SKU: AP.44804S
UPC: 038081515489. English.
This true Christmas classic, arranged by Bob Cerulli, is a great way to introduce col legno and double stops to your string players. Easy to put together and fun to play, it's a must for any holiday concert! (2:45).
SKU: LO.30-2684L
UPC: 000308128024.
Reverent and worshipful, this beloved gospel Christmas classic has been set in a beautiful arrangement by Don Hart. Lovely harmonies are highlighted in the accessible choral parts, which float atop an elegant accompaniment. A gorgeous, optional orchestration is also available to complement this touching Christmas anthem. Instrumentation: 2 Fl, Ob, 2 Cl, Bsn, 3 Tpt, 2 Hn, 2 Tbn, Tba, 2 Perc, Timp, Harp, Pno, 2 Vln, Vla, Cello, Bass.
SKU: HL.49006187
ISBN 9790001067270. UPC: 884088099282. 8.25x11.75x0.41 inches. German - English.
4 (1., 2. auch Picc., 3., 4. auch Altfl.) * 1 * Ob. d'am. * Engl. Hr. * Heckelphon * Es-Klar. * 1 * Altklar. (oder Bassetthr.) * Bassklar. * Sopransax. * Tenorsax. * 2 * Kfg. - 4 * Picc.-Trp. * 2 * Basstrp. * Altpos. * 1 * Basspos. * Alt-Ofikleide (oder Bombardino) * Bass-Ofikleide (oder Pos. mit Quartventil) * Bombardino (oder Tb. in F) * Wagnertb. * 1 * Kb.-Tb. - P. S. (3 Trgl. * 3 hg. Beck. * Beckenpaar * 3 Gongs * Kuhgl. * 5 Tamt. * Tamb. * Mil. Tr. * 3 Bong. * Tabla * orient. Woodbl. * gr. Tr. * 2 Tempelbl. * Metallbl. * Woodbl. * Mar. * Guiro * Bambusbundel * 3 Metallplatten * Shell-Chimes * Vibr. * Marimba * Rohrengl.) (12 Spieler) - E-Git. * E-Bassgit. * 2 Hfn. * Klav. * E-Org. - Str. (12 * 0 * 8 * 6 * 4).
SKU: HL.49018099
ISBN 9790001158428. UPC: 884088567347. 8.25x11.75x0.457 inches. Latin - German.
On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of 'letting go'. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: 'I will return the key of my door'. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though 'in an ocean' of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: 'So teach us to number our days, that we may apply our hearts unto wisdom'. This cannot be expressed more plainly.I have begun the requiem with a solo boy's voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent 'lux aeterna'. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: 'Entreiss dich, Seele, nun der Zeit, entreiss dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen' ['Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morning'] and later: 'Und die Seele unbewacht will in freien Flugen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben' ['And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfold']. Or Joseph von Eichendorff whose text evokes a distant song in his lines: 'Und meine Seele spannte weit ihre Flugel aus. Flog durch die stillen Lande, als floge sie nach Haus' ['And my soul spread its wings wide. Flew through the still country as if homeward bound.']Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven's late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my 'renewed' occupation with the 'old' country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a 'homecomer'. Harald WeissColonia de San PedroMarch 2009.
SKU: AP.44793S
UPC: 038081521169. English. Traditional.
Take a trip to the Emerald Isle in this very accessible medley featuring Danny Boy and Irish Washerwoman. Beginning with the much-loved ballad and concluding with the high-spirited jig, this piece makes a great concert closer. This title is available in MakeMusic Cloud.
SKU: AP.49065S
ISBN 9781470645878. UPC: 038081565170. English.
The setting of this exciting and beautifully arranged medley of classic fiddle tunes, Fiddler's Fortune arranged by Bob Phillips and Renata Bratt, provides a cool, super-fun groove that pulls the player into the action. Included are Red-Haired Boy, St. Anne's Reel, and Blackberry Blossom, and every section gets to play the well-known melodies. Lead sheets of each tune and for each instrument will be available as free downloads so the melodies can be played in unison for another class activity. This arrangement is scheduled to be premiered by the Wintergrass 2021 Virtual Youth Orchestra. (3:45) This title available in MakeMusic Cloud.
