Composed by Johannes Brahms (1833-1897), edited by Brown Clive. Score for violin solo and orchestra. Published by Baerenreiter-Ausgaben (German import). ISBN M006526093.

Violin and Orchestra

SKU: BT.SCHEE806-01

Kadenz. Composed by Johannes Brahms. Arranged by Joseph Joachim. Part. 4 pages. Simrock #SCHEE806-01. Published by Simrock (BT.SCHEE806-01).

A Cadenza for the Brahms Violin Concerto.

By Johannes Brahms (1833-1897). Edited by Clive Brown. For violin and orchestra (solo violin/2 flutes/2 oboes/2 clarinets/2 bassoons/4 horns/2 trumpets/timpani/2 violins/viola/cello/double bass). This edition: Paperback, Urtext edition. Study score. Text Language: English/German. Opus 77. 101 pages. Duration 38'. Published by Baerenreiter Verlag

Violin and Orchestra

SKU: HL.50496124

Opus 77. Composed by Johannes Brahms. MGB. Solo & Concerto. Score Only. Composed 1984. Ricordi #PR494. Published by Ricordi (HL.50496124).

PER VIOLINO E ORCHESTRA - PARTITURA.

SKU: BA.BVK01950

Composed by Andreas N. Tarkmann and Johannes Kohlmann. Paperback. Book. 240 pages. Baerenreiter Verlag #BVK01950_00. Published by Baerenreiter Verlag (BA.BVK01950).

ISBN 9783761819500. 19 x 12.5 cm inches. Language: German. Preface: Tarkmann, Andreas N.

Mendelssohn's Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the premiere; the 'child prodigy' Joseph Joachim; and Hubert Leonard, a young Belgian virtuoso about whom little is known.

As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Leonard.

The letter informs us that the composer invited Leonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Leonard.

The recently discovered proofs reveal how Leonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Leonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.

It is safe to assume that all of this was done with Mendelssohn's approval. That the young violinist made a positive impression on the composer is confirmed in the latter's correspondence following their joint performance. Mendelssohn is full of praise for Leonard's playing and offers to lend his support in finding employment in Germany.

This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice.

The editor, Clive Brown, is an acknowledged expert on Romantic performance practice.

- New source situation owing to recently rediscovered proofs
- Revised Urtext edition
- With a separate booklet on performance practice (Eng/Ger).