SKU: HL.51489818
UPC: 840126932744. 6.75x9.5x0.25 inches.
Sandwiched between the popular Symphonies Nos. 7 and 9, the relatively short Eighth Symphony finds itself in a difficult position even now. Right after the premiere in February 1814, one critic opined that it had made “no splash.†At first glance it makes recourse to already outmoded forms and genres, even reviving a minuet for the third movement (in lieu of a slow movement) after an Allegretto scherzoso. But Beethoven engages intensively with music history, breaking apart traditional procedures and patterns and finding new, surprising solutions that make his Eighth a milestone in symphonic history. Based on the musical text of the Beethoven Complete Edition and furnished with a new preface, this recently prepared edition reflects the latest in Beethoven scholarship. Now,in this study edition, it is available to everyone at a reasonable price and in a handy format.
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What I can expect from Henle Urtext editions:
SKU: BA.BA10984
ISBN 9790006567294. 31 x 24.3 cm inches. Key: F major. Preface: Armin Raab.
Along with Symphonies Nos. 80 and 81, Haydn’s Symphony in F major Hob. I:79 belongs to a group of works that he composed in late 1784. He wrote them for his employer Prince Nikolaus Esterházy who wished to be entertained with new music. The symphonies were tailored for the twenty-five to thirty musicians who were in the prince’s court orchestra.Continuing the cooperation between Bärenreiter and the G. Henle publishing company regarding Haydn's large-scale choral works, operas and symphonies, this edition is based on the G. Henle Complete Edition of the “Works of Joseph Haydnâ€. Bärenreiter has already published the complete performance material for several “Sturm und Drang†symphonies and all the Paris and London symphonies.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: HL.49006070
ISBN 9790001065900.
SKU: HL.49006060
ISBN 9790001065801. 9.0x12.0x0.045 inches.
SKU: HL.51487451
UPC: 196288158110. 6.75x9.5x0.294 inches.
Thanks to its skilful combination of Romantic melody and sparkling virtuosity, Koussevitzky’s Double Bass Concerto op. 3 has been one of the most popular works of its genre since its Moscow premiere in 1905. No wonder, for the virtuoso double bass player Koussevitzky had composed it for his very own instrument. As early as 1906/07 a first piano reduction was published in Moscow, followed by a second in 1910 in Leipzig. However, both contain so many mistakes in the solo part that there is still uncertainty about the correct musical text in many passages to this day. The double bass player Tobias Glöckler has therefore prepared his Urtext edition using several sources: as well as the manuscript performance material and the piano reductions published during the composer's lifetime, he has also studied recordings with Koussevitzky as soloist - thereby finally producing a thoroughly-researchedUrtext edition of the orchestral score and piano reduction of this classic of the double bass literature. As with all double bass concertos published by Henle Publishers, this edition also contains the piano reduction by Christoph Sobanski in two keys (E minor and F sharp minor) for performance with solo or orchestral tuning.
SKU: BA.BA10402
ISBN 9790260104723. 24.3 x 31 cm inches. Key: G minor. Preface: Simon, Robert.
Dvorák composed his “Slavonic Rhapsodies†op. 45 in 1878, initiating his so-called “Slavonic periodâ€. They were issued by the publisher Simrock the following year as three independent orchestral pieces (in D major, G minor and A-flat major) appearing under the same opus number.Now the “Slavonic Rhapsodies†are being issued separately in scholarly-critical editions. The editor Robert Simon has taken Dvorák’s authorised first edition as his principal source.
SKU: HL.51485815
ISBN 9790201858159. UPC: 884088182984. 10.25x13 inches.
SKU: HL.51485812
ISBN 9790201858128. UPC: 884088182977. 10.25x13 inches.
SKU: BR.PB-14616
The study score (,,Studien-Edition) is available at G. Henle Verlag
ISBN 9790004214916. 10 x 12.5 inches.
It was only shortly after the 5th Symphony that Beethoven completed the Pastoral Symphony. The two formed a complementary work pair, consigned together to a patron in June 1808, publicly premiered in Vienna in December 1808, and published by Breitkopf & Hartel in the spring of 1809. During this period, Beethoven revised the symphony several times. Only in the course of preparing for publication did Beethoven send Breitkopf & Hartel a letter, together with a list of corrections, disclosing the title that he desired, Pastoral Symphony or recollections of country life. More an expression of feeling than painting. The Pastoral with its tone-painting elements gives evidence of Beethoven's closeness to nature, characterizing in five movements his various experiences and images of nature. Based on the music text of the Beethoven Complete Edition, the new performance material of this recently published edition presents the current, authoritative status of Beethoven research for this work.
SKU: HL.49001729
ISBN 9790001117241. 9.0x12.0x0.205 inches.
F.A. Rosler (Antonio Rosetti), a Bohemian by birth, worked as court music director in Ludwigslust/Mecklenburg. He wrote 14 flute concertos altogether the most important of which is the concerto G major, Op. 14. The expanded head movement combines the sonata form with the ritornello technique of the concerto grosso. Right at the beginning, the basses of the Mannheimer-Walzermotiv make it clear that Rosler knows how to use effectively the orchestral technique of his time. Despite all motivic and thematic as well as harmonic abundance, -Rosler achieves in this concerto an almost natural musical unity.
SKU: TM.09138SET
Transposed: Cl 1&2, Hn 1&2, Tpt 1&2, Tbn 1&2. Original: Cl in Bb & A, Hn 1&2 in F and Eb, Hn 3&4 in F. Clothbound score.
SKU: C4.9790-900969354
ISBN 9790900969354.
SKU: C4.9790-900969323
ISBN 9790900969323.
SKU: TM.09138SC
SKU: HL.50485900
ISBN 9780634099472. UPC: 073999498295. 8.0x10.75x0.08 inches.
SKU: BR.DV-1625
ISBN 9790200410525. 9 x 12 inches.
SKU: TM.00152SC
G.122; solo Pf in Sc.
SKU: TM.10701SC
Ed. by Hoffmann. Cem in score.
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