SKU: AP.49434
ISBN 9781470650629. UPC: 038081571409. English.
A stunning arrangement of the incredible masterwork Peer Gynt Suite No.1, Op. 46! It is perfect for string orchestra alone, or with added instruments up to a full orchestra. This setting, by Chris M. Bernotas, offers the opportunity to explore the entire suite. All four movements are presented in approachable keys and are abridged to the perfect length and difficulty level for your next concert. (5:30).
SKU: LO.30-3694L
UPC: 000308154399.
Set of Parts for 65/2098L This celebratory work from Marty Parks is filled with festive interpretations of classic carols and worshipful original songs that highlight the beauty of the Christmas story. Arranged with practicality in mind, it is sure to make choirs of all sizes and skill levels sound their best. The choral voicings are rich and full while the vocal ranges maintain an accessibility throughout. The orchestration, also written by Marty, beautifully complements the choral writing. From the anticipatory, joy-filled opener, O Come, Emmanuel!, to the exciting finale that combines O Come, All Ye Faithful and Son of the Father’s Love, this incredible selection is filled with the sounds and spirit of Christmas!
SKU: LO.30-3566MD
UPC: 000308149746.
Festive and fun to sing, this octavo from Mary McDonald includes an incredible melody that will promote worship and praise. Mary expertly set the traditional text in a refreshing, non-traditional way. If you’re looking for a song to open worship with, look no further!
SKU: BA.BA08866-90
ISBN 9790006577200. 27 x 19 cm inches. Text: Gautier de Montdorge, Antoine-César / Bersin, Louise-Angélique.
The ballet â??Les Fêtes d'Hbâ? deals with the talents that are usually the subject of the Opra and are placed at the service of love on stage: poetry and declamation (1st entre, La Posie), song and harmony (2nd entre, La Musique) and finally dance and choreography (3rd entre, La Danse); hence the alternative title of the ballet â??Les Talents lyriquesâ?. In this ballet opera, Rameau consistently gives priority to the female roles. The prologue glorifies Hb, the goddess of youth, and her alliance with love, while â??La Posieâ? praises the poetress Sappho, who sings almost throughout, and â??La Musiqueâ? concentrates on the omnipresent princess Iphise; finally, â??La Danseâ? has as its main character the shepherdess Ã?gl, who excels in dance and song.Since the premiere, the text of the libretto has been perceived as rather unbalanced. Rameau compensates for these poetic shortcomings with musical boldness and innovations of the highest order. Be it the overture that throws Lully's model overboard, the varied choral movements such as that of the Thessalians â??Que jusqu'au fond de nos grottes profondesâ?, the virtuoso arias such as Sappho's air â??Un jour pass dans les tourmentsâ? or the magnificent monologues for Iphise and Tirte â?? the originality and beauty of the music testify to incredible ingenuity.Audio sample on Youtube
SKU: BR.SON-627
ISBN 9790004803295. 10 x 12.5 inches.
In 1998, at the end of the 20th century, Breitkopf & Hartel started the publication of the Complete Edition, which is made possible thanks to the cooperation of the various Sibelius publishers. The Editors (Helsinki University Library and The Sibelius Society of Finland) and the Editorial Committee (Chairman: Timo Virtanen, Helsinki) believe that the volumes of JSW will provide the basis for a now conception of the creative work of Jean Sibelius.Reviews: One immediately recognizes the towering production quality of these volumes - a point that can be extended to all volumes thus far published in the set. The music is a joy to read; and the lucidity and thoroughness of the texts … are models of scholarly editions, and should be required reading for all bibliography and music-editing courses. … In sum, the JSW is a remarkable project: the scholarship is impeccable, the music scores and texts are simply a joy to study. Edward Jurkowski, Notes December 2011: 442-443At the back of this magnificent book are pages of critical commentary on a bar-by-bar analysis of an endless supply of musical notation requiring interpretation by the editor. … For the general, non-musically trained, purchaser of the edition there is the magisterial introduction to read, and fascinating reading it is. Edward W. Clark, Sibelius Society Newsletter 2009 The Sibelius pieces, however, are a revelation. I opened this magnificently produced volume - complete with multilingual critical report and generous facsimiles of original manuscripts - expecting Grieg-style quasi-nationalistic character pieces, and was instead presented with an incredible array of styles, textures, harmonic languages and levels of difficulty. Chris White, Piano Professional Summer 2009: 2This is not only a scholarly edition of one of the composer's major works, it is also a model for the philological editing of music in general. … JSW has chosen to have the emendations reflected in two places, in certain cases even in three: as graphic indications in the music text, in prose form in the critical commentary, and sometimes also in the form of a warning footnote on the music page. There can be no doubt that such a procedure is very user-friendly, but it disturbs the appearance of the music and may mislead the user into thinking that there are two or more equally valid readings. Niels Krabbe, Fontes Artis Musicae 54/2, 2007: 248 Editorial standards are high throughout, and maintain a careful balance between the competing demands of practical exigency and the need to provide as much scholarly evidence of variants as possible. The critical commentaries provide concise and effective descriptions of the sources and, where appropriate, information on compositional genesis and historical context. The introduction to each volume provide useful background information on historical reception, including much new material not previously brought to light in Tawaststjerna's biography. Daniel M. Grimley, Nineteenth-Century Music Review 2/2, 2005: 244.
