SKU: HL.49010227
ISBN 9783795772550. UPC: 841886020993. 5.25x7.5x0.26 inches. (ed. Blume/Matthews) Edition Eulenburg No. 774.
His concertos justifiably rank among the milestones of solo music accompanied by orchestra. In Viennese Classicism, piano music flourished thanks to innovations in the instrumental technique, and even Mozart fully exploited the advantages of the fortepiano action over the rigid sound of the harpsichord in his works.Piano Concerto No. 25 is Mozart's longest concerto. The harmonic structure, the continuous change between major and minor, the witty dialoguing between solo and orchestra, the strong contrapuntal saturation, the frequent use of the pedal point as well as the overflowing melodic abundance give the work a character all its own.
SKU: HL.49001750
ISBN 9790001023641. UPC: 073999971743. 9.0x12.0x0.175 inches.
The rediscovery of this concerto by the Bohemian composer is certainly a surprise for the violists particularly since there is only very little original literature from the classical epoch. As violist of the Dresden court orchestra, Joseph Schubert writes a very skilful solo part suitable for the instrument adding vigorous melody and harmonic abundance which reminds of Mozart. In this edition, the original cadences and diminutions appear unchanged.
SKU: HL.50037510
UPC: 073999269789. 8.0x10.75x0.14 inches.
SKU: HL.50037670
UPC: 884088589585. 7.75x10.5x0.13 inches.
SKU: HL.50036360
UPC: 073999982787. 8.0x10.75x0.158 inches.
SKU: HL.50037720
UPC: 073999651584. 6.75x10.5x0.12 inches.
SKU: HL.50036370
UPC: 073999774306. 7.75x10.5x0.138 inches.
SKU: HL.50037080
6.75x10.5 inches.
SKU: HL.50016840
UPC: 073999915167. 8.0x10.75x0.156 inches.
SKU: HL.50036550
UPC: 073999288360. 8.0x10.5x0.109 inches.
SKU: HL.50036460
UPC: 073999054361. 8.0x10.75x0.112 inches.
SKU: HL.50036350
UPC: 073999262919. 8.0x10.75x0.125 inches.
SKU: HL.50036590
8.0x10.75x0.16 inches.
SKU: HL.50089440
8.0x10.75x0.107 inches.
SKU: HL.51489030
UPC: 196288093763. 6.75x9.5x0.505 inches.
Brahms composed his Triumphlied for eight-part chorus, solo baritone and orchestra as a direct reaction to the victory of the German army in the Franco-Prussian War of 1870/71 and the consequent founding of the German Empire. Similar to the German Requiem completed shortly before, Brahms himself compiled the text from the Bible, in this case from Chapter 19 of the Book of Revelations. Because of the somewhat melodramatic tone of the composition and the nationalistic background to the works genesis, in recent years the Triumphlied has seldom been heard in concert halls. Unlike overly-patriotic occasional works such as Richard Wagner's Kaisermarsch, the Triumphlied is true Brahms and is a musically rich composition. This study edition takes the musical text from the Brahms Complete Edition (HL 51486030), thereby representing the highest scholarly precision. The Appendix contains an exciting new discovery, a previously-unknown early version of the 1st movement in C major, which was only rediscovered in 2012 in Bremen.
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SKU: BA.BA10986
ISBN 9790006569106. 31 x 24.3 cm inches. Key: B-flat major. Preface: Andreas Friesenhagen.
Haydn composed his Symphony No. 77 along with his Symphonies Nos. 76 and 78 for a planned journey to England that never took place. Nonetheless, H.C. Robbins Landon calls these works the “English symphonies†as they are stylistically closely linked to the “London Bachâ€, Johann Christian Bach. Haydn himself, in a letter of 1783 to his Parisian publisher Charles-Georges Boyer, described the symphonies as ‘Leicht und nicht vil Concertirendâ€, meaning that they were light in spirit and did not contain extensive solo passages but rather a clear sense of classical form.Continuing the cooperation between Bärenreiter and the G. Henle publisher regarding Haydn’s large-scale choral works, operas and symphonies, this edition is based on the G. Henle Complete Edition of the “Works of Joseph Haydnâ€. The Bärenreiter catalogue now includes the complete performance material for several “Sturm und Drang†symphonies as well as all the London and Paris symphonies.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: KN.9617
UPC: 822795096170.
This is a charming medley of two European carols in 3/4 time and scored here in the key of G major -- The Infant King from Poland and Bring A Torch Jeannette, Isabella from France. Everyone gets a chance at the melody as these tunes are presented separately and then in combination evoking a nostalgic Christmas atmosphere. Duration 2:35. Available in SmartMusic.
SKU: HL.14008392
ISBN 9780711936942.
The story centres on the English princess Caroline Mathilde (1751-1775), sister of George III, who at the age of 15 was sent to Denmark to marry the 17-year-old eccentric and schizophrenic Danish King, Christian VII. The ballet portrays her unhappy marriage, the King's growing madness and her fatal love-affair with Struensee, the King's influential physician, which leads to their arrest, his execution and her exile, at the age of 20, separated from her two young children. In keeping with the period, and perhaps also with the traditions of Romantic ballet, the music is relatively simple in harmony and form, and most of the action is conveyed in set-piece dances. The suite, which consists essentially of the second half of Act I, begins with one of these, a bristling interplay of wind and string ensembles in D major, portraying in the ballet a curious nuptial game with the king and princess on movable pedestals. The slow music that follows has to do with the king's healing by Dr. Struensee and the new queen's unquiet reverie (oboe and cor anglais solos). Then the suite, like the act, is capped by a pair of pas-de-deux, the first savage and bizarre for the royal couple, the second rich and passionate for the queen and the miracle-working doctor. Score (miniature). Duration c. 25mins.
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