SKU: HL.14020136
10.5x14.5x0.547 inches.
SKU: HL.48180419
UPC: 888680846893. 9.0x12.0x0.34 inches.
Composed by the Czech composer Bohuslav Martinu in 1927, The Kitchen Revue is a ballet initially created for a sextet. This score was reviewed and tailored for an orchestra. This ballet, talking about the life of kitchen utensils, is divided in ten sections: 1. Prologue (Allegretto) 2. Introduction (Tempo de marche) 3. Danse du moulinet autour du caudron (Poco meno) 4. Danse du chaudron et du couvercle (Allegro) 5. Tango (Danse d'amour. Lento) 6. Duel (Poco a poco allegro. Tempo di Charleston) 7. Entracte (Lamentation du chaudron. Allegro moderato) 8. Marche funebre (Adagio) 9. Danse radieuse (Tempo di marche) 10. Fin du drame (Allegretto) The story focuses on the marriage of the Pot and Lid which is put at risk by the Twirling Stick, and the music features some strong jazz influences. Bohuslav Martinu (1890-1959) also wrote 13 other ballets, 15 operas and 6 symphonies and some orchestral and chamber music.
SKU: HP.C6194
UPC: 763628161941. McDonald, Mary. Lamentations 3:22-23, James 1:17, Psalm 19:1-6, Psalm 104.
Classic hymn tune Fully expressing God's unchangeable faithfulness in any circumstance, this epic choral setting displays the power and grandeur of this cherished hymn. The orchestration by Michael Lawrence magnifies the dramatic sweep of this ebullient, raise the rooftops setting. Orchestration: Conductor's Score, 2 Flutes, Oboe, 2 Clarinets, Bassoon, 3 Trumpets, 2 Horns, 2 Trombones, Tuba, Percussion, Harp, Piano, 2 Violins, Viola, Cello and String Bass.
SKU: AP.45879
UPC: 038081529639. English. Traditional.
Gaelic Trilogy by Jim Palmer provides the string orchestra with an opportunity to perform three Irish fiddle tunes: Faired Hair Mary, Neil Gow's Lament, and Stray Away Child. All sections, including the basses, get a chance to play beautiful melodies as well as interesting accompaniments. Including three distinct styles and tempos, this exciting piece is a great introduction to Irish fiddling. (4:50).
SKU: HL.48024527
ISBN 9781784544591. 8.0x11.75 inches.
17-minute work for full orchestra commissioned by the Finnish Broadcasting Company. First performed by the Finnish Radio Symphony Orchestra at the BBC Proms in August 1997. The composer comments: The word Feria is Spanish for an outdoor festival or fair, the exuberance of which is alluded to in this work. In the fast opening section the explosive, rhythmic ideas, especially the trumpet fanfares which are a recurring motif in the piece, herald a lively public spectacle. The mainly slower-paced central section reaches a focal point which may well be recognised as a chord progression from Monteverdi's “Lasciatemi morire†(Lament of Arianna).
SKU: HL.48023594
ISBN 9781784540647. UPC: 888680095062. 8.25x11.75 inches.
Composed for large orchestra between 1985-87 and not premiered until 2014 by the BBC Scottish Symphony Orchestra. 'Keening' is a form of vocal lament and mourning.
SKU: SU.31000050
Instrumentation: 2,1 2,1 2,1 2,1; 4331; timp; stgs Duration: 2' Composed: 1941 Published by: Notevole Music Publishing Performance materials available on rental only: Subito Music Rental Library.
SKU: AP.36-A128148
ISBN 9798892702294. UPC: 659359602160. English.
Ludwig van Beethoven (1770-1827) completed his Piano Concerto No. 3 in C minor in 1803, not long after writing the famous letter to his brothers, the Heiligenstadt Testament, in which he lamented his increasing deafness. He gave the first performance of the piece, as soloist, on April 5 in a public benefit concert at the Theater an der Wien in Vienna. The opening melody in the first movement bears striking similarity to the first theme heard in Mozart's 24th piano concerto. As a whole, the piece provides an essential link between the Mozartean charm of the two earlier concertos and the more idiosyncratic work found in his middle period. Instrumentation: 2.2.2.2: 2.2.0.0: Timp: Str (4-4-3-3-3 in set): Solo Piano.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: AP.36-A128101
ISBN 9798892701303. UPC: 659359867675. English.
SKU: AP.35998S
UPC: 038081414973. English.
A cool viola feature! Beginning with a solo introduction invoking a Celtic lament, it morphs into a driving rock pulse of 3+3+2. Unlike most rock tunes, there is no need for drums, guitar, or piano as those roles have been assigned entirely to the strings. So take the leap!
