Orchestra

SKU: TM.05110TPS

Composed by Ludwig van Beethoven. Transposed Score. Lucks Music Library #A1254. Published by Lucks Music Library (TM.05110TPS).

Act IV. No. 12 Duet. Includes: Arriago, a parli ad un core.

Orchestra (1.2.2.2/2.0.0.0,timp,str)

SKU: TM.05804SET

Composed by Anton Reicha. Set Type: D. Set of parts. Lucks Music Library #A1907. Published by Lucks Music Library (TM.05804SET).

Chorus does not contain piano reduction. 7 movements: Sonata, Soli und Chorus (Soprano, Tenor, Bass), Arie (Soprano), Recitative (Tenor), Chorus (STB), Duet (Soprano and Tenor), Tenor (Solo and chorus).

String Orchestra string orchestra (88555) with optional 3rd violin/viola TC (3) - Grade 2.5

SKU: KN.9104

(Dui Hua). Composed by Traditional. Arranged by Albert Wang. Voyager String Orchestra. Score and set of parts. Duration 3 minutes, 10 seconds. Kendor Music Inc #9104. Published by Kendor Music Inc (KN.9104).

UPC: 822795091045.

This popular folk song from the Hebei Province, a unique geographical area surrounding the capital city of Beijing, is a great favorite there because of its memorable melody. In his score notes Mr. Wang explains that Chinese duets resemble a question-and-answer conversation between voices, which aptly describes the form and character of this setting for student strings. Duration 3:10.

Orchestra

SKU: LO.30-3218L

Composed by Thomas Fettke. Arranged by Thomas Grassi. Choral, cantatas. Christmas. Instrumental parts. Lorenz Publishing Company #30/3218L. Published by Lorenz Publishing Company (LO.30-3218L).

UPC: 000308142365.

Brimming with ancient Celtic flavor, Stars of Glory radiates the promise of the light of God’s salvation, fulfilled in the birth of Jesus Christ. Tom Fettke and Thomas Grassi have arranged a brilliant mix of eleven traditional carols for SATB choir, duet, optional solo, child’s solo, and women’s trio. Variously tender, introspective, joyous, and infectious, the selections in this work are connected by the common thread of their Celtic highlights, while Ken Bible’s readings beautifully illuminate the central theme—Jesus Christ, the Bright and Morning Star. Orchestration by Michael Lawrence for 2 Fl, Ob, 2 Cl, Bsn (sub Bass Cl), 2 Hn (sub 2 A Sax), 3 Tpt, 2 Tbn (sub 2 T Sax), Tuba, Perc, Timp, Harp, Pno, 2 Vln, Vla, Cello, Bass, Digital Strings.

Orchestra

SKU: BR.PB-5432

Composed by Helmut Lachenmann. Orchestra; stapled. Partitur-Bibliothek (Score Library).

World premiere of the orchestral version: Stuttgart, January 1, 2018World premiere of the piano version: Mito, June 17, 2017

Have a look into EB 9283.

New music (post-2000). Full score. Composed 2016/17/20. 48 pages. Duration 8'. Breitkopf and Haertel #PB 5432. Published by Breitkopf and Haertel (BR.PB-5432).

ISBN 9790004212790. 10 x 12.5 inches.

Marche fatale is an incautiously daring escapade that may annoy the fans of my compositions more than my earlier works, many of which have prevailed only after scandals at their world premieres. My Marche fatale has, though, little stylistically to do with my previous compositional path; it presents itself without restraint, if not as a regression, then still as a recourse to those empty phrases to which modern civilization still clings in its daily utility music, whereas music in the 20th and 21st centuries has long since advanced to new, unfamiliar soundscapes and expressive possibilities. The key term is banality. As creators we despise it, we try to avoid it - though we are not safe from the cheap banal even within new aesthetic achievements.Many composers have incidentally accepted the banal. Mozart wrote Ein musikalischer Spass [A Musical Jape], a deliberately amateurishly miscarried sextet. Beethoven's Bagatellen op. 119 were rejected by the publisher on the grounds that few will believe that this minor work is by the famous Beethoven. Mauricio Kagel wrote, tongue in cheek, so to speak, Marsche, um den Sieg zu verfehlen [Marches for being Unvictorious], Ligeti wrote Hungarian Rock; in his Circus Polka Stravinsky quoted and distorted the famous, all too popular Schubert military march, composed at the time for piano duet. I myself do not know, though, whether I ought to rank my Marche fatale alongside these examples: I accept the humor in daily life, the more so as this daily life for some of us is not otherwise to be borne. In music, I mistrust it, considering myself all the closer to the profounder idea of cheerfulness having little to do with humor. However: Isn't a march with its compelling claim to a collectively martial or festive mood absurd, a priori? Is it even music at all? Can one march and at the same time listen? Eventually, I resolved to take the absurd seriously - perhaps bitterly seriously - as a debunking emblem of our civilization that is standing on the brink. The way - seemingly unstoppable - into the black hole of all debilitating demons: that can become serene. My old request of myself and my music-creating surroundings is to write a non-music, whence the familiar concept of music is repeatedly re-defined anew and differently, so that derailed here - perhaps? - in a treacherous way, the concert hall becomes the place of mind-opening adventures instead of a refuge in illusory security. How could that happen? The rest is - thinking.(Helmut Lachenmann, 2017)CD (Version for Piano):Nicolas Hodges CD Wergo WER 7393 2 Bibliography:Ich bin nicht ,,pietistisch verformt. Ein Gesprach [von Jan Brachmann] mit dem Komponisten Helmut Lachenmann, in: FAZ vom 7. Juni 2018, p. 15.

World premiere of the piano version: Mito/Japan, June 17, 2017, World premiere of the orchestral version: Stuttgart, January 1, 2018, World premiere of the ensemble version: Frankfurt, December 9, 2020.