| The Gift of the Magi - Orchestration Orchestra Jackman Music Corporation
Orchestra - Medium SKU: JK.20032 Arranged by Oliver X. White. Choral Cant...(+)
Orchestra - Medium SKU: JK.20032 Arranged by Oliver X. White. Choral Cantata, Instrumental Clarinet, Instrumental Flute, Instrumental Other, Orchestral Orchestrations, Piano Choir, Seasonal Music Christmas, Special Events Conference (Ward, Christmas, Jesus Christ - Savior. Christian, Inspirational. Duration 23:00. Jackman Music Corporation #20032. Published by Jackman Music Corporation (JK.20032). Luke 2. Orchestration corresponding with The Gift of the Magi cantata (#01547). Instrumental sections include parts for flute, oboe, clarinet, horn, harp (or piano), and full strings. Arranger: Oliver X. White Lyricist: O Henry, adapted by Oliver X. White Difficulty: Medium Performance time: 23:00 Reference: Luke 2. $129.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sagan om Snovit - Partitur Orchestra Gehrmans Musikforlag
Orchestra (2222-4331-14-1-piano-str ings) SKU: GH.CG-6109P For Narrato...(+)
Orchestra (2222-4331-14-1-piano-strings) SKU: GH.CG-6109P For Narrator and Orchestra. Composed by Bjorn Hallman. Snow-White. Score. With Language: English, Swedish. Duration 30 minutes. Gehrmans Musikforlag #CG 6109P. Published by Gehrmans Musikforlag (GH.CG-6109P). Text: broderna Grimm. $132.64 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Complete Works (JSW) Orchestra Breitkopf & Härtel
Orchestra SKU: BR.SON-627 Ouverture JS 145, Baletscen JS 163. Comp...(+)
Orchestra SKU: BR.SON-627 Ouverture JS 145, Baletscen JS 163. Composed by Jean Sibelius. Edited by Tuija Wicklund. Linen. Complete Works. Late-romantic; Early modern. Complete Works. 196 pages. Breitkopf and Haertel #SON 627. Published by Breitkopf and Haertel (BR.SON-627). ISBN 9790004803295. 10 x 12.5 inches. In 1998, at the end of the 20th century, Breitkopf & Hartel started the publication of the Complete Edition, which is made possible thanks to the cooperation of the various Sibelius publishers. The Editors (Helsinki University Library and The Sibelius Society of Finland) and the Editorial Committee (Chairman: Timo Virtanen, Helsinki) believe that the volumes of JSW will provide the basis for a now conception of the creative work of Jean Sibelius.Reviews: One immediately recognizes the towering production quality of these volumes - a point that can be extended to all volumes thus far published in the set. The music is a joy to read; and the lucidity and thoroughness of the texts … are models of scholarly editions, and should be required reading for all bibliography and music-editing courses. … In sum, the JSW is a remarkable project: the scholarship is impeccable, the music scores and texts are simply a joy to study. Edward Jurkowski, Notes December 2011: 442-443At the back of this magnificent book are pages of critical commentary on a bar-by-bar analysis of an endless supply of musical notation requiring interpretation by the editor. … For the general, non-musically trained, purchaser of the edition there is the magisterial introduction to read, and fascinating reading it is. Edward W. Clark, Sibelius Society Newsletter 2009 The Sibelius pieces, however, are a revelation. I opened this magnificently produced volume - complete with multilingual critical report and generous facsimiles of original manuscripts - expecting Grieg-style quasi-nationalistic character pieces, and was instead presented with an incredible array of styles, textures, harmonic languages and levels of difficulty. Chris White, Piano Professional Summer 2009: 2This is not only a scholarly edition of one of the composer's major works, it is also a model for the philological editing of music in general. … JSW has chosen to have the emendations reflected in two places, in certain cases even in three: as graphic indications in the music text, in prose form in the critical commentary, and sometimes also in the form of a warning footnote on the music page. There can be no doubt that such a procedure is very user-friendly, but it disturbs the appearance of the music and may mislead the user into thinking that there are two or more equally valid readings. Niels Krabbe, Fontes Artis Musicae 54/2, 2007: 248 Editorial standards are high throughout, and maintain a careful balance between the competing demands of practical exigency and the need to provide as much scholarly evidence of variants as possible. The critical commentaries provide concise and effective descriptions of the sources and, where appropriate, information on compositional genesis and historical context. The introduction to each volume provide useful background information on historical reception, including much new material not previously brought to light in Tawaststjerna's biography. Daniel M. Grimley, Nineteenth-Century Music Review 2/2, 2005: 244. $269.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Complete Works (JSW) Orchestra Breitkopf & Härtel
Orchestra SKU: BR.SON-625 Scenes historiques op.25, op.66. Compose...(+)
