SKU: FZ.5863
ISBN 9790230658638. 24.00 x 33.00 cm inches.
These early music methods are in facsimile in three books. Apollon Marie Rose BARRET - Emile CORRET - Charles DUPART - Stanislas VERROUST. Table of contents: Barret Apollon Marie Rose: Methode complete de hautbois - 1850. Corret Emile: Tablature generale du hautbois - 1854. Verroust Stanislas: Methode pour le hautbois - 1857. Dupart Charles: Methode polyphonique - 1859. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - British Library of London (England). - National Library of Paris (France). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the oboe.
SKU: HL.133202
UPC: 884088980368.
SKU: SU.94010762
Dedicated to Titus Underwood, Principal Oboe, Nashville Symphony OrchestraOboe Duration: 5' Composed: 2020 Published by: Subito Music Publishing PROGRAM NOTE: The year 2020 has definitely been a very challenging year with many upheavals. During this time of the COVID-19 health crisis, wearing masks, and high racial tensions, I decided to compose four short solo woodwind works for flute, oboe, clarinet, and bassoon, which represent the core woodwind section in an orchestra. I was inspired to compose these short pieces after I first heard Igor Stravinsky's three short pieces for clarinet, which totals a little more than four minutes in duration. I thought that it would be nice to highlight and honor my African-American male colleagues in the orchestral music world. I wanted to celebrate the fact that they are the principal player in the section of their respective orchestras. The short pieces are as follows: Principal Brother No. 1 for flute solo for Demarre McGill, Principal Flute of the Seattle Symphony Orchestra, Principal Brother No. 2 for oboe solo for Titus Underwood, Principal Oboe of the Nashville Symphony Orchestra, Principal Brother No. 3 for clarinet solo for Anthony McGill, Principal Clarinet of the New York Philharmonic, and Principal Brother No. 4 for bassoon solo for Bryan Young, Principal Bassoon of the Baltimore Chamber Orchestra. These works all begin with notes that are representative of their name; D for Demarre, B for Titus (ti in solfège starting on C), A for Anthony, and Bb for Bryan. There is also a rhythmic figure in the opening measures of each piece, which represent the utterance of their names. All four of these works are rhapsodic in nature with elements of improvisation. - James Lee III.
SKU: HL.50583368
SKU: GI.G-MOB
English.
For the teacher of instrumental music classes, individual differences among students are inevitable. Unfortunately, the lack of flexible materials frequently forces teachers to adopt a quasi-instructional procedure best described as lockstep, where all students in the class rehearse each exercise until the slow members of the class succeed or until the teacher gives up. The Individualized Instructor was designed with the expectation that students are different. With this method, high-, average-, and low-achieving students in a class are able to progress simultaneously at their own rate according to their interest and ability. In addition, the flexibility of the instructional format often allows twelve or more students to perform different musical material simultaneously, thereby eliminating the “follow the leader†approach to music learning. All study materials in the series are musical. Nonmusical exercises are excluded in favor of folk song literature, musical rounds, and musical ensembles. Furthermore, The Individualized Instructor encourages students to think about their music: to analyze unfamiliar material, generalize previously learned concepts and skills, and synthesize all elements into a musically proficient performance. In addition, this series develops many fundamentals (tonality, phrasing, tempo, and musical style) through the use of the singing voice. Singing best provides the “musical†experience that, subsequently, can be applied to the development of musically sensitive instrumental performance. Books 1, 2, and 3 and the supplementary books ensure that these fundamental ideas are carried well beyond the first year of instruction.
SKU: HL.50488164
ISBN 9790080044278. B/4 (24,3 x 33,6 cm) inches. Hungarian, English, German.
SKU: HF.FH-7033
ISBN 9790203470335. 8.3 x 11.7 inches.
Dettinger Te Deum; O preist den Herrn (Psalm 135); O frohlocke in dem Herrn (Psalm 100); Acis und Galathea (Oratorium); Alcina (Oper); Deidamia (Oper); Silla (Oper); Rodrigo (Oper); Almira (Oper); Riccardo (Oper); Orlando (Oper); Arianna (Oper).
SKU: FL.FX073364
Instruments: 1 Solo Oboe; Difficuly Level: Grade 3; Duration: 4 mn 25 s; Musical Style: Classical, Educational; Category: Arrangement, Republished Master Piece; Composer: Johann Sebastian BACH; Arranger: Eric VIRETON.
SKU: FL.FX073312
Instruments: 1 Solo Oboe; Difficuly Level: Grade 3; Duration: 2 mn 40 s; Musical Style: Classical, Educational; Category: Arrangement, Republished Master Piece; Composer: Georges BIZET; Arranger: Eric VIRETON.
SKU: FL.FX073351
Instruments: 1 Solo Oboe; Difficuly Level: Grade 3; Duration: 2 mn 10 s; Musical Style: Classical, Educational; Category: Arrangement, Republished Master Piece; Composer: Antonio VIVALDI; Arranger: Eric VIRETON.
SKU: FL.FX073338
Instruments: 1 Solo Oboe; Difficuly Level: Grade 3; Duration: 2 mn 20 s; Musical Style: Classical, Educational; Category: Arrangement, Republished Master Piece; Composer: Henry PURCELL; Arranger: Eric VIRETON.
SKU: HF.FH-7333
ISBN 9790203473336. 9 x 12 inches.
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