SKU: HL.48180419
UPC: 888680846893. 9.0x12.0x0.34 inches.
Composed by the Czech composer Bohuslav Martinu in 1927, The Kitchen Revue is a ballet initially created for a sextet. This score was reviewed and tailored for an orchestra. This ballet, talking about the life of kitchen utensils, is divided in ten sections: 1. Prologue (Allegretto) 2. Introduction (Tempo de marche) 3. Danse du moulinet autour du caudron (Poco meno) 4. Danse du chaudron et du couvercle (Allegro) 5. Tango (Danse d'amour. Lento) 6. Duel (Poco a poco allegro. Tempo di Charleston) 7. Entracte (Lamentation du chaudron. Allegro moderato) 8. Marche funebre (Adagio) 9. Danse radieuse (Tempo di marche) 10. Fin du drame (Allegretto) The story focuses on the marriage of the Pot and Lid which is put at risk by the Twirling Stick, and the music features some strong jazz influences. Bohuslav Martinu (1890-1959) also wrote 13 other ballets, 15 operas and 6 symphonies and some orchestral and chamber music.
SKU: TM.07789SC
Rev 1920; Can reduce instrumentation if necessary and have the absent instrument cues played by the orchestra: Omit FL III part and FL II will play from alternate FL II & Picc part instead. OB II and ENG HN can be performed by 1 player and follow notes when to omit one of the parts. BASS CL and CONTRA BN can be omitted. If using 2 COR(/TPT): use the 2 parts titled FOR REDUCED ORCHESTRA. If using 3 COR(/TPT): use regular parts and omit TPT II part.
SKU: TM.07789SET
SKU: HL.49032629
ISBN 9790001112840. 8.25x11.75x0.242 inches. German.
1 (auch Picc.) * 1 * Engl. Hr. * 1 * Bassklar. * 1 * Kfg. - 2 * 2 * 1 * 1 - S. (P. * Trgl. * 2 Rohrengl. * hg. Beck. * Beckenpaar * Tamt. * 3 Tomt. * kl. Tr. * gr. Tr. [m. u. o. Beck.] * Clav. * Guiro * Trinidad steel-drums * Tempelbl. * Xyl. * Vibr. * Marimba) (3 Spieler) - Hfe. * 3 Klav. (1. u. 2. prap. Klav.) * Cel. * Org. - Str.1 (auch Picc.) * 1 * Engl. Hr. * 1 * Bassklar. * 1 * Kfg. - 2 * 2 * 1 * 1 - S. (P. * Trgl. * 2 Rohrengl. * hg. Beck. * Beckenpaar * Tamt. * 3 Tomt. * kl. Tr. * gr. Tr. [m. u. o. Beck.] * Clav. * Guiro * Trinidad steel-drums * Tempelbl. * Xyl. * Vibr. * Marimba) (3 Spieler) - Hfe. * 3 Klav. (1. u. 2. prap. Klav.) * Cel. * Org. - Str.
SKU: HL.1190006
ISBN 9781705192504. UPC: 196288131731.
Forever Free composed at the request of the Wheeling Symphony Orchestra, André Raphel, Music Director, to celebrate the sesquicentennial of the State of West Virginia. Maestro Raphel suggested a work incorporating indigenous elements of the State's musical heritage, capturing in musical sound the robust spirit of West Virginia citizens and the celebratory atmosphere surrounding the year-long commemoration of the State's 150th anniversary, June 20, 2013. Forever Free is cast in one movement in three sections, with the title inspired by the state motto, “Montani semper liberi,†usually translated as “Mountaineers forever free.†Versions for both orchestra and wind band are available.
SKU: HL.48186057
UPC: 888680828301. 8x11.75 inches.
Berlioz Reverie Et Caprice Op 8 Violin & Full Score.
SKU: HL.4490216
UPC: 073999476316. 10.5x14 inches.
Total performance time - ca. 25:00 I. Hedwig's Flight (2:00) II. Hogwarts Forever (1:40) III. Voldemort (2:30) IV. Nimbus 2000 (2:10) V. Fluffy and His Harp (2:15) VI. Quidditch (2:15) VII. Family Portrait (3:00) VIII. Diagon Alley (3:20) IX. Harry's Wondrous World (5:15).
SKU: HL.48189694
UPC: 888680836542. 8.75x12.0x0.855 inches.
Reverdy Medee Orchestra Full Score.
SKU: HL.4491497
UPC: 888680022037. 9.0x12.0x0.069 inches.
Includes: Do You Want to Build a Snowman?, For the First Time in Forever, Frozen Heart, In Summer, Let It Go. Click to view score with recording.
SKU: BP.BP2323C
UPC: 748769723234. 8.5 x 11 inches.
Orchestra parts and score for Forevermore accompaniment.
SKU: BT.WH31338
ISBN 9788759822715. Danish.