SKU: AP.49065
ISBN 9781470645861. UPC: 038081565163. English.
The setting of this exciting and beautifully arranged medley of classic fiddle tunes, Fiddler's Fortune arranged by Bob Phillips and Renata Bratt, provides a cool, super-fun groove that pulls the player into the action. Included are Red-Haired Boy, St. Anne's Reel, and Blackberry Blossom, and every section gets to play the well-known melodies. Lead sheets of each tune and for each instrument will be available as free downloads so the melodies can be played in unison for another class activity. This arrangement is scheduled to be premiered by the Wintergrass 2021 Virtual Youth Orchestra.To access the video, audio, and PDF resources click here.. (3:45) This title is available in MakeMusic Cloud.
SKU: PE.EP68482
ISBN 9790300758770. English.
Poem by Clement Clarke Moore (A Visit From Saint Nicholas)
SKU: AP.50828
ISBN 9781470666217. UPC: 038081584829. English.
Three beautiful tunes in an easy medley! Songs of Mexico is a set of three traditional Mexican folk songs arranged by Bob Phillips for beginning string orchestra. The entire piece can be played on the D and A strings for violins, violas, and cellos, while basses play on the D and G strings. A la Rorro Niño (to the boy/special/darling child) is an infant slumber song. Un Elefante Se Balanceaba (one elephant was balancing) is about an elephant balancing on a spider web with more elephants joining as the song progresses; for example, the second verse would be two elephants, the third verse would be three elephants, and so on. Luz de la Mañana (morning light) is a children's song about morning. (2:05) Correlates to Sound Innovations, Book 1, Level 4.
SKU: AP.50828S
ISBN 9781470666224. UPC: 038081584836. English.
SKU: HL.49046988
ISBN 9781705174333. UPC: 842819115281. 8.25x11.75x0.695 inches.
SYNOPSIS Aribert Reimann's 'Trilogie lyrique' is based on three plays by Maurice Maeterlinck: In L'Intruse, a family is sitting at the table with their blind grandfather. They are waiting for the doctor to arrive and tend to his daughter who is lying ill in bed after having given birth: her new-born son has not yet made a single sound. The old man senses that something is wrong due to the uneasy atmosphere in the room. Who is sitting in our midst? he asks. He is the only one who cansee the presence of death. Interieur: Once again a family is gathered round the table in the evening, but this time we observe the action from outside, looking through the window with the grandfather and a stranger: no sound can be heard. Outside the house, the stranger reports that the eldest daughter has drowned and that he has pulled her out of the river. Although the corpse is already being carried through the village to the family, the grandfather cannot bring himself to destroy this idyll. La Mort de Tintagiles: The young Tintagiles is told a story about a mysterious castle and the aged queen who has all potential heirsto the throne murdered. His siblings sense that Tintagiles has been summoned to the castle to be murdered, but nobody openly expresses this fact. It is the sinister messengers of death from the interludes, now visible as the queens servants, who ful?l her demand and snatch the sleeping boy from his sisters'arms. Commentary 'In comparison with his Medea for example with its stormy outbreaks of emotion and violence, Reimann's score is worked in an impressive refinement of sound. It begins with rumbling, hesitating and expressive music in the first section, demanding highly ingenious sound effects from the lower strings including tapping and faltering glissandos in its noisy expression of mortal fear. Inthe second part, the woodwind formation plays at times almost in chamber music fashion and is then suddenly painfully shrill. The third part luxuriates and rages in its rich, full orchestration. The manner in which Reimann displays his mastery in textural shading, the invention of sounds welling up and fading away, the rhythmic and melodic capacity of suffering and the music's inner violence are all utterly compelling.'(Wolfgang Schreiber, Opernwelt, November 2017).
SKU: AP.49446S
ISBN 9781470650438. UPC: 038081571218. English.
Looking for a way to musically connect with your students, 10,000 Hours is a chart that will do the trick. This Billboard No. 1 HOT 100, country pop song, performed by Dan + Shay and Justin Bieber, continues to be a global success. Written at the young band level, this arrangement by Victor López will certainly engage your students. (3:00) This title is available in MakeMusic Cloud.
SKU: AP.49446
ISBN 9781470650421. UPC: 038081571201. English.
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