SKU: FG.55011-315-2
ISBN 9790550113152.
The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone.Normally, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time. The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell. The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone. Normally, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time. The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell. The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone. Normally, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time. The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell. The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone. Normally, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time. The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell.
SKU: AP.49212S
ISBN 9781470648534. UPC: 038081569338. English.
This version of Cumberland Cross by Carl Strommen is part of our Alfred FLEX offerings and is designed with maximum flexibility for use by any mix of instruments---wind, strings, and percussion, including like- or mixed-ensembles with as few as 5 players. The suggested instrumentation and a customizable Teacher Map will help you plan out how to best assign parts to suit your ensemble's needs. It also comes with supplemental parts for maximum flexibility. With the purchase of this piece, permission is granted to photocopy the parts as needed for your ensemble. A percussion accompaniment track is also available as a free download. String parts have been carefully edited with extra fingerings and appropriate bowings to support students in mixed ensembles playing in less familiar keys. Your band will sound great with Carl Strommen's classic original piece. Cumberland Cross explores the rich American folk style in two sections. The first has broad, moving harmonies under a Shenandoah-like melody, and the second a lively dance reminiscent of Copland. It is not too difficult, yet very impressive! - Percussion Accompaniment Track Download. (3:30).
SKU: AP.49212
ISBN 9781470648527. UPC: 038081569321. English.
SKU: AP.48084S
UPC: 038081550909. English.
Full of dark energy and mystery, with contemporary harmonies and moving melodic lines, Shadowlands by Gary Fagan will provide the means for directors to teach contrasting styles, dynamics, and varied articulations to young players in an easy and fun-to-play format. This lively piece, in A natural minor, will provide younger players with excellent opportunities for achieving rhythmic independence while also providing them with sections that are rhythmically similar. The slower lyrical opening section gives way to a contrasting tempo and style that will appeal to players and audiences alike. (2:15) This title available in MakeMusic Cloud.
SKU: AP.48084
UPC: 038081550893. English.
Full of dark energy and mystery, with contemporary harmonies and moving melodic lines, Shadowlands by Gary Fagan will provide the means for directors to teach contrasting styles, dynamics, and varied articulations to young players in an easy and fun-to-play format. This lively piece, in A natural minor, will provide younger players with excellent opportunities for achieving rhythmic independence while also providing them with sections that are rhythmically similar. The slower lyrical opening section gives way to a contrasting tempo and style that will appeal to players and audiences alike. (2:15) This title is available in MakeMusic Cloud.
SKU: AP.45817
UPC: 038081525501. English. Traditional Irish Tune.
All in first position with straightforward rhythms and thematic parts for everyone, this poignant song arranged by Sandra Dackow will be a wonderful addition to any concert. The Girl I Left Behind Me first appears in 18th century Ireland, often known as Brighton Camp. It emigrated to the United States along with many other Anglo/Scots/Irish folk tunes and became a popular marching song for soldiers. During the American Civil War, soldiers in both the Confederate and Union armies sang it. A number of cultures have embraced this song, adding their own local lyrics. (2:15) This title is available in MakeMusic Cloud.
About Orchestra Expressions
Play great songs such as Over the Rainbow, Batman, This Land Is Your Land, and Star Wars (Main Title). Listen to and play a variety of styles of music: popular, traditional, classical, folk and patriotic. Read and write music; compose and improvise. Perform in a concert and play for your family and friends. Be a conductor of the orchestra. Learn about composers, such as Antonin Dvorak, Johann Pachelbel, Jacques Offenbach, Pytor Ilyich Tchaikovsky, Giuseppe Verdi, George M. Cohan, George Frideric Handel, Ludwig van Beethoven, Johann Sebastian Bach, Wolfgang Amadeus Mozart, Giacomo Puccini, Georges Bizet, Neal Hefti, and John Williams. Discover how music and art are related. Learn about a variety of musical ensembles including string orchestra, full orchestra, mariachi band, steel drum band, dixieland jazz band, rock band, and more. Play music from around the world, including North America, Europe, Latin America, Asia, and Africa.
SKU: AP.45817S
UPC: 038081525518. English. Traditional Irish Tune.
SKU: BT.MUSM570365227
English.
Frisland was composed by Luís Tinoco and was first published in 2014. Inspired by the music of the American jazz Guitar player and composer Bill Frisell. Commissioned by the Seattle Symphony Orchestra and Ludovic Morlot as part of its Sonic Evolution project that celebrates the past and future of Seattle's music scene. First performance: Seattle Symphony, conducted by Ludovic Morlot - Benaroya Hall, Seattle, 6th June 2014. Instrumentation:3FLT(3=PICC), 3OB(3=CORA), 2CLT, 1 BASS CLT, 3BSN(3=CBSN), 4HN, 3TPT in C (1=TPT in D), 2TBN, 1BTBN, 1TBA, TIMP, 3PERC, HP, STR ORCH].
