SKU: KJ.SO379F
UPC: 8402704725.
William Hofeldt's inspiration comes from the Oscar Wilde poem with the same name. It's sheer depth and beauty is clearly Hofeldt at his best, once again. G Major. 3/4 time. Shifting work during octave divisi moments. Duration: 4:37.
SKU: AP.49457
ISBN 9781470660710. UPC: 038081577500. English.
From the top of the country charts, Cole Swindell's hit single She Had Me at Heads Carolina pays tribute to singer and songwriter Jo Dee Messina and her debut single from 1996, Heads Carolina, Tails California. With melodies that get passed throughout the ensemble, arranger Michael Kamuf has crafted the perfect vehicle that will engage both your students and audience. This one is FUN! (2:00).
SKU: AP.49457S
ISBN 9781470660727. UPC: 038081577517. English.
SKU: KN.9206
UPC: 822795092066.
Where energy, humor, dance, a tinge of sorrow, and the joy to be alive meet -- that's where you'll find Klemzer music. This soulful melody with its spirited rhythms will animate your orchestra and bring your audience to its feet. The Junior (grade 2+) and Senior (grade 4) editions interlock to create a wonderful multi-level edition that's perfect for all-district concerts and festivals. Duration ca. 2:35. An interlocking score can be downloaded for free here. Available in SmartMusic.
SKU: HL.35029955
ISBN 9781495018374. UPC: 888680028879. 5.0x5.0x0.2 inches.
This service in song is a contemplation of the hope we find in Christ. Incorporating new original anthems and fresh treatments of time-honored hymns and traditional sacred songs, this work reflects upon the ministry and passion of Christ's last days. The narration includes scriptures of assurance and words of comfort and peace. The music is written in an expressive melodic style, bringing a gentle beauty that will touch all who experience it. Supported by two orchestration choices and other helpful companion products, this 40 minute work is ideal for Lenten or Holy Week worship gatherings. Consider this musical journey of faith and discover a place of refuge in God's unfailing love and His sanctuary of grace. Moving! Songs include: Prelude of Peace; Sanctuary of Grace; Shelter of Hope; Hosanna! A Procession of Promise; In the Shadow of Your Wing; Give to the Winds Your Fears; Flee as a Bird; Sanctuary of the Soul; Postlude of Peace.
SKU: HL.49010257
ISBN 9783795772079. UPC: 841886015593. 7.5x10.5x0.447 inches.
With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
SKU: HL.49029690
ISBN 9790220107054.
These 5 short voluntaries are arrangements of Jeremiah Clarke, William Croft, Pierre Attaignant and Louis Couperin. They make lively and interesting pieces suitable for youth orchestras or school orchestras of high standard.
SKU: HL.49006068
ISBN 9790001065887. UPC: 841886031951.
SKU: HL.49006064
ISBN 9790001065849.
SKU: HL.49006069
ISBN 9790001065894.
SKU: HL.49006070
ISBN 9790001065900.
SKU: HL.49006065
ISBN 9790001065856. 9.25x12.0x0.05 inches.
SKU: HL.49006067
ISBN 9790001065870.
SKU: HL.49006066
ISBN 9790001065863.
SKU: HL.49006062
ISBN 9790001065825.
SKU: HL.49006063
ISBN 9790001065832.
SKU: HL.49006071
ISBN 9790001065917.
SKU: BA.BA06861
ISBN 9790260104211. 34.3 x 27 cm inches.