SKU: BR.SON-625
ISBN 9790004803271. 10 x 12.5 inches.
In 1998, at the end of the 20th century, Breitkopf & Hartel started the publication of the Complete Edition, which is made possible thanks to the cooperation of the various Sibelius publishers. The Editors (Helsinki University Library and The Sibelius Society of Finland) and the Editorial Committee (Chairman: Timo Virtanen, Helsinki) believe that the volumes of JSW will provide the basis for a now conception of the creative work of Jean Sibelius.Reviews: One immediately recognizes the towering production quality of these volumes - a point that can be extended to all volumes thus far published in the set. The music is a joy to read; and the lucidity and thoroughness of the texts ... are models of scholarly editions, and should be required reading for all bibliography and music-editing courses. ... In sum, the JSW is a remarkable project: the scholarship is impeccable, the music scores and texts are simply a joy to study. Edward Jurkowski, Notes December 2011: 442-443At the back of this magnificent book are pages of critical commentary on a bar-by-bar analysis of an endless supply of musical notation requiring interpretation by the editor. ... For the general, non-musically trained, purchaser of the edition there is the magisterial introduction to read, and fascinating reading it is. Edward W. Clark, Sibelius Society Newsletter 2009 The Sibelius pieces, however, are a revelation. I opened this magnificently produced volume - complete with multilingual critical report and generous facsimiles of original manuscripts - expecting Grieg-style quasi-nationalistic character pieces, and was instead presented with an incredible array of styles, textures, harmonic languages and levels of difficulty. Chris White, Piano Professional Summer 2009: 2This is not only a scholarly edition of one of the composer's major works, it is also a model for the philological editing of music in general. ... JSW has chosen to have the emendations reflected in two places, in certain cases even in three: as graphic indications in the music text, in prose form in the critical commentary, and sometimes also in the form of a warning footnote on the music page. There can be no doubt that such a procedure is very user-friendly, but it disturbs the appearance of the music and may mislead the user into thinking that there are two or more equally valid readings. Niels Krabbe, Fontes Artis Musicae 54/2, 2007: 248 Editorial standards are high throughout, and maintain a careful balance between the competing demands of practical exigency and the need to provide as much scholarly evidence of variants as possible. The critical commentaries provide concise and effective descriptions of the sources and, where appropriate, information on compositional genesis and historical context. The introduction to each volume provide useful background information on historical reception, including much new material not previously brought to light in Tawaststjerna's biography. Daniel M. Grimley, Nineteenth-Century Music Review 2/2, 2005: 244.
SKU: LO.30-3489MD
UPC: 000308147704.
