SKU: LO.765762213203
UPC: 765762213203.
The fresh and creative Allegis Orchestral Series is designed to give small to mid-sized churches an instrumental resource that can be played with a mix of players, but includes everything the large church orchestra needs, as well. These moderately difficult hymn arrangements have been created in popular styles that your instrumentalists and congregation alike with love. With three accompaniment options (piano, live rhythm section, or recorded rhythm tracks) this series fits the needs of any size group, from eight players to a full orchestra. Everything you need for practice and performance is included on the Enhanced CD: printable instrumental parts, optional instrumental parts, capo guitar parts, and rhythm/piano accompaniment, plus the rhythm accompaniment track and demonstration track. Minimum Instrumentation: Part 1 – Fl; Part 2 – Ob (Cl, S Sax); Part 3 – Cl (A Sax); Part 4 – Tpt; Part 5 – Tpt (A Sax); Part 6 – Hn (A Sax, Cl); Part 7 – Tbn (Bari TC, T Sax).
SKU: SU.32040140
2222; 4331; timp, 2 perc, pno; stgs Duration: 13'30 Composed: 2016 Published by: Amy Mills Music, LLC Like a modern Pictures at an Exhibition…. Ha Shamayim is an original piece for orchestra that was inspired by photographs taken by the Hubble space telescope. Each section is inspired by one photo; the title of each section is the title that NASA gave to the photograph. The words Ha Shamayim are Hebrew for The Heavens. They are written in Genesis 1:1, In the beginning God created the heavens and the earth. The words are also seen in Psalm 19. Section I: Warped Edge-On Galaxy ESO 510-G13 The piece begins in outer space with its glistening stars. Glissandi are used to depict the strange but beautiful warp seen in the photograph. Section II: Galaxy Fires at Neighboring Galaxy Suddenly the piece erupts as one galaxy fires blue gas at its neighbor. They engage in a cosmic battle. Section III: Youthful-looking Galaxy May Be an Adult The adolescent galaxy is personified by a humorous, gawky melody reminiscent of teenage boys who walk on feet that are still too big. Occasionally there is an argument with an authority figure, but the joy of exploring the universe quickly returns. Section IV: Star Birth in Galaxy M83 The dramatic photograph looks like a womb with veins. The music begins on one note, then it begins to explore the initial swelling and stretching. It morphs into an energetic fast theme, still growing. Ultimately it becomes glorious and expansive, like the new star. Section V: String of ‘Cosmic Pearls’ Surrounds an Exploding Star The first theme is a happy circle dance inspired by the circle of white dots in the photograph. The second theme is noble and joyful. It is reminiscent of the melody in the famous chorus in Haydn’s The Creation with the words from Psalm 19, The heavens are telling the glory of God. The music then has flashbacks to the earlier sections, and ends in triumph. The five sections in Ha Shamayim are continuous with no breaks. Difficulty Level: 5 (Advanced/Professional) See composer website for audio sample. Performance materials available on rental only:.
SKU: HL.14042350
ISBN 9788759826164.
Søren Nils Eichberg's Morpheus - Concerto for Orchestra (2013). Commissioned by The Danish National Symphony Orchestra / DR.
Parts are available on hire: hire@ewh.dk
Programme note
Morpheus in the Greek mythology is the most powerful of the Oneroi, the gods of dreams. He is the one who sends us our dreams and he may appear to us within the dreams in disguise.
Analogous to the logic of dreams, in Morpheus everything is interwoven, as chains of associations appear to logically lead us from one line of thought to another. Everything seems strangelyfamiliar. But the logic is treacherous and we already feel, it may only be valid within the dream. Nothing that appears similar is actually ever really the same.
Half awakening, we struggle to hold on to a vanishing world we felt we were on the verge of understanding, but which we already know will eventually escape us when we fully awake.
Everything remains a mystery until the end.
The seven movements/dreamscapes are:
SKU: AP.49905S
ISBN 9781470662332. UPC: 038081579535. English.
Using only the first six notes of D major and easy rhythms, Pizzicato Holidays, arranged by Chris M. Bernotas, is perfect for beginning string students' first concert. The introduction and ending bookends include a hint of O Christmas Tree, along with Up on the Housetop; The Dreydl Song; God Rest Ye Merry, Gentlemen; and Auld Lang Syne. All sections play the melody in turn and have interesting parts throughout. Violin 2 and viola are doubled, as are cello and string bass. A simple sleigh bell part is included but optional. A wonderful selection to ring in the holidays! (2:25).
SKU: AP.49905
ISBN 9781470662325. UPC: 038081579528. English.
SKU: LO.30-3707MD
UPC: 000308154122.
Orchestral Score and CD with Printable Parts for 10/5315MD Only a Silent Night is a lovely, tranquil arrangement from beloved composer, Marty Parks. The music is outstanding, but the true beauty of this Christmas ballad lies in Marty's original text: And only the song of the herald angels could offer the earth something glorious with only three words that could change the world: God with us! Invite God’s presence into your worship with this moving anthem.
