| The Swan of Tuonela Op. 22/2 Orchestra Breitkopf & Härtel
Orchestra (0.1.cor ang.0.B-clar.2 - 4.0.3.0 - timp.perc - hp - str) SKU: BR.P...(+)
Orchestra (0.1.cor ang.0.B-clar.2 - 4.0.3.0 - timp.perc - hp - str) SKU: BR.PB-5583 Tuonelan joutsen - Urtext based on the Complete Edition Jean Sibelius Works (JSW). Composed by Jean Sibelius. Edited by Tuija Wicklund. Orchestra; stapled. Partitur-Bibliothek (Score Library). Symphonic poem; Suite; Early modern; Late-romantic. Full score. 24 pages. Duration 10'. Breitkopf and Haertel #PB 5583. Published by Breitkopf and Haertel (BR.PB-5583). ISBN 9790004213933. 10 x 12.5 inches. Little is known about the actual composition process of Lemminkainen and the performance and publication history is rather complex, resulting in a first complete printing of all the four movements en suite through the complete edition of Jean Sibelius Works only in 2013.In summer 1894 Sibelius went to Central Europe, carrying among others a plan for an opera freely based on the Kalevala in his mind. But during this trip he reassessed his composing: I think I have found my old self again, musically speaking. I think I really am a tone painter and a poet. As a result he abandoned his opera plans, but musical parts may have found their way into the Lemminkainen pieces which he started composing during that time. Definitely the overture had, it is now known and loved as The Swan of Tuonela. Lemminkainen became popular from the beginning and has attained a fixed position in the concert repertoire. $27.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Lemminkainen's Return Op. 22/4 Orchestra Breitkopf & Härtel
Orchestra (2picc.0.2.2.2 - 4.3.3.1 - timp.perc - str) SKU: BR.PB-5585 ...(+)
Orchestra (2picc.0.2.2.2 - 4.3.3.1 - timp.perc - str) SKU: BR.PB-5585 Lemminkainen palaa kotitienoille - Urtext based on the Complete Edition Jean Sibelius Works (JSW). Composed by Jean Sibelius. Edited by Tuija Wicklund. Orchestra; stapled. Partitur-Bibliothek (Score Library). Symphonic poem; Suite; Late-romantic; Early modern. Full score. 68 pages. Duration 7'. Breitkopf and Haertel #PB 5585. Published by Breitkopf and Haertel (BR.PB-5585). ISBN 9790004213957. 10 x 12.5 inches. Little is known about the actual composition process of Lemminkainen and the performance and publication history is rather complex, resulting in a first complete printing of all the four movements en suite through the complete edition of Jean Sibelius Works only in 2013.In summer 1894 Sibelius went to Central Europe, carrying among others a plan for an opera freely based on the Kalevala in his mind. But during this trip he reassessed his composing: I think I have found my old self again, musically speaking. I think I really am a tone painter and a poet. As a result he abandoned his opera plans, but musical material may have found its way into the Lemminkainen pieces which he started composing during that time. Lemminkainen became popular from the beginning and has attained a fixed position in the concert repertoire.On Lemminkainen's Return Sibelius commented: I would like to see more pride in us Finns. Why should we be ashamed? This is the underlying thought in Lemminkainen's Return. Lemminkainen is just as good as the noblest of earls. He is an aristocrat, without question an aristocrat!. $61.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Lemminkainen in Tuonela Op. 22/3 Orchestra Breitkopf & Härtel
Orchestra (2.1.cor ang.1.B-clar.2 - 4.3.3.0 - perc - str) SKU: BR.PB-5584 ...(+)
Orchestra (2.1.cor ang.1.B-clar.2 - 4.3.3.0 - perc - str) SKU: BR.PB-5584 Lemminkainen Tuonelassa - Urtext based on the Complete Edition Jean Sibelius Works (JSW). Composed by Jean Sibelius. Edited by Tuija Wicklund. Orchestra; stapled. Partitur-Bibliothek (Score Library). Symphonic poem; Suite; Early modern; Late-romantic. Full score. 64 pages. Duration 15'. Breitkopf and Haertel #PB 5584. Published by Breitkopf and Haertel (BR.PB-5584). ISBN 9790004213940. 10 x 12.5 inches. Little is known about the actual composition process of Lemminkainen and the performance and publication history is rather complex, resulting in a first complete printing of all the four movements en suite through the complete edition of Jean Sibelius Works only in 2013.In summer 1894 Sibelius went to Central Europe, carrying among others a plan for an opera freely based on the Kalevala in his mind. But during this trip he reassessed his composing: I think I have found my old self again, musically speaking. I think I really am a tone painter and a poet. As a result he abandoned his opera plans, but musical material may have found its way into the Lemminkainen pieces which he started composing during that time. Lemminkainen became popular from the beginning and has attained a fixed position in the concert repertoire.Sibelius said about Lemminkainen in Tuonela: The cradle song at the end of the work is maternal love, which rakes the pieces of Lemminkainen together from the River Tuonela.. $57.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Lemminkainen and the Maidens on the Island Op. 22/1 Orchestra Breitkopf & Härtel
