SKU: PR.816600040
UPC: 680160600045. 5.5x5 inches.
This disk contains study scores of all 41 of Mozart's Symphonies, as well as Concertos for Winds and Strings (Piano Concertos are on a companion CD-ROM), Serenades, Opera Overtures, Divertimentos, and other works.
About CD Sheet Music (Version 1)
CD Sheet Music (Version 1) was the initial CD Sheet Music series distributed by Theodore Presser. The CDs include thousands of pages of music that are viewable and printable on Mac or PC. Version 1 titles are a great value at 40% off, as we make room in our warehouse for the newly enhanced CD Sheet Music (Version 2.0) series.
SKU: AP.46697S
UPC: 038081536989. English.
Great for the holidays, as with all TSO pieces, yet based on classical music so also fitting for any pops concert, The Mountain, arranged by Bob Phillips, is another Trans-Siberian hit! Based upon Mars, the Bringer of War from The Planets by Gustav Holst and In The Hall of the Mountain King from Peer Gynt Suite by Edvard Grieg, this energetic setting of beloved favorites will rock your concert. Includes optional electric guitar, electric violin, electric bass, percussion, and piano parts. For a great opener or closer, this piece can be combined with the band arrangement by the same name (00-46634) for a joint number.
SKU: HL.49019906
ISBN 9790220134180. UPC: 888680623623. 8.25x11.75x0.16 inches. English.
Written for the Hilliard Ensemble and the strings of the Norwegian Chamber Orchestra, the composer sets two texts from St. Columba about the power of the human voice. The work is divided into two parts in line with the texts, with string orchestral episodes preceding each. Despite some divisi in the string writing, The Voice of St. Columba promotes the clarity and directness of the texts through its simplicity. Part one, 'Colum's Voice', is a description of the extraordinary physical and magical power of St. Columba's voice, and its revelatory qualities are observed in part two, 'On Hinba'.
SKU: AP.38497S
UPC: 038081436845. English.
Celebrate the spirit of Bohemia at your next festival or concert with this acclaimed masterpiece. This arrangement uses material from the Allegro section of the first movement in the original key of D. The fugal nature of this movement gives each section a chance to play melodic passages. Care has been taken to preserve the energy of the original while seamlessly transferring wind and brass parts into the string section. Advanced shifting is required, along with the ability to perform syncopation and spiccato.
SKU: HL.48020802
ISBN 9780851626048. 9.0x12.0x0.16 inches.
Simply 4 Strings, a brand new series of ensemble music for elementary string players from Katherine and Hugh Colledge, composers of the well-loved Stepping Stones, Waggon Wheels, Fast Forward, and Shooting Stars. A complete suite of pieces ideal for group teaching or concerts based on well-known melodies. The book includes the score and piano accompaniments and the CD-ROM includes the individual parts to download and print.
SKU: HL.35021921
UPC: 888680608149. 8.5x11 inches.
SKU: AP.4323
UPC: 038081026213. English.
Art Sheinberg has discovered a gem from the late English Baroque keyboard literature and expertly scored it to sound as if it were originally for strings. The violin ll and viola parts are often doubled, as are the cello and bass parts; there are essentially three parts throughout. This gives a full and balanced sound which accommodates uneven instrumentation. Violin l parts are in third position much of the time, and alternate fingerings given for the other parts will keep other advanced players busy. The piece is in D major throughout, with the exception of brief excursions into A and B minor. Full of rhythmic drive and sparkling counterpoint, the piece is a sure winner with students and an excellent vehicle to teach detached style and ensemble independence. This title is available in MakeMusic Cloud.
SKU: BT.DV-11574
English.
SKU: AP.38491
UPC: 038081434711. English.
This set of two tunes that engage the imagination and are fun---really fun---to play will teach young players to love music. Easy parts that sound great are featured, and all parts have interesting lines. Two movements are included: I. Sunset, and II. Barn Dance (Old Joe Clark).
SKU: HL.49045561
ISBN 9783901974045.
Strauss's first tone poem distinguishes itself from all other subsequent orchestral compositions in its existence in three different versions. Even among the operas and other compositions in his hand there is no other work with a comparable history of origin and publication. What is more, the final version of Macbeth is the only valid form of the work and the only variant with further sources (cf. Critical Report) in addition to the autograph score. In contrast, the second version has only been preserved in an autograph score and autograph piano reduction (the orchestral parts which must have existed have obviously not survived). This was never printed and was replaced by the published third version. The two surviving versions should therefore not be considered to be of equal status. Unlike the case of Ariadne auf Naxos in which the earlier version was for a time the sole valid alternative and was yet never completely displaced by the soon dominating later version of the opera, only the final third version of Macbeth is considered as valid. Right from the outset, it was a matter of course for the editors of the present volume to include the second version as a first publication (in addition to the above-mentioned surviving pages of the first version), albeit in different forms. The surviving pages of the first version are reproduced in facsimile and the second version, as a subordinate form of the work, appears alongside Strauss's piano reduction in a modified source edition, i.e. without intervention on the part of the editors. The ultimate third version is published as a full edition (please refer to the Critical Report for further details). In order to facilitate a comparative study of the second and third versions, the relevant page numbers of the score are placed opposite one another (the autograph piano reduction of the second version is included at the end of the music section of the volume). The editors hope that this synoptic representation will prompt interest in further studies on Strauss's art of orchestration: a field of research which has still remained insufficiently examined. A study of Macbeth namely illuminates as clearly as could be wished how much significance Strauss allotted to sound alongside form. The subjects were not merely intended to generate an individual figure, but also specific tonal colours, and the instrumentation was simultaneously designed to provide an optimal communication of thematic-motivic texture to the audience. The 'new path' threw up consequences which caused Strauss a considerable amount of difficulty. He was however a fast learner and had already swum free with Don Juan and all the more with Tod und Verklarung.
SKU: BT.DVTMT-20567
SKU: BT.DV-10593
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