By Michael Torke (1961-). For marimba and chamber orchestra (solo marimba - 22 bass clarinet 2 - 2220 - percussion 1 strings). Orchestral Music (Concerti). Score. Duration 16 minutes. Published by Bill Holab Music

By Mark Hayes. Orchestra. For SATB divisi Choir, Solo Quartet, flute/piccolo, oboe/english horn, clarinet, bassoon, horn, trumpet, percussion, harp, piano (for rehearsal only), violin 1 and 2, viola, cello, bass (with optional orchestra: Flute/Piccolo, Oboe/English Horn, Clarinet, Bassoon, Horn, Trumpet, Percussion, Harp, Piano (for rehearsal only), Violin 1 and 2, Viola, Cello, Bass). Christmas, General. Orchestral Score and Parts. Published by Roger Dean Publishing

Orchestra (2.0.0.0/2.0.0.0,str,clarinet solo)

SKU: TM.13302SET

Composed by Carl Stamitz. Edited by Bosse. Set Type: D. Set of parts. Lucks Music Library #A7769. Published by Lucks Music Library (TM.13302SET).

Solo in set. Ed. by Bosse/Gutte. Allegro molto, Adagio, Rondo. See #00865 for Clarinet Concerto in Eb, No. 11.

Orchestra (2.0.0.0/2.0.0.0,str,clarinet solo)

SKU: TM.00865SET

Composed by Carl Stamitz. Edited by Wojciechowski. Set Type: B. Set of parts. Lucks Music Library #A7769. Published by Lucks Music Library (TM.00865SET).

Ed. by Wojciechowski. Solo/pf. Transposed: hnI&II. Allegro, Aria (Andante moderato), Rondo alla Scherzo (Allegro moderato). See #13302 for the Darmstadter Konzert.

Orchestra (2.2.0.2/2.2.0.0,timp,str,clarinet solo)

SKU: TM.00841SET

Composed by Louis Spohr. Set Type: D. Set of parts. Lucks Music Library #A2069. Published by Lucks Music Library (TM.00841SET).

Flute and harp soli w/ piano reduction and cadenzas by Reinecke.

A Ballet - for Chorus, Solo Bass, and Piano (or Orchestra) - Score. By William Grant Still. Orchestra. For Flute I, Flute II, Piccolo I, Piccolo II, Oboe I, Oboe II, English Horn, Clarinet (in Eb), Clarinet I, Clarinet II, Bass Clarinet, Bassoon I, Bassoon II, Horn I, Horn II, Horn III, Horn IV, Trumpet I, Trumpet II, Tenor I, Tenor II, Tuba, Timpani, Percussion. Soft Cover. 47 pages. Published by Carl Fischer.

Orchestra

SKU: BP.BP2196B

Composed by Craig Courtney. Band & orchestra. Full score and parts. Beckenhorst Press #BP2196B. Published by Beckenhorst Press (BP.BP2196B).

Full score and parts for solo flute, solo oboe, B-flat clarinet I, II, bassoon I, II, horn in F I, II, trombone I, II, bass trombone, tuba, suspended and crash cymbals, harp, violin I, II, viola, cello and contrabass.

Orchestra

SKU: BP.BP2195B

Composed by Craig Courtney. Band & orchestra. Full score and parts. Beckenhorst Press #BP2195B. Published by Beckenhorst Press (BP.BP2195B).

Full score and parts for solo flute, solo oboe, B-flat clarinet I, II, bassoon I, II, horn in F I, II, trombone I, II, bass trombone, tuba, suspended and crash cymbals, harp, violin I, II, viola, cello and contrabass.

By Gioachino Rossini. Edited by Tommy J. Fry. Arranged by Erik W. G. Leidzen. Concert Band. For Piccolo, Flute I, Flute II, Oboe I, Oboe II, English Horn, Clarinet I, Clarinet II, Clarinet III, Bass Clarinet, Bassoon I, Bassoon II, Alto Saxophone I, Alto Saxophone II, Tenor Saxophone, Baritone Saxophone, Trumpet I, Trumpet II, Trumpet III, Trumpet IV, Horn I, Horn II, Horn III, Horn IV, Tenor I, Tenor II, Tenor III, Euphonium, Tuba, Contrabass, Timpani, Snare Drum, Xylophone, Triangle, Suspended Cymbal, Bass Drum. Carl Fischer Classic Band Editions. Level: Grade 6. Score and Set of Parts. 79 pages. Duration 3:15. Published by Carl Fischer.

Orchestra (1.0.1.0/0.0.0.0,str,violin solo)

SKU: TM.01710SET

Composed by Gabriel Faure. Set Type: D. Set of parts. Lucks Music Library #A3401. Published by Lucks Music Library (TM.01710SET).

Clarinet in Bb in set - to be used in place of Oboe II if desired.

(Prelude to the Afternoon of a Faun). By Claude Debussy (1862-1918). Edited by Douglas Woodfull-Harris. For orchestra (3 flutes/2 oboes/english horn/2 clarinets/2 bassoons/4 horns/cymbal/2 harps/2 violins/viola/cello/double bass). This edition: Stapled, Urtext edition. Score. Text Language: English/French/German. 44 pages. Duration 10'. Published by Baerenreiter Verlag

Orchestra (solos: T,A(Bar) - 4(2picc).3(cor ang).5(Eb-clar.Bb-clar).3(dble bsn) - 4.3.3.1 - 2hp.cel.mand.timp.perc(4) - str)

SKU: BR.OB-5641-60

Composed by Gustav Mahler. Edited by Christian Rudolf Riedel. Voice; stapled. Orchester-Bibliothek (Orchestral Library). Symphony; Late-romantic. Set of parts. 1116 pages. Duration 65'. Breitkopf and Haertel #OB 5641-60. Published by Breitkopf and Haertel (BR.OB-5641-60).

ISBN 9790004348833. 10.5 x 14 inches.

The Song of the Earth, composed in the summer of 1908, is Mahler's best-known and most personal work. Reflecting drastic changes in his life, its immense emotional density is very moving. Until the very end, Mahler continued to refine the extremely differentiated instrumentation, as is evident in numerous retouchings in the autograph score and engraver's model. It is therefore all the more regrettable that he was neither able to perform his Symphony in Songs himself nor that he was involved in its printing. Unfortunately, in the posthumously published first edition of 1912 and the subsequent editions edited by Erwin Ratz and Karl Heinz Fussl, many questions remained unanswered, while other were answered in a dubious way.The edition is the first text-critical one of the work on a scientifically sound basis. It offers not only a more reliable musical text, but also systematically and lucidly prepared information on the sources, their transmission and evaluation. All editorial decisions have been documented in a transparently comprehensible manner - in particular those leading to new audible results. Work-related notes on performance practice, which for the first time include Mahler's conducting indications, offer valuable, indispensable interpretive aids. In addition to the regular five clarinet parts, the set of parts includes two additional parts (3rd clarinet/Eb clarinet, bass clarinet/3rd clarinet in places where the latter plays Eb clarinet) to allow performances with only four clarinets.The completely revised piano reduction reproduces the orchestral texture true to the score without losing sight of playability. Both Mahler's piano autograph and the piano reduction by Woss, which was commissioned by the composer himself, served as an inspiration for this.