LeoÅ¡ Janácek’s symphonic fragment Dunaj (The Danube) dates from the period of the composition of “Katya Kabanovaâ€. The composer was not concerned with a musical-picturesque description of a river landscape, but with the mythical link between women’s destinies and water.“Pale green waves of the Danube! There are so many of you, and one followed by another. You remain interlocked in a continuous flow. You surprise yourselves where you ended up – on the Czech shores! Look back downstream and you will have an impression of what you have left behind in your haste. It pleases you here. Here I will rest with my symphony.†Thus LeoÅ¡ Janácek described the idea behind the composition project which occupied him in 1923/24. However, after further work, it remained incomplete in 1926. His “symphony†entitled Dunaj has survived as a continuously-notated, four-movement bundle of sketches in score form. It is one of the works which occupied him until his death. The scholarly reconstruction by the two Brno composers MiloÅ¡ Å tedron and LeoÅ¡ Faltus closely follows the original manuscript.A whole conglomeration of motifs stands behind the incomplete work. What at first seems like a counterpart to Smetana’s Vltava, in fact doesn’t turn out to be a musical depiction of the Danube. On the contrary, the fateful link between the destiny of women, water and death permeates the range of motifs found in the work. It seems to be no coincidence that Janácek, whilst working on the opera Katya Kabanova, in which the Volga, as the river bringing death plays an almost mythical role, planned a Danube symphony, and that its content was linked with the destiny of women: in the sketches, two poems were found which may have provided the stimulus for several movements of the symphony. He copied a poem by Pavla Kriciková into the second movement, in which a girl remarks that whilst bathing in a pond, she was observed by a man. Filled with shame, the young naked woman jumps into the water and drowns. The outer movements likewise draw on the poem “Lola†by the Czech writer Sonja Å pálová, published under the pseudonym Alexander Insarov. This is about a prostitute who asks for her heart’s desire: she is given a palace, but then goes on a long search for it and is finally no longer wanted by anyone. She suffers, feels cold and just wants a warm fire. Janácek adds his remark “she jumps into the Danube†to the inconclusive ending.To these tangible literary models is added Adolf Veselý’s verbal account which reports that the composer wanted to portray “in the Danube, the female sex with all its passions and driving forcesâ€. The third movement is said to characterise the city of Vienna in the form of a woman.It is evident that in his composition, Janácek was not striving for a simple, natural lyricism. The River Danube is masculine in the Slavic language – “ten Dunaj†– and assumes an almost mythical significance in the national character, indeed often also a role bringing death. The four movements are motivically conceived. Elements of sound painting, small wave-like figures in the first movement, motoric, driving movements in the third are obvious evocations of water. And the content and the literary level are easy to discover. The “tremolo of the four timpaniâ€, which was amongst Janácek’s first inspirations, appears in the second movement. It is not difficult to retrace in it the fate of the drowning bather. The oboe enters lamentoso towards the end of the movement over timpani playing tremolo, its descending figure is taken over by the flute, then upper strings and intensified considerably. The motif of drowning – Lola’s despair – returns again in the fourth movement in the clarinet, before the work ends abruptly and dramatically.One special effect is the use of a soprano voice in the motor-driven third movement. The singer vocalises mainly in parallel with the solo oboe, but also in dialogue with other parts such as the viola d’amore, which Janácek used in several late works as a sort of “voice of loveâ€.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: AP.36-52703425
ISBN 9781628761757. UPC: 679360720424. English.
Experience adventures in 3rd position for Violin 1 with experimentation in easy flat keys, 6/8 time and mixed meters! With thematic material in all parts, this set is a technique-builder for intermediate players. The score is included with the parts. Contents: Skye Boat Song, Marie's Wedding, She's Like the Swallow, Greensleeves, Dashing White Sergeant, Amazing Grace, Blow the Wind Southerly, Country Dance, Hornpipe, In a Manger He is Lying, Zither Carol.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: HL.49045270
ISBN 9790220137204. UPC: 841886028883. 8.25x11.75x0.2 inches.
The starting point was the collected letters of Vincent van Gogh. In spite of the tragedies for which van Gogh is best known, his letters are filled with joyous exuberance for the practical considerations of his work: what he will paint next and, most importantly, what colours he will use. For Julian Anderson, it seems the painter relishes 'the sheer stuff of which his art is made'. In Van Gogh Blue, Anderson relishes the sheer stuff of which his own art is made. Its a very physical, highly contrasted work about the joy of sound. Instrumental colour plays a large role, and Andersons use of two mobile clarinetists allows extra colour as their sound moves through the acoustic space of the hall.
SKU: HL.49045602
ISBN 9790220137747. UPC: 841886032798. 8.25x11.75x0.816 inches. English.
King Leontes' jealous rage results in the death of his loyal wife Hermione days after she has given birth. Leontes orders for the baby to be killed, but many years later, truth surfaces as a crocus at the first sign of thaw. Ryan Wigglesworth's first opera is a luminous, persuasive retelling of William Shakespeare's The Winters Tale. His natural sense for dramatic narrative brings clarity to this tragedy-turned-romance, its brooding opening act unfolding gradually into a light-hearted scherzo. Written as the culmination of Wigglesworths tenure as Artist in Residence with English National Opera, The Winter's Tale is not to be missed.
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