| Siedi. Concerto for solo percussion and orchestra (score) Orchestra SATB, Orchestra Fennica Gehrman
Orchestra SKU: FG.55011-315-2 Composed by Kalevi Aho. Study score. Fennic...(+)
Orchestra SKU: FG.55011-315-2 Composed by Kalevi Aho. Study score. Fennica Gehrman #55011-315-2. Published by Fennica Gehrman (FG.55011-315-2). ISBN 9790550113152. The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone.
Normally, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time. The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell. The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone. Normally, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time. The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell. The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone. Normally, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time. The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell. The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone. Normally, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time. The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell. $79.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Gate to Heaven (orchestra score) Orchestra C. Alan Publications
(Concerto No. 1 for Marimba, Strings and Percussion). Composed by Gillingham. Ar...(+)
(Concerto No. 1 for Marimba, Strings and Percussion). Composed by Gillingham. Arranged by Nathan Daughtrey. For Soloist(s) with String Orchestra (Solo Marimba Percussion 1 (xylophone, bells, chimes) Percussion 2 (brake drum, cowbell, shaker, suspended cymbal, crash cymbals, temple blocks, triangle) Percussion 3 (4 toms, crash cymbals, bass drum, suspended cymbal, tam tam, hi hat) Violin I Violin II). Medium difficult. Orchestra score only. Duration 16:30. Published by C. Alan Publications
$40.00 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Mojave (score) Orchestra [Score] Bill Holab Music
By Michael Torke (1961-). For marimba and chamber orchestra (solo marimba - 22 b...(+)
By Michael Torke (1961-). For marimba and chamber orchestra (solo marimba - 22 bass clarinet 2 - 2220 - percussion 1 strings). Orchestral Music (Concerti). Score. Duration 16 minutes. Published by Bill Holab Music
$85.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Concert Piece for Marimba and Orchestra Orchestra [Score] C. Alan Publications
Composed by David J. Long. For Soloist(s) with Full Orchestra (flute 1/2, oboe 1...(+)
Composed by David J. Long. For Soloist(s) with Full Orchestra (flute 1/2, oboe 1/2, clarinet in Bb 1/2, bassoon 1/2, horn in F 1/2, horn in F 3/4, trumpet in Bb 1/2, percussion (timpani, suspended cymbal, tam-tam, chimes), solo marimba, violin I, violin II, viola, violoncello, contrabass). Medium. Score only. Duration 8:20. Published by C. Alan Publications
$45.00 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Concerto for Marimba & Orchestra, Op. 148 Orchestra [Study Score / Miniature] Thomas C. Stangland Co.
By Tomas Svoboda. Orchestra. For Mar. solo/3232/4331/Tp/2pc(1 poss.)/Hp/Cel/Pno/...(+)
By Tomas Svoboda. Orchestra. For Mar. solo/3232/4331/Tp/2pc(1 poss.)/Hp/Cel/Pno/Strings.. Pocket score. Composed 1994. 98 pages. Duration 26 minutes. Published by Thomas C. Stangland Co.
$17.00 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Concerto for Marimba & Orchestra, Op. 148 Orchestra [Score] Thomas C. Stangland Co.
By Tomas Svoboda. Orchestra. For Mar. solo/3232/4331/Tp/2pc(1 poss.)/Hp/Cel/Pno/...(+)
By Tomas Svoboda. Orchestra. For Mar. solo/3232/4331/Tp/2pc(1 poss.)/Hp/Cel/Pno/Strings. Full score. Size 8.5x12. Composed 1994. 98 pages. Duration 26 minutes. Published by Thomas C. Stangland Co.
$51.00 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Henze Hw Ein Landarzt (rev Fsg 1994) Orchestra [Study Score / Miniature] Schott
Soloists, children's choir and chamber orchestra (Study Score) SKU: HL.490326...(+)
Soloists, children's choir and chamber orchestra (Study Score) SKU: HL.49032629 Rundfunkoper auf die Erzahlung von Franz Kafka (revidierte Fassung 1994). Composed by Hans Werner Henze. Sheet music. Edition Schott. Softcover. Composed 1951/1994. 80 pages. Duration 40'. Schott Music #ED8481. Published by Schott Music (HL.49032629). ISBN 9790001112840. 8.25x11.75x0.242 inches. German. 1 (auch Picc.) * 1 * Engl. Hr. * 1 * Bassklar. * 1 * Kfg. - 2 * 2 * 1 * 1 - S. (P. * Trgl. * 2 Rohrengl. * hg. Beck. * Beckenpaar * Tamt. * 3 Tomt. * kl. Tr. * gr. Tr. [m. u. o. Beck.] * Clav. * Guiro * Trinidad steel-drums * Tempelbl. * Xyl. * Vibr. * Marimba) (3 Spieler) - Hfe. * 3 Klav. (1. u. 2. prap. Klav.) * Cel. * Org. - Str.
