SKU: HL.51481248
UPC: 196288308096. 9.25x12.25x0.23 inches.
âOboe Concerto 1945, inspired by an American soldier, (oboist from Chicago)â â was what Richard Strauss noted down. And the oboist 0nd soldier with the American occupation John de Lancie had indeed asked Richard Strauss in May 1945 whether he had ever thought of writing an oboe concerto. Strauss answered in the negative, but soon got to work anyway. In October 1945, he had completed the score in Swiss exile; the premiere took place in Zurich in 1946. Not until 1948 did the first edition appear in London, presumably for the most part without the composer's involvement, for both the printed score and the orchestral parts exhibit numerous errors. Some of these have been known for a while, though others have only now been discovered by Hansjörg Schellenberger through his exact reconciliation of the autograph full score with the autograph particella. The world-class oboist thus presents this concerto for thefirst time in a Henle Urtext edition in both full score and piano reduction!
About Henle Urtext
What I can expect from Henle Urtext editions:
SKU: ST.C551
ISBN 9790570815517.
Bagatelle for Oboe and Piano was composed in 1950. This is the first time that the piece has been published.Mary Chandler was born in Kent in 1911. She studied music privately, and her teachers included Harry Farjeon (composition), Margaret Eliot and Leon Goossens (oboe) and Harold Craxton (piano). She read English at Oxford University and taught in London schools before joining the City of Birmingham Symphony Orchestra as principal oboist. She appeared with the CBSO as soloist (oboe and piano) and composer and gave broadcasts and recitals in the Midlands. Later, as a free-lance orchestral player, she formed the Mercian Trio (flute, oboe and piano) which gave concerts around the country.In 1960 Mary became Area Director of the Kent Music School, in charge of its wind teaching and of the varied activities of its Tonbridge Music Centre. She conducted many student groups and composed and arranged music for them until she retired in 1971. She continued to be actively involved in music thereafter, examining, composing and organising concerts. She spent her later years in Gloucestershire and died in 1996.Dr. Kristin Leitterman is currently the Assistant Professor of Oboe at Arkansas State University in Jonesboro, Arkansas, USA, where she teaches oboe and bassoon, Double Reed Techniques, and coaches small chamber ensembles. She is also the Director of the Lucarelli Oboe Master Class, a week-long immersive oboe master class founded by Bert Lucarelli in 1996. As a guest artist she has presented master classes at many institutions, including the Manhattan School of Music, New York University, and the Hartt School.As a researcher, Kirstin has interests in the life and works of Mary Chandler. She has presented her research at The Juilliard School, Music by Women Festival, the International Double Reed Society conferences, and the Brazilian Double Reed Society’s conference in João Pessoa, Paraíba, Brazil.
SKU: ST.C550
ISBN 9790570815500.
Traveller’s Joy — Two Walking Tunes for Oboe and Piano was composed in 1956. This is the first time the piece has been published.Mary Chandler was born in Kent in 1911. She studied music privately, and her teachers included Harry Farjeon (composition), Margaret Eliot and Leon Goossens (oboe) and Harold Craxton (piano). She read English at Oxford University and taught in London schools before joining the City of Birmingham Symphony Orchestra as principal oboist. She appeared with the CBSO as soloist (oboe and piano) and composer and gave broadcasts and recitals in the Midlands. Later, as a free-lance orchestral player, she formed the Mercian Trio (flute, oboe and piano) which gave concerts around the country.In 1960 Mary became Area Director of the Kent Music School, in charge of its wind teaching and of the varied activities of its Tonbridge Music Centre. She conducted many student groups and composed and arranged music for them until she retired in 1971. She continued to be actively involved in music thereafter, examining, composing and organising concerts. She spent her later years in Gloucestershire and died in 1996.Dr. Kristin Leitterman is currently the Assistant Professor of Oboe at Arkansas State University in Jonesboro, Arkansas, USA, where she teaches oboe and bassoon, Double Reed Techniques, and coaches small chamber ensembles. She is also the Director of the Lucarelli Oboe Master Class, a week-long immersive oboe master class founded by Bert Lucarelli in 1996. As a guest artist she has presented master classes at many institutions, including the Manhattan School of Music, New York University, and the Hartt School.As a researcher, Kirstin has interests in the life and works of Mary Chandler. She has presented her research at The Juilliard School, Music by Women Festival, the International Double Reed Society conferences, and the Brazilian Double Reed Society’s conference in João Pessoa, Paraíba, Brazil.
SKU: IS.OP4179EM
ISBN 9790365041794.
