivaldi's authorship got even more disputable (in contrast to the C major Concerto RV 446 MR 2294). The doubts cannot even be dispelled by the existence of two sources from a large collection in Lund, Sweden. The Adagio central movement deserves our particular attention, as it was transmitted in different versions in the two sources. In this first edition for oboe and piano, the non-ornamented version is given first and followed by the version supplied by editor Sandro Caldini with ornaments typical of Vivaldi's time, which make this version of the Adagio particularly interesting for performers.In this first edition for oboe and piano, the non-ornamented version is given first and followed by the version supplied by editor Sandro Caldini with ornaments typical of Vivaldi's time.
SKU: FL.FX073469
A page for young oboe players from 5 years of instrument practice. They will employ all their agility, will present it to a large audience, take some risks... as acrobats and jugglers... - Pascal PROUST ; Instruments: 1 Oboe 1 Piano; Difficuly Level: Grade 3.
SKU: BT.DHP-1185921-404
ISBN 9789043155014. English.
Look, Listen & Learn sets the bar for brass and woodwind teaching nowadays. These exciting method book/CD packs for beginners contain songs, music puzzles and games to increase the pupils’ understanding of music, information about their instrument, and lots of fun pieces to play. The three volumes of the method that form the basis of this series are enhanced by several books with supplementary material designed to correspond with the progress of the method.
In Meet the Masters, the melodies are arranged in increasing order of difficulty and can be used in conjunction with all three volumes of the Look, Listen & Learn method series. Pupils takea journey through music history and meet the most important composers of classical music, from Tielman Susato to Anton n Dvo ák, together with pertinent historical commentary. The present edition includes printed music for piano accompaniments, expertly arranged at a moderate level of difficulty, which are also available in recorded versions online to stream or download.
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version