Orchestra SKU: BR.SON-625 Scenes historiques op.25, op.66. Composed by Jean Sibelius. Edited by Kari Kilpelainen. Linen. Complete Works. Late-romantic; Early modern. Complete Works. 228 pages. Breitkopf and Haertel #SON 625. Published by Breitkopf and Haertel (BR.SON-625). ISBN 9790004803271. 10 x 12.5 inches. In 1998, at the end of the 20th century, Breitkopf & Hartel started the publication of the Complete Edition, which is made possible thanks to the cooperation of the various Sibelius publishers. The Editors (Helsinki University Library and The Sibelius Society of Finland) and the Editorial Committee (Chairman: Timo Virtanen, Helsinki) believe that the volumes of JSW will provide the basis for a now conception of the creative work of Jean Sibelius.Reviews: One immediately recognizes the towering production quality of these volumes - a point that can be extended to all volumes thus far published in the set. The music is a joy to read; and the lucidity and thoroughness of the texts ... are models of scholarly editions, and should be required reading for all bibliography and music-editing courses. ... In sum, the JSW is a remarkable project: the scholarship is impeccable, the music scores and texts are simply a joy to study. Edward Jurkowski, Notes December 2011: 442-443At the back of this magnificent book are pages of critical commentary on a bar-by-bar analysis of an endless supply of musical notation requiring interpretation by the editor. ... For the general, non-musically trained, purchaser of the edition there is the magisterial introduction to read, and fascinating reading it is. Edward W. Clark, Sibelius Society Newsletter 2009 The Sibelius pieces, however, are a revelation. I opened this magnificently produced volume - complete with multilingual critical report and generous facsimiles of original manuscripts - expecting Grieg-style quasi-nationalistic character pieces, and was instead presented with an incredible array of styles, textures, harmonic languages and levels of difficulty. Chris White, Piano Professional Summer 2009: 2This is not only a scholarly edition of one of the composer's major works, it is also a model for the philological editing of music in general. ... JSW has chosen to have the emendations reflected in two places, in certain cases even in three: as graphic indications in the music text, in prose form in the critical commentary, and sometimes also in the form of a warning footnote on the music page. There can be no doubt that such a procedure is very user-friendly, but it disturbs the appearance of the music and may mislead the user into thinking that there are two or more equally valid readings. Niels Krabbe, Fontes Artis Musicae 54/2, 2007: 248 Editorial standards are high throughout, and maintain a careful balance between the competing demands of practical exigency and the need to provide as much scholarly evidence of variants as possible. The critical commentaries provide concise and effective descriptions of the sources and, where appropriate, information on compositional genesis and historical context. The introduction to each volume provide useful background information on historical reception, including much new material not previously brought to light in Tawaststjerna's biography. Daniel M. Grimley, Nineteenth-Century Music Review 2/2, 2005: 244. $310.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Easy String Quartets, Vol. 2 Orchestra - Easy LudwigMasters Publications
String Quartet String Orchestra - Grade 2.5 SKU: AP.36-52703425 Composed ...(+)
String Quartet String Orchestra - Grade 2.5 SKU: AP.36-52703425 Composed by Sheila Sandys-Wunsch. Performance Music Ensemble; Quartet; String Quartet. Ludwig Masters. Score. LudwigMasters Publications #36-52703425. Published by LudwigMasters Publications (AP.36-52703425). ISBN 9781628761757. UPC: 679360720424. English. Experience adventures in 3rd position for Violin 1 with experimentation in easy flat keys, 6/8 time and mixed meters! With thematic material in all parts, this set is a technique-builder for intermediate players. The score is included with the parts. Contents: Skye Boat Song, Marie's Wedding, She's Like the Swallow, Greensleeves, Dashing White Sergeant, Amazing Grace, Blow the Wind Southerly, Country Dance, Hornpipe, In a Manger He is Lying, Zither Carol. These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months. $28.99 - See more - Buy online | | |
| Water Music in F major HWV 348-350 Orchestra Breitkopf & Härtel
Orchestra (1(picc).2.0.1. - 2.2.0.0. - str - bc) SKU: BR.PB-4371 Forme...(+)
Orchestra (1(picc).2.0.1. - 2.2.0.0. - str - bc) SKU: BR.PB-4371 Former name Concerto grosso No. 25 - Urtext. Composed by George Frideric Handel. Edited by Wilhelm Pfannkuch. Orchestra; Softbound. Partitur-Bibliothek (Score Library). Handel composed his Water Music for none other than King George I who requested a concert for guests invited to his pleasure cruise on the Thames. Concerto grosso; Baroque. Full score. 92 pages. Duration 45'. Breitkopf and Haertel #PB 4371. Published by Breitkopf and Haertel (BR.PB-4371). ISBN 9790004202920. 9 x 12 inches. According to the Daily Courant, the premiere took place as follows: On Wednesday Evening, at about 8, the King took to Water at Whitehall in an open Barge, wherein were Dutchess of Bolton, The Dutchess of New Castle, the Countess of Godolphin, Madam Kilmaseck, and the Earl of Orkney. And went up the River towards Chelsea. Many other of Barges with Person of Quality attended, and so the great Number of Boats, that the whole River in a manner was couver'd; a City Company's Barge was employ'd for the Musick, wherein were 50 Instruments of all sorts, Who play'd all the way from Lambeth (while the Barges drove with the Tide without Rowing, as far as Chelsea) the finest Symphonies, compos'd express for this Occasion, by Mr Hendel: which his Majesty liked so well, that he caus'd it to be play'd over three times in going and returning. At Eleven his Majesty came again into Barge, and return'd the same Way, the Musick continuing to play till he landed.