In 1901, Flor Alpaerts finished his music studies at the Flemish School of Music of Antwerp, which later became the Royal Flemish Conservatory. He studied harmony and composition with Jan Blockx. In 1903 he became professor at this institute and from 1934 until 1941 its director. For one season (1922-1923) he was also director of the Royal Flemish Opera House of Antwerp together with the bass Arthur Steurbaut. His fame, as a composer and a conductor, came shortly after World War I, when he succeeded Eduard Keurvels in 1919 as conductor of the concerts organized by the Royal Zoological Society of Antwerp and as artistic director of the Peter Benoit Fonds. He also conducted the choral group Arti Vocali. As a composer, Flor Alpaerts was the leading figure in the Flemish impressionistic movement, utilizing an impressionism that came closer to Richard Strauss and Ottorino Respighi than to Claude Debussy. A highlight in this direction was the symphonic poem Pallieter (1921-1924). With his suite James Ensor, inspired by four works of the Ostend painter, he created an expressionistic work. In his later compositions he turned to neo-classicism. Though mostly known for writing larger scale works during his life, this Concertstuk for oboe and piano, composed towards the end of his life came at a time when he unexpectedly because to compose chamber music. In addition to this work for oboe, he composed a solo piece for clarinet, as well as four string quartets during his final years.
SKU: ST.C513
ISBN 9790570815135.
Sonatina for Oboe and Piano was composed in 1967 and given its first performance by Dinah Demuth, to whom it is dedicated. The Sonatina for Cor Anglais and Piano of 1968 was also written for Dinah Demuth, then a member of the Midland Light Orchestra, whose broadcasts included solo works such as these two Sonatinas. This Sonatina was originally published by Phylloscopus Publications in 1995.Dr. Kristin Leitterman is currently the Assistant Professor of Oboe at Arkansas State University in Jonesboro, Arkansas, USA, where she teaches oboe and bassoon, Double Reed Techniques, and coaches small chamber ensembles. She is also the Director of the Lucarelli Oboe Master Class, a week-long immersive oboe master class founded by Bert Lucarelli in 1996. As a guest artist she has presented master classes at many institutions, including the Manhattan School of Music, New York University, and the Hartt School.As a researcher, Kirstin has interests in the life and works of Mary Chandler. She has presented her research at The Juilliard School, Music by Women Festival, the International Double Reed Society conferences, and the Brazilian Double Reed Society’s conference in João Pessoa, Paraíba, Brazil.Former Spartan Press Cat. No.: PP160.
SKU: ST.C461
ISBN 9790570814619.
This edition replaces the old Nova Edition NM394 and the subsequent but also now defunct EMA142. Both previous editions are now out of print. This is a freshly edited, updated and greatly improved edition.[bg_collapse view=link color=#4a4949 icon=arrow expand_text=Show More collapse_text=Show Less ]Gioacchino Rossini: Variations for Oboe and PianoRossini was still a student at the Liceo Filarmonico in Bologna when he wrote these Variations at the age of 18. Originally thought to have been written for Clarinet in C and Orchestra, recent scholarship, culminating in Heinz Holliger’s brilliant recording (Philips 9500 564), has provided many good reasons why the oboe is clearly the solo instrument. Not only does it ‘look like’ oboe music but the writing (within the oboe’s exact range at that time) ignores more than an octave of the clarinet’s potential range. Also, it is most unusual to find the solo wind instrument duplicated in the accompanying orchestral parts, thus providing unnecessary competition in timbre.Frédéric Chopin: Variations on a Theme by RossiniNo such ambiguity surrounds the origin of Chopin’s Variations on a Theme from Rossini’s opera La Cenerentola — orginally for flute. It is not definitely known for whom they were written, but they may have been either for his father (who played the flute), or for his close friend Matuszynski. They date from 1826-30 and here transposed from the original E major into D major for the oboe, provide a valuable addition to the oboist’s nineteenth century repertoire.[/bg_collapse]Arranged by Mark GoddardGrades 7–8Former Spartan Press Cat. No.: EMA142.
SKU: FL.FX072863
Pall Mall, a pretty street in London where it is good to stroll... and where you can meet a young musician who plays this easy air. - Pascal PROUST ; A perfect Piece for exams or auditions - for students for 4 years onwards ; Instruments: 1 Oboe 1 Piano; Difficuly Level: Grade 3.
SKU: FL.FX073423
The Oboe du cote de chez Proust is a series of pieces composed by Pascal PROUST with piano accompaniment. Each piece is also published separately.This volume, for beginners, is a visit full of surprises in an incredible zoo where nice elephants applaude a parade of ants... These 6 short pieces for very young oboists reflect those rare moments! ; Instruments: 1 Oboe 1 Piano; Difficuly Level: Grade 1; Duration: 6 mn 30 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Pascal PROUST;.
SKU: BT.AMP-361-400
ISBN 9789043136679. 9x12 inches. English-German-French-Dutch.
Sounds Classical for Oboe is a collection of graded solos selected specifically for the developing oboe player.
Designed to correlate with grades 1-4 of the exam syllabus of the Associated Board of the royal Schools of Music, the pieces are drawn from four centuries of classical repertoire ranging from Susato to Sullivan, and will provide ideal material forpractice or recital.
Also available: Sounds Classical for Bassoon, AMP 362-400Sounds Classical for Oboe is een verzameling van solos die speciaal voor hoboleerlingen zijn geselecteerd - in oplopend niveau.
