SKU: HL.14048065
UPC: 840126953541. 12.0x16.5x0.277 inches.
This is the Full Score for Nico Muhly's Control: Five Landscapes For Orchestra. Commissioned by Utah Symphony and Thierry Fischer, Music Director, the work was first performed at Abravanel Hall in Salt Lake City in December 2015.
SKU: HL.277281
UPC: 840126953329. 12x16.5 inches.
Nico Muhly's Looking Up for SATB choir and orchestra.Commissioned by the Cathedral Choral Society. Made possible by the William Remsen Strickland Endowment Fund “to remember the concerts of the Cathedral Choral Society during World War II”.The first performance was given by the Cathedral Choral Society, conducted by Patrick Dupre Quigley, on 21 May 2017 at Washington National Cathedral, Washington, D.C., USA.
SKU: RM.NICO02421-BA
ISBN 9790231024210.
SKU: HL.14047976
UPC: 888680642822. 12x16.75 inches.
Commissioned and premiered by The Philadelphia Orchestra and Yannick Nézet-Séguin, their musical director.
SKU: BT.SRO100233
SKU: HL.48187886
UPC: 888680849863. 5.5x7.5x0.138 inches.
Etienne Nicolas Mehul: Ouverture de 'Le Tresor suppose' (PH277) (Orchestra).
SKU: BT.ALHE31779
French.
Etienne Nicolas Méhul: Ouverture de 'Le Trésor supposé' (PH277) (Orchestra).
SKU: KN.9997
UPC: 822795099973.
We welcome Joshua Reznicow to the Kendor family of writers with this festive original that sounds more difficult to play than it is. Written in G major and its relevant minor key, it gives directors a chance to teach both sharp and flat keys while using open strings to maintain a solid pitch center. Controlling bow speed and style using hooked bow, spiccato, and slurred techniques helps to drive the musical energy throughout. Short solos and a brief violin cadenza lead to a rewarding finish and allow more advanced players to showcase their skills. Duration ca. 3:40. Available in SmartMusic.
SKU: HL.50494558
POEMA SINFONICO PER QUARTETTO D'ARCHI E ORCHESTRA - PARTITURA.
SKU: RM.NICO04511-CH
SKU: AP.44809S
UPC: 038081517407. English.
This seamless medley of the most popular overture themes from the Classical and Romantic periods---a veritable music history listening lesson---will be a sure-fire hit on any concert program. Scored in D-major throughout, the grade 3 arrangement by Douglas E. Wagner presents many teachable moments with style, balance, dynamic control, articulation, and interpretation. In order of appearance, the themes included are: 1812 Festival Overture (Largo) by Tchaikovsky; Overture to Zampa by Herold; Overture to The Barber of Seville by Rossini; Overture to The Magic Flute by Mozart; Overture to The Marriage of Figaro by Mozart; Overture to Poet and Peasant by von Suppé; Overture to The Merry Wives of Windsor by Nicolai; Overture to William Tell by Rossini; Overture to Die Meistersinger by Wagner; Overture to Light Cavalry by von Suppé; Overture to Orpheus in the Underworld by Offenbach; Academic Festival Overture, by Brahms; and 1812 Festival Overture (Allegro vivace) by Tchaikovsky. (3:30).
SKU: HL.50493513
5.25x7.5x0.265 inches.
POEMA SINFONICO.
SKU: TM.00415TPS
Solo Piano in sc.
SKU: BR.PB-5432
World premiere of the orchestral version: Stuttgart, January 1, 2018World premiere of the piano version: Mito, June 17, 2017
Have a look into EB 9283.
ISBN 9790004212790. 10 x 12.5 inches.