SKU: AP.46682S
UPC: 038081535180. English. Scottish/Irish/American Fiddle Tune.
Soldier's Joy arranged by Sandra Dackow is a familiar fiddle tune that will be a great way to open or close any concert. Teaching a variety of string techniques, this piece will feature all of your players on both the melody and the accompaniment. Correlated with Orchestra Expressions, Book 2, this arrangement will inspire your students to increase their tempo to create an exciting performance!
SKU: AP.46682
UPC: 038081535173. English. Scottish/Irish/American Fiddle Tune.
SKU: AP.44781S
UPC: 038081516936. English. Traditional German Carols.
A terrific multicultural addition to any beginning holiday concert, this arrangement by Sandra Dackow is a spirited rendition of three traditional German carols. These contrasting carols---Lasst uns froh und munter sein, O Come Little Children, and an unnamed traditional tune---are a fun way to introduce cut time and reinforce bow lifts to young string players. (1:45).
SKU: AP.38393S
UPC: 038081438597. English. Traditional.
Have a rockin' good time at your holiday concert with this fun arrangement! Written for first-year string players, with both arco and pizzicato opportunities, as well as optional piano and hand percussion parts, this will be a favorite with both your students and your audience!
SKU: AP.44781
UPC: 038081516929. English. Traditional German Carols.
SKU: AP.43754S
UPC: 038081496269. English.
The perfect level for very young players, this arrangement is designed to sound great at almost any tempo. Enjoy! (2:00).
SKU: AP.49882S
ISBN 9781470663766. UPC: 038081580784. English.
This arrangement of the Panic! At the Disco hit High Hopes is perfect for strings! Very smooth, rhythmic transitions and easy playability. It is arranged for 2 different grade levels, so you can include more performers with different playing levels. This can be performed at 2 different tempos with the play along tracks: 164 and 140. The middle section, measure 81, opens up the phrasing for a more legato flavor. Great fun to play! (3:45).
SKU: AP.49882
ISBN 9781470663759. UPC: 038081580777. English.
This arrangement of the Panic! At the Disco hit High Hopes is perfect for strings! Very smooth, rhythmic transitions and easy playability. It is arranged for two different grade levels, so you can include more performers with different playing levels. This can be performed at two different tempos with the play-along tracks: 164 and 140. The middle section, measure 81, opens up the phrasing for a more legato flavor. Great fun to play! (3:45).
SKU: AP.46676
UPC: 038081535135. English. Australian Traditional.
Botany Bay, arranged by Sandra Dackow, is a wonderful piece that is correlated with Orchestra Expressions, Book 1. Your students will enjoy the opportunity to play and sing! Everyone gets to experience a pizzicato accompaniment and the beautiful melody. This piece will be the highlight of any concert or festival program and a great way to introduce the waltz style to your beginning orchestra. This title is available in MakeMusic Cloud.
SKU: AP.46676S
UPC: 038081535142. English. Australian Traditional.
SKU: AP.33658S
UPC: 038081394305. English. Traditional.
A lovely arrangement of the familiar Christmas carol that will delight all. Play it as close to a Brandenburg tempo and style as possible! Correlated to Orchestra Expressions, Book 2.
SKU: AP.43746S
UPC: 038081504834. English. English Folk Song.
The perfect first orchestra experience, this tune is straightforward and beautifully simple. All parts remain in 1st position and include only the most basic rhythms. (1:45).
SKU: AP.40417
UPC: 038081453392. English. Traditional German student song; sung by American college students.
An old silly song, this tune should be performed with the feeling of a rowdy party! Every section has great parts that will provide plenty of learning opportunities. Correlates to Orchestra Expressions Book 2.
SKU: AP.35909S
UPC: 038081420080. English. English Folk Song.
This humorous folk song arrangement should be performed at a brisk tempo. The counterpoint makes it great fun to toss the theme around the sections! Correlated to Orchestra Expressions, Book 2.
SKU: AP.33643S
UPC: 038081394268. English. Bulgarian Folk Dance.
Bulgarian folk music is noted for irregular rhythms, but not in this arrangement. The rhythms are straightforward but the phrases fall in groups of three measures rather than four. Easy double and triple stops make the instruments ring. This simple and happy tune provides the basis for contrast and variation. Correlated to Orchestra Expressions, Book 2.
SKU: AP.41218S
UPC: 038081504711. English.
It was always fun to sing this Italian song in elementary school music classes---who could resist the swinging tarantella rhythms, which made you want to sing and dance together? No need to resist, join the fun! (3:10).
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