De stukken komen qua moeilijkheidsgraad overeen met niveau 1-4 van de examenbundel van de Britse Associated Board of the Royal Schools of Music. Ze bestrijken een periode van vier eeuwen klassiek repertoire - van Susato tot Sullivan - en ze vormenideaal materiaal voor zowel lessen als optredens.
Ook verkrijgbaar: Sounds Classical for Bassoon, AMP 362-400SOUNDS CLASSICAL ist eine Sammlung von im Schwierigkeitsgrad fortschreitenden Soli, die speziell für werdende Oboisten ausgewählt wurden. Philip Sparke wählte für dieses Buch Stücke aus dem klassischen Repertoire aus vier Jahrhunderten aus - vonSusato über Telemann, Händel, Grieg, Purcell, Mozart bis Sullivan - das ideale Material zum Üben oder Vorspielen!Sounds Classical for Oboe est une collection de solos de difficulté croissante, sélectionnés spécifiquement pour les hautbo stes débutants. Ces pièces couvrent quatre siècles du répertoire classique, de Susato Sullivan, et se prêtentparfaitement l’étude comme une interprétation en concert.
SKU: JK.09169
Only available as a PDF download. Oboe solo with piano accompaniment.Composer: Joleen G. Meredith Arranger: James C. Kasen Performance time: 4:10Reference: John 14:27, John 16:33, Hebrews 4:14-16.
SKU: HL.48181136
French oboist, organist, teacher and composer, Charles Colin (1832-1881) studied at the Paris Conservatoire where he won many prizes. Colin then went on to lead a successful musical career and his wealth of experience led to the composition of Famous Solos for Competitions, which remain highly regarded to this day. Significantly, the entire compilation of Famous Solos for Competitions was performed 1983 by oboe students at the University of Washington. The first solo, Colin's Opus 33 is challenging for the advanced oboist. The work addresses many technicalities, including complex rhythms, a range of articulation, variations in performance directions, dynamics and time signatures, ornamentation and wide range, among other aspects. For all aspiring, advanced oboe players, Colin's Famous Solos for Competitions is an essential addition to the repertoire, providing excellent audition and competition pieces.
SKU: HL.50564714
Inch....this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken inch. (Oliver James,Contact Magazine) A novel and comprehensive approach to transferring from the C to F instrument. 430 music examples include folk and national songs (some in two parts), country dance tunes and excerpts from the standard treble repertoire ofBach, Barsanti, Corelli, Handel, Telemann, etc. An outstanding feature of the book has proved to be Brian Bonsor's brilliantly simple but highly effective practice circles and recognition squares designed to give, in only a few minutes, concentrated practice on the more usual leaps to and from each new note and instant recognition of random notes. Quickly emulating the outstanding success of the descant tutors, these books are very popular even with those who normally use tutors other than the Enjoy the Recorder series.
SKU: BT.EMBZ1852
Hungarian.
It s quite rare when a composer s diploma work becomes a successful, popular piece even after 70 years. Frigyes Hidas (1928 2007) Oboe Concerto, written in 1951, is a work that Péter Pongrácz, Lajos Lencsés, and many other Hungarian and foreign oboists gladly add to their concert programs. It is difficult to pinpoint exactly what stylistic conventions helped to form the musical language of the Oboe Concerto: the three-movement form is suggestive of Viennese Classicism, and Hungarian motifs of the era can also be detected here and there. However, the main influences can be felt from the Neoclassicism of the 1920s and 1930s, the Baroque era, and the French woodwind school. Aswith all of his musical creations, Hidas demonstrates here that he is a master of instrumental knowledge, consideration towards his works performers, and tasteful moderation. This publication is printed on high-quality, age-resistant, pale-yellow paper that is produced in an environmentally-friendly, climate-neutral manner using renewable raw materials.
SKU: FL.FX074211
Who does not have a little nostalgic air in their head when they think of their last vacation in Italy? And who says Italy says Tarantella! - Pascal PROUST ; A piece to be played from 5 years of practice. ; Instruments: 1 Oboe 1 Piano; Difficuly Level: Grade 3; Duration: 3 mns; Musical Style: Classical, Educational; Category: Original Composition; Composer: Pascal PROUST.
SKU: PR.16400293S
UPC: 680160632275. 9x12 inches.
The Moerae was written for Welcher's long-time friend Robert Freeman, director of the Eastman School of Music (1972 to 1996) and Dean of the College of Fine Arts at the University of Texas at Austin (2000 to 2006). Its premiere was given by the Westwood Wind Quintet with Lisa Bergman (piano), who write, The Moerae, with its interesting instrumentation, fascinating story line, and beautiful melodies, is a true work of art. The Moerae are the three fates who spin the thread of life, measure it, and cut it when they please. The Westwood also recorded the work on their Crystal Records CD790, Fate and Fire.
SKU: PR.164002930
UPC: 680160632251. 9x12 inches.
SKU: HL.48014768
UPC: 073999881912.
Special Import titles are specialty titles that are not generally offered for sale by US based retailers. These items must be obtained from our overseas suppliers. When you order a special import title, it will be shipped from our overseas warehouse. The shipment time will be slower than items shipped directly from our US warehouse and may be subject to delays.
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version