Marche fatale is an incautiously daring escapade that may annoy the fans of my compositions more than my earlier works, many of which have prevailed only after scandals at their world premieres. My Marche fatale has, though, little stylistically to do with my previous compositional path; it presents itself without restraint, if not as a regression, then still as a recourse to those empty phrases to which modern civilization still clings in its daily utility music, whereas music in the 20th and 21st centuries has long since advanced to new, unfamiliar soundscapes and expressive possibilities. The key term is banality. As creators we despise it, we try to avoid it - though we are not safe from the cheap banal even within new aesthetic achievements.Many composers have incidentally accepted the banal. Mozart wrote Ein musikalischer Spass [A Musical Jape], a deliberately amateurishly miscarried sextet. Beethoven's Bagatellen op. 119 were rejected by the publisher on the grounds that few will believe that this minor work is by the famous Beethoven. Mauricio Kagel wrote, tongue in cheek, so to speak, Marsche, um den Sieg zu verfehlen [Marches for being Unvictorious], Ligeti wrote Hungarian Rock; in his Circus Polka Stravinsky quoted and distorted the famous, all too popular Schubert military march, composed at the time for piano duet. I myself do not know, though, whether I ought to rank my Marche fatale alongside these examples: I accept the humor in daily life, the more so as this daily life for some of us is not otherwise to be borne. In music, I mistrust it, considering myself all the closer to the profounder idea of cheerfulness having little to do with humor. However: Isn't a march with its compelling claim to a collectively martial or festive mood absurd, a priori? Is it even music at all? Can one march and at the same time listen? Eventually, I resolved to take the absurd seriously - perhaps bitterly seriously - as a debunking emblem of our civilization that is standing on the brink. The way - seemingly unstoppable - into the black hole of all debilitating demons: that can become serene. My old request of myself and my music-creating surroundings is to write a non-music, whence the familiar concept of music is repeatedly re-defined anew and differently, so that derailed here - perhaps? - in a treacherous way, the concert hall becomes the place of mind-opening adventures instead of a refuge in illusory security. How could that happen? The rest is - thinking.(Helmut Lachenmann, 2017)CD (Version for Piano):Nicolas Hodges CD Wergo WER 7393 2 Bibliography:Ich bin nicht ,,pietistisch verformt. Ein Gesprach [von Jan Brachmann] mit dem Komponisten Helmut Lachenmann, in: FAZ vom 7. Juni 2018, p. 15.World premiere of the piano version: Mito/Japan, June 17, 2017, World premiere of the orchestral version: Stuttgart, January 1, 2018, World premiere of the ensemble version: Frankfurt, December 9, 2020.
SKU: HH.HH094-FSC
ISBN 9790708041252.
Tchal Kouyrouk, the trusty steed of Toshtuk, Giant of the Steppes, is going to recover his master’s soul, which has been stolen, then bring Toshtuk back to his wife Kenjeke, who is pregnant with his child. In those far off days when Toshtuk, Kenjeke and Tchal Kouyrouk were living, the twelve tone row was evidently already a historical necessity. The rules surrounding its worship were to be respected: never interrupt the twelve tone row, never make irreverent remarks about it, never look at another system of pitch organization, apply the model of the twelve tone row to everything in the world to which it might be applicable.
SKU: HL.49018234
ISBN 9790543504875. 5.75x8.25x0.097 inches.
SKU: HL.48187840
UPC: 888680852047. 5.5x7.5x0.123 inches.
Hommage a Nicolas Poussin.
SKU: HL.49043956
ISBN 9790220134647. UPC: 888680030902. 8.25x11.75x0.153 inches.
Having previously been granted the diploma of the Bologna Academy in December 2011, Maxwell Davies wrote his Concerto Accademico as both an expression of gratitude to the Regia Academia Filarmonico di Bologna and also in part 'a presentation of academic qualification, to justify this singular honour'. The work is scored for string quartet and string orchestra and is based on a plainsong chant, heard at the outset, associated with the Holy Spirit descending upon the disciples at Pentecost, and their subsequent speaking in tongues.
SKU: TM.00415SET
Cadenzas by Flesch & Sauret. Transposed: Cl 1&2, Hn 1&2, Tpt 1&2. Tbn 1&2 already in Bass Clef. Solo/pf. Clothbound score. Allegro maestoso – Tempo giusto; Adagio; Rondo Allegro spirituoso – Un poco piu presto.
SKU: TM.00525SC
Solo/pf. very freely transcribed.
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