Handel composed his Water Music for none other than King George I who requested a concert for guests invited to his pleasure cruise on the Thames. $71.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Terrains Vagues Orchestra Music Sales
Orchestra SKU: HL.14033079 Composed by Per Norgard. Music Sales America. ...(+)
Orchestra SKU: HL.14033079 Composed by Per Norgard. Music Sales America. Classical. Score. 164 pages. Music Sales #KP01073. Published by Music Sales (HL.14033079). ISBN 9788759858332. Danish. There were wild oatsAnd the soil was blackBut sparkledWhen the sun was outThe air sharp in the nostrilsHard to defineSomewhere between knife and coal andAcid and that special light and sweetWhiteness thornbushes exhaleIt was nothing specialBecause everything was special...Thus the opening line of the poem TERRAINS VAGUES by Klaus Rifbjerg, the Danish Poet. I chose to adopt this title for my orchestral work, because of its closeness in associations: an indeterminable, often polarized, state of rhythmic and tonal ambiguity.The expression seems created by the Franch author, Victor Hugo:And here lies the fascination: in the kinds of terrains vagues, which are simultaniously bizarre and ugly, as if created by two alien species of nature. To watch the suburb is like observing and amphibium: trees vanish, roofs appear, grass vanish, cobble stones appear, ploughing fields vanish, shops appear, beaten tracks vanish - passions appear; the murmur of Nature Divine ends, the noise of Mankind takes over. (Victor Hugo)Still, the atmosphere as well as the material of TERRAINS VAGUES have its origin, in my SYMPHONY NO. 6 (1999), the last minute of which, cut up rough, appears as the start of my new work. The music of TERRAINS VAGUES subdivides itself, without breaks, into three sections, or shades:I: TERRAINS - II: VAGUES (Waves) III: TERRAINS VAGUES.Per Norgard, March 2001. $150.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Become Ocean Orchestra Chester
Orchestra (FULL SCORE) SKU: HL.263038 For Orchestra. Composed by J...(+)
Orchestra (FULL SCORE) SKU: HL.263038 For Orchestra. Composed by John Luther Adams. Music Sales America. Classical. Softcover. Composed 2017. 162 pages. Chester Music #CH87131. Published by Chester Music (HL.263038). UPC: 888680952907. 12.0x16.5x0.565 inches. “Over the years my orchestral music has become simpler and more expansive. Clouds of Forgetting, Clouds of Unknowing (1991-95) contains four different musical textures. In the White Silence (1998) has three. For Lou Harrison (2002) reduces this to just two. In Dark Waves (2007), I finally got to one. When I first heard that piece I began to wonder if I could sustain a similar sound for a longer span of time. The result is Become Ocean, a meditation on the vast, deep and mysterious tides of existence. The title is borrowed from a mesostic verse that John Cage wrote in honor of Lou Harrison's birthday. Likening Harrison's music to a river in delta, Cage writes: Listening to it we become ocean. Life on this earth first emerged from the sea. And as the polar ice melts and sea level rises, we humans find ourselves facing the prospect that once again we may quite literally become ocean.†John Luther Adams. $60.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| '80s Soundtrax Orchestra - Easy Alfred Publishing
Orchestra - Grade 2.5 SKU: AP.45840S Featuring: Nothing's Gonna Stop U...(+)
Orchestra - Grade 2.5 SKU: AP.45840S Featuring: Nothing's Gonna Stop Us Now / Words Get In the Way / If I Could Turn Back Time. Composed by Cher, Miami Sound Machine, and Starship. Arranged by Patrick Roszell. Performance Music Ensemble; Single Titles; String Orchestra. Pop Intermediate String Orchestra. Form: Medley. Pop. Score. 20 pages. Duration 4:30. Alfred Music #00-45840S. Published by Alfred Music (AP.45840S). UPC: 038081524092. English. Starship; Miami Sound Machine; Cher. The '80s had a sound of its own and this medley by Patrick Roszell captures it! Remember big hair and big hits as you play Nothing's Gonna Stop Us Now, Words Get in the Way, and If I Could Turn Back Time. Put on your whitewashed jeans and grab your walkman---this is '80s Soundtrax! (4:30). $9.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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