1 (auch Picc.) * 1 * Engl. Hr. * 1 * Bassklar. * 1 * Kfg. - 2 * 2 * 1 * 1 - S. (P. * Trgl. * 2 Rohrengl. * hg. Beck. * Beckenpaar * Tamt. * 3 Tomt. * kl. Tr. * gr. Tr. [m. u. o. Beck.] * Clav. * Guiro * Trinidad steel-drums * Tempelbl. * Xyl. * Vibr. * Marimba) (3 Spieler) - Hfe. * 3 Klav. (1. u. 2. prap. Klav.) * Cel. * Org. - Str. $54.00 - See more - Buy online | | |
| Seven (7) Gates Of Jerusalem - Symphony No. 7 for Narrator, Choir and Orchestra - Study Score Orchestra Schott
5 soloists (SSATB), speaker, 3 mixed choirs and orchestra SKU: HL.49045487(+)
5 soloists (SSATB), speaker, 3 mixed choirs and orchestra SKU: HL.49045487 For 5 soloists (SSATB), narrator, 3 mixed choirs and orchestra. Composed by Krzysztof Penderecki. This edition: Saddle stitching. Sheet music. Study Score. Das grosse Vokalwerk wurde 1995 zum 3000-jahrigen Bestehen Jerusalems komponiert. Der Zahl sieben hat darin eine besondere Bedeutung: sieben Satzen, die fur die sieben Tore stehen, sieben gewaltige Fortissimo-Akkorde, die das Oratorium beschliessen. Softcover. Composed 1996. 158 pages. Duration 68'. Schott Music #ED20533. Published by Schott Music (HL.49045487). ISBN 9790001157179. UPC: 888680747992. 8.25x11.75x0.41 inches. Latin - German. Deeply moved by his first visit to the city of Jerusalem with its seven gates, Krzysztof Penderecki composed this major vocal work to celebrate the city's 3,000th anniversary in 1995. Two years later, it was premiered as Symphony No. 7 in which the magic number seven has a special meaning: From the seven movements representing the seven gates to the seven powerful fortissimo chords concluding the oratorio, the biblical number runs through the entire work.
4 (3. u. 4. auch Picc.) * 3 * Engl. Hr. * 3 (3. auch Es-Klar.) * Bassklar. * 3 * Kfg. - 4 * 3 * 4 (3. auch Basstrp.) * 1 - S. (I.: P. * Beckenpaar * 2 Tamt. (t.) * Rohrengl. * gr. Tr. m. Beck. * Crotalenbaum * 5 Tomt. * Marimba * Bin-Sasara * kl. Tr. * Ruhrtr.; II.: Trgl.-baum * 4 hg. Beck. * Tamt. (t.) * Rohrengl. * Kirchengl. * Tubaphon * Glsp. * Xyl. * Vibr. * Ruhrtr. * Tempelbl. * 2 Gongs; III.: 3 hg. Beck. * Mil. Tr. * Tubaphon * Kuhgl. * Tempelbl. * 2 Gongs; IV.: P. * hg. Beck. * 2 Tamt. * Beckenpaar * 5 Tomt. * gr. Tr. * Ruhrtr. * Bin-Sasara) (12 Spieler) - Cel. * Klav. * Org. ad lib. - Str. Im Saal: 0 * 0 * 3 * Bassklar. (auch Es-Klar.) * 3 * Kfg. - 4 * 3 * 4 * 1. $77.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Rimbasly Orchestra [orchestra score] C. Alan Publications
(for Marimba & Orchestra). Composed by Daniel McCarthy. For Soloist(s) with Full...(+)
(for Marimba & Orchestra). Composed by Daniel McCarthy. For Soloist(s) with Full Orchestra (Piccolo, Flute 1, 2, Oboe 1, 2, Bb Clarinet 1, 2, Bass Clarinet, Bassoon 1, 2, Contrabassoon, F Horn 1, 3, F Horn 2, 4, Bb Trumpet 1, Bb Trumpet 2, 3, Trombone 1, 2, Bass Trombone, Tuba, Timpani, Percussion 1 (4 tom-toms, snare drum, whip, maracas, rain s). Medium difficult. Orchestra score. Duration 9:10. Published by C. Alan Publications
$40.00 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
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