And It Came to Pass, Emmanuel: A compelling musical triumph that invites the listener on a journey that ultimately leads to worship of the Christ Child. The text of the Christmas story blends seamlessly with original narrative and exquisite lyric writing from Rose Aspinall, and Jay Rouse's incredible ability to fashion original melodies and arrange Christmas favorites with nuance and passion is on full display. The musical opens with an ethereal underscore that leads effortlessly into a 6/8 interpretation of Adeste Fideles, followed directly by the theme song and anchor ballad for the musical, And It Came to Pass. Also included are a song written specifically for this work that gives voice to Joseph's fears and longings; a traditional gospel setting of the all-time favorite Jesus, What a Wonderful Child; a syncopated, upbeat angel and shepherd announcement song titled Fire in the Sky; and a tender worship moment at the manger called Jesus, Prince of Peace. With a little something for everyone, this creative work is sure to be an important part of your Christmas season.
SKU: LO.30-3693L
UPC: 000308155006.
Full Score for 65/2098L This celebratory work from Marty Parks is filled with festive interpretations of classic carols and worshipful original songs that highlight the beauty of the Christmas story. Arranged with practicality in mind, it is sure to make choirs of all sizes and skill levels sound their best. The choral voicings are rich and full while the vocal ranges maintain an accessibility throughout. The orchestration, also written by Marty, beautifully complements the choral writing. From the anticipatory, joy-filled opener, O Come, Emmanuel!, to the exciting finale that combines O Come, All Ye Faithful and Son of the Father’s Love, this incredible selection is filled with the sounds and spirit of Christmas!
SKU: AP.49473S
ISBN 9781470650056. UPC: 038081570839. English.
Orchid by Yukiko Nishimura is a lyrical piece with a warm and lovely chord progression that brings delicate emotion to the incredibly beautiful melody line. Your string orchestra will perform expressively as they play from the heart. (3:30).
SKU: AP.43773S
UPC: 038081496504. English.
Here is a magnificent work from the operetta also known as Die schone Galathee. This arrangement is incredibly playable and offers a new rendition of the original waltz melody. Playable by full orchestra or strings with piano. (2:30).
SKU: AP.49473
ISBN 9781470650049. UPC: 038081570822. English.
Orchid by Yukiko Nishimura is a lyrical piece with a warm and lovely chord progression that brings delicate emotion to the incredibly beautiful melody line. Your string orchestra will perform expressively as they play from the heart. (3:30) This title is available in MakeMusic Cloud.
SKU: AP.43781
UPC: 038081504926. English.
The calming strains of this incredibly beautiful music have been thoughtfully and carefully scored in this string arrangement. The composer's full orchestration has been pared down to its basic elements, leaving a work that will captivate and entrance your audiences. Not only for concert programming, this work also makes a superb choice in your contest program. (6:15).
SKU: AP.45822S
UPC: 038081524337. English.
In a delightful setting by Patrick Roszell that is incredibly accessible, this arrangement of In the Bleak Midwinter allows young ensembles to play Holst and provides a holiday alternative. (2:40).
SKU: AP.43781S
UPC: 038081504933. English.
SKU: BR.PB-5539
A l'exemple de Schubert - Ravel re-invents the waltz, inspired by Liszt, Chopin, Schumann and Chabrier, transforming the rhapsodic gyrations of the dance and sending it whirling into the 20th century.
Have a look into ISBN 9790004213490. 10 x 12.5 inches.
Ravel needed only two weeks of intensive concentration to orchestrate his piano suite Valses nobles et sentimentales, which was given its premiere performance in March 1911. Consisting of seven waltzes and one epilogue, the work stamped Ravel as a creative personality whose masterpiece breathed an unbelievably new kind of musicality and incredibly intensive poetry. Let us not forget that this was twelve years before La Valse, with which it shares a number of similarities. The new edition of the complete performance material in Breitkopf's Urtext series was prepared by the Ravel expert Jean-Francois Monnard.A l'exemple de Schubert - Ravel re-invents the waltz, inspired by Liszt, Chopin, Schumann and Chabrier, transforming the rhapsodic gyrations of the dance and sending it whirling into the 20th century.
SKU: LO.30-3720MD
UPC: 000308154191.
Orchestral Score and CD with Printable Parts for 10/5336MD Inspired by and using text from Psalm 98, this fully orchestrated Marty Parks arrangement of Watts’s cherished “Joy to the World!†is full of rejoicing from beginning to end. Very singable and easy to learn, it is a unique and incredibly practical selection for Christmas services.
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