SKU: KN.10143
UPC: 822795101430.
For student string orchestras this expressive tone poem beautifully portrays the changing moods of the sea with soaring melodies and lush, late-Romantic harmonies. The lyrical opening theme should be played with great sensitivity and warmth, while the dramatic closing theme should be played with energy and passion. Playing with clarity, precision and balance is particularly important in fugal passages. In the final analysis, Del Borgo says players shouldn't be afraid to wear their hearts on their sleeves.
SKU: BA.BA06861
ISBN 9790260104211. 34.3 x 27 cm inches.
LeoÅ¡ Janácek’s symphonic fragment Dunaj (The Danube) dates from the period of the composition of “Katya Kabanovaâ€. The composer was not concerned with a musical-picturesque description of a river landscape, but with the mythical link between women’s destinies and water.“Pale green waves of the Danube! There are so many of you, and one followed by another. You remain interlocked in a continuous flow. You surprise yourselves where you ended up – on the Czech shores! Look back downstream and you will have an impression of what you have left behind in your haste. It pleases you here. Here I will rest with my symphony.†Thus LeoÅ¡ Janácek described the idea behind the composition project which occupied him in 1923/24. However, after further work, it remained incomplete in 1926. His “symphony†entitled Dunaj has survived as a continuously-notated, four-movement bundle of sketches in score form. It is one of the works which occupied him until his death. The scholarly reconstruction by the two Brno composers MiloÅ¡ Å tedron and LeoÅ¡ Faltus closely follows the original manuscript.A whole conglomeration of motifs stands behind the incomplete work. What at first seems like a counterpart to Smetana’s Vltava, in fact doesn’t turn out to be a musical depiction of the Danube. On the contrary, the fateful link between the destiny of women, water and death permeates the range of motifs found in the work. It seems to be no coincidence that Janácek, whilst working on the opera Katya Kabanova, in which the Volga, as the river bringing death plays an almost mythical role, planned a Danube symphony, and that its content was linked with the destiny of women: in the sketches, two poems were found which may have provided the stimulus for several movements of the symphony. He copied a poem by Pavla Kriciková into the second movement, in which a girl remarks that whilst bathing in a pond, she was observed by a man. Filled with shame, the young naked woman jumps into the water and drowns. The outer movements likewise draw on the poem “Lola†by the Czech writer Sonja Å pálová, published under the pseudonym Alexander Insarov. This is about a prostitute who asks for her heart’s desire: she is given a palace, but then goes on a long search for it and is finally no longer wanted by anyone. She suffers, feels cold and just wants a warm fire. Janácek adds his remark “she jumps into the Danube†to the inconclusive ending.To these tangible literary models is added Adolf Veselý’s verbal account which reports that the composer wanted to portray “in the Danube, the female sex with all its passions and driving forcesâ€. The third movement is said to characterise the city of Vienna in the form of a woman.It is evident that in his composition, Janácek was not striving for a simple, natural lyricism. The River Danube is masculine in the Slavic language – “ten Dunaj†– and assumes an almost mythical significance in the national character, indeed often also a role bringing death. The four movements are motivically conceived. Elements of sound painting, small wave-like figures in the first movement, motoric, driving movements in the third are obvious evocations of water. And the content and the literary level are easy to discover. The “tremolo of the four timpaniâ€, which was amongst Janácek’s first inspirations, appears in the second movement. It is not difficult to retrace in it the fate of the drowning bather. The oboe enters lamentoso towards the end of the movement over timpani playing tremolo, its descending figure is taken over by the flute, then upper strings and intensified considerably. The motif of drowning – Lola’s despair – returns again in the fourth movement in the clarinet, before the work ends abruptly and dramatically.One special effect is the use of a soprano voice in the motor-driven third movement. The singer vocalises mainly in parallel with the solo oboe, but also in dialogue with other parts such as the viola d’amore, which Janácek used in several late works as a sort of “voice of loveâ€.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: HL.4490466
UPC: 073999290868. 9.0x12.0x0.025 inches.
