SKU: KN.9104
UPC: 822795091045.
This popular folk song from the Hebei Province, a unique geographical area surrounding the capital city of Beijing, is a great favorite there because of its memorable melody. In his score notes Mr. Wang explains that Chinese duets resemble a question-and-answer conversation between voices, which aptly describes the form and character of this setting for student strings. Duration 3:10.
SKU: AP.43844
UPC: 038081497365. English.
The violins carry the duet lines all while in 1st position while the other sections have challenging arpeggios creating a beautiful string transcription that is very close to the original. Perfect to expand students' understanding of opera! (3:45).
SKU: AP.40476S
UPC: 038081454375. English.
Using all the colors of the string orchestra, this charming Spanish-flavored piece features melodic material for every instrument. Two contrasting tunes, one for high voices and one for low, are introduced and then woven together. Including all the basic characteristic 6/8 rhythms, this is a perfect way to introduce your students to this too-often neglected meter. Some fun hand-clapping accompaniment, a violin solo, and a duet for first stand violins add interest and variety to this selection in a genre that has become a real favorite with students and audiences! This title is available in MakeMusic Cloud.
SKU: AP.49940S
ISBN 9781470657710. UPC: 038081575575. English.
Subterranean Dialogues, by Richard Meyer, is an edgy-sounding selection that is the perfect piece to feature your advanced string bass section while keeping all the players in your orchestra on their toes. The music unfolds as a series of dialogues, each a duet between the basses and a different section of the orchestra---violas, second violins, celli, and first violins. The wide variety of time signatures, shifting modes, and unusual orchestrations will challenge all of your musicians and delight your audience while putting the unsung heroes of your ensemble in a well-deserved spotlight. (5:00).
SKU: AP.49940
ISBN 9781470657703. UPC: 038081575568. English.
SKU: HL.14009640
The Chanson de Nuit was originally entitled Evensong, though it is difficult to discern any religiosity in the work. And although published in 1897, scholars suggest that these works may have been written in the 1880's. The contrast of the two melodies which Elgar then intertwines yield a satisfying short work, especially with the composer's fine Orchestration.Elgar published the Chanson de Nuit - and its partner, Chanson de Matin - at the time of his life when he was also creating the Enigma Variations and The Dream of Gerontius. This work was originally created as a Violin and Piano duet, but Elgar then Orchestrated the work and it was presented at the Proms. Sincethen, other arrangements have been created.
SKU: HL.14021435
ISBN 9788759878606. English.
Palle Mikkelborg GOING TO PIECES WITHOUT FALLING APART 2002 for violin, harpe og strygereTilegnet Elise Batnes og Helen DaviesForord l Programnote En solful d morgentur i Melbourne bragte mig forbi en boghandel der specialiserede sig i spiritualbooks, og i vinduet faldt mine ojne pa et citat som ojeblikkeligt ramte mig folelsesmaessigtstaerkt- og jeg folte at jeg havde fundet titlen pa den komposition jeg pa tankeplan allerede vari gang med. Citatet lod:going to pieces ... without falling apartTre temaer og relaterede skalaer, baseret pa henholdsvis Elise Batnes', Helen Davies' og BergenKammerensembles navne, har vaeret afgorende for dele af tonesproget, og forekommer badeielose-up og mere douche i kompositionens syv hovedafsnit. Det barnlige, det enkle, det her-og-nu naive, det umiddelbare, kom til at spille en vigtig rolleunder arbejdet. Ikke fordi selve mit tonesprog er saerligt meget anderledes end ellers (hvordanskulle det ogsa kunne blive det?), men formuleringen: at go to pieces fik mig til at taenke pa atblive som barn pa ny, atter at vaere u-bange, at turde tro pa det enkle.Udover denne- i bedste betydning- enkle inspiration er onsket at kompositionens kurve kanopleves som en mulig meditiations-rejse: i starten en tro pa egen ro, langsomt breder uroensig, og i lystfulde glimt ser man sig selv danse en rituel dans, med andehuller her og der: ogfristelsen til at rive forhaenget vaek og go to pieces, og angsten for maske at miste sig selv undervejs,breder sig. Dog, til sidst erkender man at det var rejsen vaerd, og at man heller ikke denne gangfaldt apart, men kan se frem mod atter at vise livet sin respekt ved spirituelt fuldstaendigt at givesig hen, dog vel vidende at livet merciless & merciful, med kaerlig hand villade diggo to pieces ... without falling apartMen selvklart er mit egentlige onske: at man blot lader musikken leve sit eget ordlose liv - atlytteren har sin egen rejse. Palle Mikkelborg.
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