SKU: BA.BA09099-65
ISBN 9790006565672. 32.5 x 25.5 cm inches. Key: E minor.
WithElverskud(The Erl-Kings Daughter), Gade presented his secondsecular cantata for soloists, choir and orchestra, the first having been his successfulComalaOp. 12 (1845/46). The genre was quite popular among his contemporaries. This time, Gade planned to base the work on the text of a folk song. Originally, he had approached Hans Christian Andersen for a text but a collaboration did not materialize. The text Gade ultimately chose for his music was that of a ballad most likely penned by Emil Erslev and Gade himself. A German translation by Edmund Lobedanz was added at a later time.The composition, started in 1851 and finished in March of 1854, soon became an international success and one of Gade's most-performed works. In 1864, the composer made a number of changes to the instrumentation. While the new version was subsequently used for all performances conducted by Gade, the changes were never incorporated into the printed edition of the score. This edition is the first to present this 1864 version.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from B�¤renreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer�s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: HL.49045342
ISBN 9783795765989. UPC: 841886020382. 6.5x9.0x0.245 inches. German - English.
Volume 98 includes a Naxos CD with performances by the Deutsche Bachsolisten under the direction of Helmut Winschermann.
SKU: SU.28110020
Grand romantic Violin Concerto following in the footsteps of Barber Violin & Orchestra Duration: 27' Composed: 2016 Published by: Distributed Composer Listen on Youtube: Performance materials available on rental only:.
SKU: SU.28100040
Commissioned by Daniel Hope, the Zurich Chamber Orchestra, New Century Chamber Orchestra, and Savannah FestivalViolin & Orchestra [solo vn; 0100; 2000; stgs] Duration: 26' Composed: 2017 Published by: Distributed Composer Also available: Solo part with piano reduction (Cat #28100041) Performance materials available on rental only:.
SKU: SU.80401775
Solo Violin Part onlyViolin & Orchestra Duration: 30' Composed: 2012 Published by: Paulus Publications Performance materials available on rental only:.
SKU: SU.94010730
Instrumentation: Violin & Orchestra [solo vn; 2222; 2200; timp, 2perc, hp; stgs Duration: 31' Composed: 2019 Published by: Subito Music Publishing Performance materials available on rental only: Subito Music Rental Library.
SKU: SU.29110035
Solo Violin Part onlyConcerto for Violin & Orchestra Duration: 40' Composed: 2015 Published by: Wynton Marsalis Performance materials available on rental:.
SKU: SU.28100042
Solo Violin part onlyViolin & Orchestra Duration: 26' Composed: 2017 Published by: Distributed Composer Performance materials available on rental only:.
SKU: SU.46100410
Violin & Orchestra Duration: 19' Composed: 2015 Published by: Andrew Waggoner Music Performance materials available on rental only:.
SKU: SU.92010340
Violin & Orchestra Duration: 9' Composed: 2014 Published by: Subito Music Publishing Also available: Piano reduction score and solo Violin part (92010341) Performance materials available on rental only:.
SKU: HL.50485236
ISBN 9790080400609. A/5 (14,2x20) inches. Gabor Darvas.
Though some themes of the D major Violin Concerto appear fragmentarily among Beethoven's earlier drafts, the score received its final shape - according to the autograph manuscript - in 1806 only. The first performance took place on December 23 of the same year in Vienna, the violon solo was played by Franz Clement. The concerto met with a rather cold reception: this critic of the Wiener Theaterzeitung admitted 'some beauty' in it but for the rest he found that '...the coherence often seems totally broken and the endless repetitions of some commonplace sections can easily become tedious.' The performance may have not been totally satisfying, it is certainly surprising that the setof parts published in 1808 is dedicated to Stephan von Breuning instead of Clement. It is not impossible that Beethoven lost faith in the value and future of his work, too, - his later attempt to change it into a piano concerto can be interpreted in this way.
SKU: SU.94010610
Instrumentation: solo vn; 2222; 2200; timp, 2 perc, hp; stgs Duration: 30' Composed: 2018 Published by: Subito Music Publishing Performance materials available on rental only from the Subito Music Rental Library.
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