Orchestra (2(2picc).2.2.2 - 4.3.3.0 - timp.perc - str) SKU: BR.PB-5582 (+)
Orchestra (2(2picc).2.2.2 - 4.3.3.0 - timp.perc - str) SKU: BR.PB-5582 Lemminkainen ja saaren neidot - Urtext based on the Complete Edition Jean Sibelius Works (JSW). Composed by Jean Sibelius. Edited by Tuija Wicklund. Orchestra; stapled. Partitur-Bibliothek (Score Library). Symphonic poem; Suite; Late-romantic; Early modern. Full score. 84 pages. Duration 17'. Breitkopf and Haertel #PB 5582. Published by Breitkopf and Haertel (BR.PB-5582). ISBN 9790004213926. 10 x 12.5 inches. Little is known about the actual composition process of Lemminkainen, and the performance and publication history is rather complex, resulting in a first complete printing of all four movements en suite through the complete edition of Jean Sibelius Works only in 2013.In summer 1894 Sibelius went to Central Europe, carrying among others a plan for an opera freely based on the Kalevala in his mind. But during this trip he reassessed his composing: I think I have found my old self again, musically speaking. I think I really am a tone painter and a poet. As a result he abandoned his opera plans, but musical parts may have found their way into the Lemminkainen pieces which he started composing during that time. Lemminkainen became popular from the beginning and has attained a fixed position in the concert repertoire.A critic opined on Lemminkainen and the Maidens on the Island: We do not hesitate to award this tone painting of Lemminkainen's erotic emotional world the first prize among all the young composer's works.. $75.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Tod Und Verklärung Op. 24 Orchestra [Score] Schott
Clothbound Orchestra (Score) SKU: HL.49047172 (Death & Transfiguration...(+)
Clothbound Orchestra (Score) SKU: HL.49047172 (Death & Transfiguration) Clothbound Score, Complete Edition in G. Edition Schott. Classical. Hardcover. Duration 1440 seconds. Schott Music #RSW306. Published by Schott Music (HL.49047172). UPC: 196288143406. When the 24-year-old Richard Strauss, assistant conductor in Munich, began the composition of his third tone poem in the summer of 1888, he saw himself close to the aspiration prescribed by his mentor Alexander Ritter: to become the successor of Richard Wagner as a musical dramatist. Strauss had already been working on the text of his first opera Guntram for a year and additionally devoted himself to programmatic orchestral works oriented to the musical language of Liszt and Wagner in order to prepare himself compositionally for his new task. With the aid of Strauss and other musicians including Ludwig Thuille and Friedrich Rösch who had been gathering for “Ritter's round table†in Munich between 1886 and 1889, RitterÂ’s intention was to achieve success on a broad front with the New German School following the death of its two protagonists Wagner and Liszt. We do not know whether Ritter and his supporters jointly planned Strauss's compositional path towards opera, determined the subjectsof his prospective tone poems and considered various strategies of their musical realization, but the influence of this group shouldnot be underestimated. It cannot be ruled out that the number of three tone poems was fixed, as was their sequence of composition, which would progressively achieve its zenith in an increasing orientation to Liszt and Wagner. The circle could possibly have also discussed initial links to literary subjects (Macbeth and Don Juan) and ultimately the abstention from this practice in the third and final tone poem. The subject of the work, or rather in StraussÂ’s formulation its “poetic modelâ€, has occasionally been interpreted from an autobiographical aspect. Strauss however did not experience serious illness until May 1891 and once more in June 1892, long after Tod und Verklärung had been composed. Even without an external reason, the material would have been only too attractive for an admirer of Wagner and Liszt like Strauss, not to mention for his mentor Alexander Ritter. The concept of 'death and transfiguration' had already played a central role in LisztÂ’s symphonic poems Tasso and Prometheus. $380.00 - See more - Buy online | | |
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