SKU: SU.50028750

Oboe Duration: c. 7' Composed: 1980 Published by: Seesaw Music Composer's Note: Intended to show off advanced oboe techniques, including numerous multiphonics (a calisthenics for the oboe). Inspired by the oboe playing of James Ostryniec.

SKU: BT.MUSM570362240

English.

Metamorphoses after Britten was written for Melinda Maxwell, for UYMP's Signals volume of new music for Oboe. It was first performed by Melinda at York University on 24th November 2010. I - A Mountain II - Fixation III - Flowers IV - Fountains Metamorphoses after Britten by philipvenables Metamorphoses after Britten are just that: four miniatures, each inspired by one of Benjamin Britten’s Six Metamorphoses after Ovid for solo oboe. Each movement, over its short course, transforms gradually from one thing to another, ending, with the exception of Fountains, in a short, cathartic coda. Some of the movements also take specific musical elements from Britten’s pieces. I verymuch viewed these pieces as musical Haiku, and in that sense I hope they embody a sense of peace, brevity and simplicity. The oboe version of Metamorphoses after Britten is dedicated to Melinda Maxwell. The saxophone version of Metamorphoses after Britten, with an additional movement, is dedicated to Vicki and Andrew Vaughan      - Philip Venables     .

SKU: HL.49019805

ISBN 9790001194556. 9.25x0.06 inches.

Commissioned by oboist Francois Leleux. Inspired by folkloristic music from Cuba and Mexico. ca. 6 minutes.

SKU: ST.C467

ISBN 9790570814671.

I was inspired to create this work after attending a Greek mythology seminar at the University of Geneva: a collection of solo oboe or English horn pieces, allowing a certain freedom of improvisation to the performer. The muses are often shown in Ancient Greek art, holding musical instruments or other associated objects.

The Nine Muses came to life initially in 2006, thanks to Phylloscopus Publications and K. R. Malloch.

â?? Ayser Vançin.

SKU: OT.23127

ISBN 9789655050721. 8.27 x 11.69 inches.

Bakashot are piyyutim (religious poems) which are sung late at night mostly on Sabbaths and holidays. These poems have many spiritual and mystical influences, and their origin is among the Sephardic Jews before the Expulsion from Spain. The singing of the bakashot was expanded during the 16th Century, particularly by the mystics in Safed, and appears also in the singing of the the maftirim among Turkish Jews.
These four miniatures for oboe solo are personal prayers written in the inspiration of the bakashot.
Daniel Akiva is a composer, performer, and educator whose performances on guitar and lute have won great acclaim. Mr. Akiva graduated from the Rubin Academy of Music in Jerusalem in 1981, where he studied classical guitar with Haim Asulin and composition with Haim Alexander. In 1987 he completed his studies at the Geneva Conservatorium in Switzerland where he studied lute with Jonathon Rubin and composition with Jean Ballisa. For many years, he headed the Music Department at the WIZO High School for the Arts in Haifa, which he founded in 1986, and served as the Artistic Director of the Guitar Gems Festival from 2006-2019. As part of his work at WIZO High School, he has developed a method for teaching free improvisation that has been incorporated into the music program at the school.
Mr. Akiva has appeared in concert as a guitarist and lutist and given master classes in Israel, Europe, Russia, the United States, and Latin America. Daniel Akiva’s compositional output includes works for solo instruments, chamber ensembles, choir, voice and guitar, piano, and chamber orchestra. His works have been recorded on twelve CDs, the latest of which, Malchut, was issued by OR-TAV in 2014.
A native of Haifa whose family has lived in Israel for over five hundred years, he was steeped in the Sephardic (Jewish-Spanish) tradition from his youth. Much of his compositional output has been devoted to a dialogue with the music of the Sephardic Jews. Daniel Akiva has also maintained a creative dialogue over many years with the poets and writers Amnon Shamash, Rivka Miriam, and Avner Peretz.

SKU: GH.CG-5930

ISBN 9790070007016. A4 inches.

Erland von Koch's 18 Monologues for various instruments are solo pieces that in an ingenious way explore the instruments different means of expression. The pieces are permeated by inspiration from Swedish folk music, melodies and rhythmic vitality.

SKU: JK.01939

UPC: 093285019393.

Hymn-Alongs makes playing hymns and primary songs a blast! It is available for almost any instrument and is designed to be simple enough for developing musicians and fun for those advancing in music.
The Accompaniment Book features beautiful, yet simple arrangments for piano, guitar, and voice. Instrumental books are sold separately and can be played together in any combination. All instrument books include a melody part; treble instruments also have a duet part, and bass instruments also include a bass part.
See all Hymn-Alongs Vol. 1 products
Songs included in this Hymn-Alongs Vol. 1:
Come, Follow Me
I Love to See the Temple
Choose the Right
I Am a Child of God
Count Your Blessings
Called to Serve
Joseph Smith's First Prayer
Beautiful Savior
We Thank Thee O God for a Prophet
I'm Trying to Be Like Jesus
Families Can Be Together Forever
He Sent His Son
My Heavenly Father Loves Me
Composer: Various
Arranger: Brent Jorgensen
Difficulty: Easy.

SKU: ST.C468

ISBN 9790570814688.

The inspiration for Chants de la Terre (Songs of the Earth) and Le Réveil (The Awakening) was born during my creation of the musical theatre show â??dâ??Exil en Exilâ?? (performed at numerous international festivals) on the poetic work of Nazım Hikmet, (the great Turkish humanist poet). In this show, among other compositions, I sometimes played this music to accompany the poems â??Chants des Hommesâ?? and â??Réveilâ?? and sometimes played the pieces solo as a musical meditation.

Chants de la Terre and Réveil came to life initially in 2007, thanks to Phylloscopus Publications and K. R. Malloch.

â?? Ayser Vançin.