This iconic song from Bernstein's classic stage work remains one of the most popular melodies in American contemporary theater. Stephen Bulla's edition for strings is adapted from the original score, yet features accessibility for younger players. Let your students experience the mastery of this beloved American composer with this first-ever arrangement for string ensemble.
SKU: AP.44781S
UPC: 038081516936. English. Traditional German Carols.
A terrific multicultural addition to any beginning holiday concert, this arrangement by Sandra Dackow is a spirited rendition of three traditional German carols. These contrasting carols---Lasst uns froh und munter sein, O Come Little Children, and an unnamed traditional tune---are a fun way to introduce cut time and reinforce bow lifts to young string players. (1:45).
About Orchestra Expressions
Play great songs such as Over the Rainbow, Batman, This Land Is Your Land, and Star Wars (Main Title). Listen to and play a variety of styles of music: popular, traditional, classical, folk and patriotic. Read and write music; compose and improvise. Perform in a concert and play for your family and friends. Be a conductor of the orchestra. Learn about composers, such as Antonin Dvorak, Johann Pachelbel, Jacques Offenbach, Pytor Ilyich Tchaikovsky, Giuseppe Verdi, George M. Cohan, George Frideric Handel, Ludwig van Beethoven, Johann Sebastian Bach, Wolfgang Amadeus Mozart, Giacomo Puccini, Georges Bizet, Neal Hefti, and John Williams. Discover how music and art are related. Learn about a variety of musical ensembles including string orchestra, full orchestra, mariachi band, steel drum band, dixieland jazz band, rock band, and more. Play music from around the world, including North America, Europe, Latin America, Asia, and Africa.
SKU: AP.44781
UPC: 038081516929. English. Traditional German Carols.
SKU: HL.212972
UPC: 888680663100. 9.25x12.0x0.423 inches.
Danzas is a suite inspired by the music of Latin America. It is a great choice for a Pops or an outdoor concert, and is playable by amateur and student ensembles, as well as professional orchestras. The work consists of three movements, each devoted to the musicalculture of a different country: 1. Argentina 2. Brazil 3. Cuba. It may be performed as a whole, or individual movements may be played instead as an opener/ closer.
SKU: IM.2126
SKU: HL.48187416
3 Tableaux symphoniques.
SKU: AP.45817
UPC: 038081525501. English. Traditional Irish Tune.
All in first position with straightforward rhythms and thematic parts for everyone, this poignant song arranged by Sandra Dackow will be a wonderful addition to any concert. The Girl I Left Behind Me first appears in 18th century Ireland, often known as Brighton Camp. It emigrated to the United States along with many other Anglo/Scots/Irish folk tunes and became a popular marching song for soldiers. During the American Civil War, soldiers in both the Confederate and Union armies sang it. A number of cultures have embraced this song, adding their own local lyrics. (2:15) This title is available in MakeMusic Cloud.
SKU: AP.45817S
UPC: 038081525518. English. Traditional Irish Tune.
SKU: AP.38393S
UPC: 038081438597. English. Traditional.
Have a rockin' good time at your holiday concert with this fun arrangement! Written for first-year string players, with both arco and pizzicato opportunities, as well as optional piano and hand percussion parts, this will be a favorite with both your students and your audience!
SKU: AP.43754S
UPC: 038081496269. English.
The perfect level for very young players, this arrangement is designed to sound great at almost any tempo. Enjoy! (2:00).
SKU: BT.ALHE30282
French.
SKU: AP.41218S
UPC: 038081504711. English.
It was always fun to sing this Italian song in elementary school music classes---who could resist the swinging tarantella rhythms, which made you want to sing and dance together? No need to resist, join the fun! (3:10).
SKU: VD.ED13955
ISBN 9790202029558. 12 x 9 inches.
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