SKU: BT.MUSM570364800
English.
Elisabeth Lutyens ' music from the film ' The Skull ' (1965). A3 conductor's score. Instrumentation: 2 Flutes (doubling Alto flute and Piccolo), 2 Clarinets (doubling Bass clarinet and Contrabass clarinet), 3 Horns, 3 Trombones, 2 Percussion, Timpani, Harp, Piano, Cimbalom, Organ, Violas (divisi), Cellos (divisi), Double bass.
SKU: HL.49006206
ISBN 9790001067478. 9.0x12.0x0.305 inches.
2 (beide auch Picc.) * Altfl. (auch Picc.) * 2 * Engl. Hr. * Es-Klar. * 2 * Bassklar. * Altsax. * 2 * Kfg. - 0 * 3 * Basstrp. * 3 * 1 - P. S. (Trgl. * Gong * 3 Beck. * Tamt. * Ruhrtr. * kl. Tr. * gr. Tr. * Clav. * Woodbl. * Xyl. * Vibr. * Marimba) (4 Spieler) - Hfe. * Cel. * elektr. Org. - Str.
SKU: HL.14019146
ISBN 9788759855775. 12.0x16.5x0.525 inches. English.
The harmonic model for this piece is based on a subdivision of pitches in primary and secondary notes, in principle any chord can be viewed from it's structural qualities including interval content and symmetry, but it might also be conceived from a more acoustical point of view. The parallel basis for this work is a sequence of 12-tone chords repeated as a chaconne, every chord has it's Alter-Ego, an overtone series the fundamentals of which together form a bass line. By articulating the cycle differently, with always varied diagonal paths between two layers Lindberg has aimed to give the music some direction despite it's vague repetitive structure. Work for Orchestra premiered at the Queen Elizabeth Hall, London, by the London Sinfonietta under the direction of Esa-Pekka Salonen, April 1990.
SKU: HL.14048204
12.0x16.5x0.486 inches. English.
An Epithalamion, Or Marriage Song on the Lady Elizabeth, and Count Palatine being married on St. Valentine's Day is a work by Hugh Wood that sets the poem by John Donne. For Chorus and Orchestra, the work was commissioned by BBC Radio 3 and first performed as part of the 2015 BBC Proms. A full performance lasts around 20 minutes, this is the Full Score. Spiral bound.
SKU: AP.33688S
UPC: 038081376998. English.
From Book I of Bach's The Well-Tempered Klavier, this lively reworking of the Prelude and Fugue in B-flat minor, No. 22 provides students the wonderful experience of playing Baroque counterpoint in a minor key. Though rhythms are not complex, counting skills will be honed. The piece remains mainly in first position, yet also includes melodic augmented seconds. In the five-part fugue, the double basses have their own independent line, so let them shine.
SKU: BT.MUSM570364817
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