SKU: SU.91580100
A Grateful Tail - Movement by Movement Siriusly, Dog Star Sirius, the brightest star in the night sky, has been used by travelers and navigators for thousands of years as a guiding star and so it is here as the opening movement for the symphony. Sirius, the cornerstone to the constellation Canis Maggiore or Big Dog sits at the foot of Orion, the hunter, leading the way. Highly cinematic, the movement evokes both a musical and visual sense of the mythological and mysterious elements of Sirius and its Dog Godstar secrets. From the clarion call of the opening, Sirius theme, the sound is buoyant and frisky emulating the nature of doggy playtime. Puppy pleasures abound as a doggy four-step, my turn on the traditional American two-step dance, is introduced. The movement transforms into an actual orchestrated frolic of small, large and medium dog barks beginning with the winds (smaller dogs) and ultimately, the big dog, brass. The movement climaxes with the coda or, Dog Park, where the winds and the brass bark and play together over the, doggy ostinato four-step rhythm, culminating with the final call of the Sirius theme. Let Sleeping Dogs Lie, Peacefully It's all in a dog's day and life. Tranquility presides over this supremely gentle, intermezzo-like movement. After a day of play, every dog needs rest. Let Sleeping Dogs Lie, is a lyrical andante inspired by the profound serenity and beauty of a dog at rest. The Last Will and Testament of Silverdene Emblem O'Neill Based on a powerful piece of prose written by the American playwright, Eugene O'Neill this text was intended as a consolation piece for Carlotta, his wife, who had become grief-stricken over the loss of their beloved dog, the Dalmatian known as Blemie.Written for a singing actor who personifies the role of Blemie, a dog at the end of his life, the movement plays like a one act, musical drama as we follow Blemie through a wonderfully three-dimensional, emotional and psychological journey writing his Last Will and Testament, for those who have loved him. Wagging the Tail: Ossia Fido's Lament A life-affirming rumba/samba using Blemie's final words from O'Neill's text, this final movement employs the most unique American musical invention, the gospel choir. In order to make the dances come alive, this movement also calls upon the colors of a rhythm section. Creating the spirit of an Irish Funeral, the movement is a joyful and revival-like celebration of a dog's life as its spirit lives on forever in the hearts and minds of dog lovers everywhere. Remember Me, remember me! My spirit is wagging a grateful tail. Published by: Subito Music Publishing Release Date: July 9, 2013.
SKU: HL.49009584
ISBN 9790200211009. UPC: 073999596618. 5.25x7.5x0.36 inches.
With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
SKU: HL.48024806
ISBN 9781784543792. UPC: 888680978648. 8.25x11.75 inches.
Scored for baritone solo, small 'narrator' chorus, large chorus and orchestra, MacMillan's first Passion setting was composed in 2007. Lasting 87 minutes the work is divided into two parts, with 10 movements overall. As Paul Spicer has commented, “The originality of the St John Passion lies in MacMillan's ability to mix old with new, rather in the manner of Bach in his day. There are passages of sumptuous polyphony and there is a fresh look at the text where passages of Latin are interspersed with the Gospel story in English. In movement seven ('Jesus and his Mother'), MacMillan introduces not only part of the Stabat Mater but also his own words ('Lully, lulla, my dear darling'). The final movement, which is purely orchestral, is a kind of via doloroso march with a Scots lament over quite brass chords. The string writing here, with its elegiac cello lines, is deeply reminiscent of the early 20th-century English school. This should be the War Requiem of the 21st century.&rdquo.
SKU: HL.48031131
UPC: 884088942922.
SKU: HL.49013032
ISBN 9790001131902. 8.25x11.75x0.24 inches.
Schlagzeug I: 3 Beck. * kl. Tr. * Crot. * 7 Tempelbl. * Vibr. - Schlagzeug II: 8 Tamt. * 6 Boo-Bam * Vibr. * Ratsche - Schlagzeug III: Crot * gr. Tr. * 2 Flex. * Marimba (5 Okt.) - Schlagzeug IV: 6 Tomt. * Stempelfl. * Mar. * Cuica * 2 Kurbisraspeln * Marimba (4 Okt.) * Kast. - Schlagzeug V: P. * 1 Stempelfl. * Guiro * Glsp. - Schlagzeug VI: 14 Thai-Gongs * 6 Bong. * Holztomt. * Peitsche mit Fussmasch. (oder Gegenschlagblocke).
SKU: PO.UME14
ISBN 9781877564864.
Completed while Ritchie was Composer-in-Residence with the Dunedin Sinfonia in 1993, Boum is named after a mysterious echo heard by characters in E.M. Forster's novel A Passage to India. The echo comes to symbolise the mysteries of life and death, and was a starting point to a general theme of existentialism and human struggle that pervades Ritchie's symphony.An eclectic range of influences can be heard across Boum's four movements. A languid, Eastern-sounding violin theme in the first movement is influenced by gamelan music, referencing the pelog scale. Inspired by traditional music of the Cook Islands, the jaunty second movement is a vigorous scherzo dominated by the sound of log-drum and tom-toms. The third movement is a lament for the victims of the Bosnian war, its evocative opening inspired by the wailing of a Maori karanga, while the fourth movement can be thought of as a symphonic dance, its pulse and motivic ideas reminiscent of rock music.
SKU: HL.14042598
ISBN 9788759827482.
Programme Note Poul Ruders WIND-DRUMMING WIND-DRUMMING was written in 1979 on a commission from The Danish Percussion Ensemble. The piece is a clash of two kinds of sound-associations, the mystic, exotic impact of Latin-American drumming, and the more well dressed reputation of Western concert-instruments, in this case a wind-quintet (w. electric flute). The two instrumental camps either melt into one soft humming ritual or are split wide apart, the winds tearing their way through the undergrowth of rainforest-drumming. There is more than one way of getting on to WIND-DRUMMING: obviously it is about the confrontation of two incongruent ways of living, a lament on the damage done tothe tropical rainforests of the world by modern civilisation. One can hear it plainly as a direct rhythm-show, a downright number or a joyous homage to the most exiting kind of folkloristic music at all: the carnal spell of the Brazilian Samba. Poul Ruders.
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