SKU: HL.226377
ISBN 9781495091506. UPC: 888680674618. 8.5x11.0x2.3 inches.
Composed in both traditional and blended choral stylings, this cantata weaves the historic symbolism of both the Lion of Judah and the Lamb of God into the Christmas story. Through original songs and traditional carols, singers and listeners are reminded that this story is not just an event in history, but a living story that still impacts the world today. Narration, solos, congregational participation and optional children's voices, along with gorgeous orchestrations by Keith Christopher, all work together to make this service a time of both celebration and worship. Songs include: Overture/Sing Christmas!; And So We Wait; It Came upon a Midnight Clear; Who's the Little Baby?; Sleep Little Lion, Sleep Little Lamb; Where Is Peace Tonight?; In This Moment; Angels from the Realms of Glory; Carol of the King. Score and Parts (fl 1-2/pic, ob, cl 1-2, bn, tpt 1-3, hn 1-2, tbn 1-2, tbn 3/tba, perc 1-2, timp, hp, pno, rhy, vn 1-2, va, vc, db) available as a Printed Edition and as a digital download.
SKU: BR.PB-5698
ISBN 9790004216354. 10 x 12.5 inches.
Joachim Raff's Fifth Symphony Lenore op. 177, composed in 1872, reveals the composer as a representative of the middle ground between Neo-German aesthetics and the symphonic tradition. It owes its name to G. A. Burger's ballade, which is the programmatic basis of the final movement. Using this literary model, Raff oriented himself to the Berlioz program symphonies and the Liszt symphonic-poem concept, on the one hand, but on the other, he let the three preceding movements follow traditional symphonic form. Raff conducted the Lenore symphony's premiere in December 1872 in a concert by the Furstliche Hofkapelle in Sondershausen. The concert went to his satisfaction, although the audience evidently did not know what to make of the work: [...] and the symphony [...] was played before this faintly musical party. Essentially for the greater glory of God and my edification, less for that of the said public, which seems to have been rather horrified by it. His friend Hans von Bulow had, however, a great pleasure in hearing the symphony the following year in Berlin. In her preface, the editor Iris Eggenschwiler provides detailed information about the work's genesis, documents Raff's ideas and intentions, and facilitates a comprehensive orientation within the historical context. Breitkopf & Hartel is now presenting for the first time with this symphony an orchestral work by Raff in a modern Urtext edition, thus also continuing its collaboration with the Joachim-Raff-Gesellschaft.In collaboration with the Joachim-Raff-Archiv Lachen (CH).
SKU: HL.48024880
ISBN 9781784545154. UPC: 840126918670. 7.25x10.25x0.319 inches.
This publication presents under one cover various short works for sundry orchestral scorings. Larghetto for Orchestra is MacMillan's orchestration (2017) of his celebrated Miserere for a cappella mixed choir (2009), a setting in Latin of Psalm 51, 'Have mercy upon me, O God, according to thy great mercy', the penitential text famously set in the 17th century by Gregorio Allegri. The Larghetto orchestration was commissioned by the Pittsburgh Symphony Orchestra in celebration of Manfred Honeck's 10th Anniversary as Music Director. Memoire imperiale is one of a number of variations on General John Reids march tune Old Gaul commissioned from Scottish composers to mark the centenary in 1994 of the Faculty of Music at Edinburgh University. The Faculty was established following a bequest by General Reid (1721-1807), a former law student at the University and a renowned flute player and composer of marches for the BritishArmy, and he asked that an annual concert be organised at which one or more of his compositions be played. Composed in 2012 for the Britten Sinfonia, One is a monody in which a single line is passed around the instruments, painting it with different colours as it emerges and develops. Lasting only a few minutes, its singularity is maintained until blossoming in the lastfew bars. For Sonny (2011, orch 2013) and Ein Lamplein verlosch (2018, orch 2019) are short, private memorial tributes originally for string quartet and here rescored for string orchestra. Hirta was composed in 2016 as part of Deccas The Lost Songs of St Kilda project. Nearly a century ago, the last 36 residents were evacuated from the most remote part of the British Isles, St Kilda, an isolated archipelago off the beautiful and rugged western coast of Scotland. After 86 years, the music of St Kilda was rediscovered, recorded in a Scottish care home by Trevor Morrison, an elderly man who had been taught piano by an inhabitant of St Kilda. The songs were 'reimagined' for the Decca album by various.
SKU: HL.49046001
0.262 inches.
Orquoy is inspired by the music of ancient Andean civilisations. The work evokes the atmosphere of fiestas and collective rites: bright colours, the movements of bodies, the ritual consumption of alcohol, a sense of vertigo, the shrill flutes and the power of percussion instruments - this all contributes to a permanent saturation of the senses. For the Quechuas, whose music is characterised by pre-Hispanic elements, the composer is a shaman, wandering between the sphere of the supernatural and the human world. He coaxes melodies out of the Gods - this is the meaning of the word 'orquoy'. Thierry Pecou.
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