SKU: HL.50037780
8.0x10.75x0.138 inches.
SKU: HL.50032110
8.0x10.75x0.162 inches.
SKU: TM.01293SC
Music has Op. 1 No. 3 on parts and sc. Ed. by Bonelli.
SKU: HL.50033450
8.0x10.75x0.1 inches.
SKU: TM.01293SET
SKU: HL.49001901
ISBN 9790001117562. UPC: 073999540345. 9.0x12.0x0.05 inches.
Vivaldi's concerto in D minor was originally scored for: Viola d'amore, lute, strings, harpsi-chord (continuo). In this edition, the viola d'amore was replaced with the viola and the -lute with the modern guitar.
SKU: HL.14042981
ISBN 9788759828304.
Symphony No. 13 was composed in 2013 by Danish composer and organist Ib Norholm . Symphony No. 13 has been composed for full orchestra.
SKU: HL.49042627
ISBN 9784890663545. UPC: 073999359886. 10.0x14.25x0.099 inches.
SKU: HL.50037100
6.75x10.5 inches.
SKU: BA.BA06861
ISBN 9790260104211. 34.3 x 27 cm inches.
LeoÅ¡ Janácek’s symphonic fragment Dunaj (The Danube) dates from the period of the composition of “Katya Kabanovaâ€. The composer was not concerned with a musical-picturesque description of a river landscape, but with the mythical link between women’s destinies and water.“Pale green waves of the Danube! There are so many of you, and one followed by another. You remain interlocked in a continuous flow. You surprise yourselves where you ended up – on the Czech shores! Look back downstream and you will have an impression of what you have left behind in your haste. It pleases you here. Here I will rest with my symphony.†Thus LeoÅ¡ Janácek described the idea behind the composition project which occupied him in 1923/24. However, after further work, it remained incomplete in 1926. His “symphony†entitled Dunaj has survived as a continuously-notated, four-movement bundle of sketches in score form. It is one of the works which occupied him until his death. The scholarly reconstruction by the two Brno composers MiloÅ¡ Å tedron and LeoÅ¡ Faltus closely follows the original manuscript.A whole conglomeration of motifs stands behind the incomplete work. What at first seems like a counterpart to Smetana’s Vltava, in fact doesn’t turn out to be a musical depiction of the Danube. On the contrary, the fateful link between the destiny of women, water and death permeates the range of motifs found in the work. It seems to be no coincidence that Janácek, whilst working on the opera Katya Kabanova, in which the Volga, as the river bringing death plays an almost mythical role, planned a Danube symphony, and that its content was linked with the destiny of women: in the sketches, two poems were found which may have provided the stimulus for several movements of the symphony. He copied a poem by Pavla Kriciková into the second movement, in which a girl remarks that whilst bathing in a pond, she was observed by a man. Filled with shame, the young naked woman jumps into the water and drowns. The outer movements likewise draw on the poem “Lola†by the Czech writer Sonja Å pálová, published under the pseudonym Alexander Insarov. This is about a prostitute who asks for her heart’s desire: she is given a palace, but then goes on a long search for it and is finally no longer wanted by anyone. She suffers, feels cold and just wants a warm fire. Janácek adds his remark “she jumps into the Danube†to the inconclusive ending.To these tangible literary models is added Adolf Veselý’s verbal account which reports that the composer wanted to portray “in the Danube, the female sex with all its passions and driving forcesâ€. The third movement is said to characterise the city of Vienna in the form of a woman.It is evident that in his composition, Janácek was not striving for a simple, natural lyricism. The River Danube is masculine in the Slavic language – “ten Dunaj†– and assumes an almost mythical significance in the national character, indeed often also a role bringing death. The four movements are motivically conceived. Elements of sound painting, small wave-like figures in the first movement, motoric, driving movements in the third are obvious evocations of water. And the content and the literary level are easy to discover. The “tremolo of the four timpaniâ€, which was amongst Janácek’s first inspirations, appears in the second movement. It is not difficult to retrace in it the fate of the drowning bather. The oboe enters lamentoso towards the end of the movement over timpani playing tremolo, its descending figure is taken over by the flute, then upper strings and intensified considerably. The motif of drowning – Lola’s despair – returns again in the fourth movement in the clarinet, before the work ends abruptly and dramatically.One special effect is the use of a soprano voice in the motor-driven third movement. The singer vocalises mainly in parallel with the solo oboe, but also in dialogue with other parts such as the viola d’amore, which Janácek used in several late works as a sort of “voice of loveâ€.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: HL.49006179
ISBN 9790001067188. UPC: 884088098322. 7.5x10.75x0.104 inches.
SKU: BT.DV-10711
SKU: BA.BA05293-65
ISBN 9790006532674. 32.5 x 25.5 cm inches. Key: B minor.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from B�¤renreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer�s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: AP.49879
ISBN 9781470663773. UPC: 038081580791. English.
Dreams is one of the great Van Halen songs now transcribed for string orchestra. As a string player, I was enamored with Eddie Van Halen. He was a big influence on me while I was studying at Juilliard. I purposely lowered the key to A major for better playability. The tempo is brisk, yet very attainable. The upbeat and positive posture of this composition was a big attraction to me as a musician, and it was an honor for me to show great respect to the song and our string world! The play-along tracks feature my personal band! (4:35).
SKU: AP.43757
UPC: 038081496313. English.
This fun and energetic piece includes easy, optional keyboard and percussion parts. It is sure to strike a chord with students! (2:10).
SKU: AP.49879S
ISBN 9781470663780. UPC: 038081580807. English.
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