I Hvem har skrevet noderne? forsøger Erik Axel Wessberg at rette lidt op på den kollektive forsømmelse af anerkendelsen af den musikalske arrangørs arbejde og trække ham og hans bidrag til vores kulturhistorie ud af den anonymitet, hvor det hidtil har befundet sig.Bogen henvender sig både til musikstuderende og professionelle musikere og arrangører men også til den almindelige musikinteresserede.En række nodeeksempler samt henvisninger til indspilninger af de analyserede arrangementer tilfører fremstillingen en ekstra dimension.
SKU: CA.4060107
ISBN 9790007092849.
Score available separately - see item CA.4060100.
SKU: SU.25100020
Originally written to celebrate the fall of the Iron Curtain; revised in 2016 to also commemorate the 500th anniversary of the Reformation. Suitable for university orchestras.2,1 2,1 2 2; 4231; timp 3perc; stgs Duration: 28’ Composed: 1990, rev. 2016 Published by: Gusthold Music Publisher Performance materials available on rental only:.
SKU: BR.SON-627
ISBN 9790004803295. 10 x 12.5 inches.
In 1998, at the end of the 20th century, Breitkopf & Hartel started the publication of the Complete Edition, which is made possible thanks to the cooperation of the various Sibelius publishers. The Editors (Helsinki University Library and The Sibelius Society of Finland) and the Editorial Committee (Chairman: Timo Virtanen, Helsinki) believe that the volumes of JSW will provide the basis for a now conception of the creative work of Jean Sibelius.Reviews: One immediately recognizes the towering production quality of these volumes - a point that can be extended to all volumes thus far published in the set. The music is a joy to read; and the lucidity and thoroughness of the texts … are models of scholarly editions, and should be required reading for all bibliography and music-editing courses. … In sum, the JSW is a remarkable project: the scholarship is impeccable, the music scores and texts are simply a joy to study. Edward Jurkowski, Notes December 2011: 442-443At the back of this magnificent book are pages of critical commentary on a bar-by-bar analysis of an endless supply of musical notation requiring interpretation by the editor. … For the general, non-musically trained, purchaser of the edition there is the magisterial introduction to read, and fascinating reading it is. Edward W. Clark, Sibelius Society Newsletter 2009 The Sibelius pieces, however, are a revelation. I opened this magnificently produced volume - complete with multilingual critical report and generous facsimiles of original manuscripts - expecting Grieg-style quasi-nationalistic character pieces, and was instead presented with an incredible array of styles, textures, harmonic languages and levels of difficulty. Chris White, Piano Professional Summer 2009: 2This is not only a scholarly edition of one of the composer's major works, it is also a model for the philological editing of music in general. … JSW has chosen to have the emendations reflected in two places, in certain cases even in three: as graphic indications in the music text, in prose form in the critical commentary, and sometimes also in the form of a warning footnote on the music page. There can be no doubt that such a procedure is very user-friendly, but it disturbs the appearance of the music and may mislead the user into thinking that there are two or more equally valid readings. Niels Krabbe, Fontes Artis Musicae 54/2, 2007: 248 Editorial standards are high throughout, and maintain a careful balance between the competing demands of practical exigency and the need to provide as much scholarly evidence of variants as possible. The critical commentaries provide concise and effective descriptions of the sources and, where appropriate, information on compositional genesis and historical context. The introduction to each volume provide useful background information on historical reception, including much new material not previously brought to light in Tawaststjerna's biography. Daniel M. Grimley, Nineteenth-Century Music Review 2/2, 2005: 244.
SKU: BR.SON-625
ISBN 9790004803271. 10 x 12.5 inches.
In 1998, at the end of the 20th century, Breitkopf & Hartel started the publication of the Complete Edition, which is made possible thanks to the cooperation of the various Sibelius publishers. The Editors (Helsinki University Library and The Sibelius Society of Finland) and the Editorial Committee (Chairman: Timo Virtanen, Helsinki) believe that the volumes of JSW will provide the basis for a now conception of the creative work of Jean Sibelius.Reviews: One immediately recognizes the towering production quality of these volumes - a point that can be extended to all volumes thus far published in the set. The music is a joy to read; and the lucidity and thoroughness of the texts ... are models of scholarly editions, and should be required reading for all bibliography and music-editing courses. ... In sum, the JSW is a remarkable project: the scholarship is impeccable, the music scores and texts are simply a joy to study. Edward Jurkowski, Notes December 2011: 442-443At the back of this magnificent book are pages of critical commentary on a bar-by-bar analysis of an endless supply of musical notation requiring interpretation by the editor. ... For the general, non-musically trained, purchaser of the edition there is the magisterial introduction to read, and fascinating reading it is. Edward W. Clark, Sibelius Society Newsletter 2009 The Sibelius pieces, however, are a revelation. I opened this magnificently produced volume - complete with multilingual critical report and generous facsimiles of original manuscripts - expecting Grieg-style quasi-nationalistic character pieces, and was instead presented with an incredible array of styles, textures, harmonic languages and levels of difficulty. Chris White, Piano Professional Summer 2009: 2This is not only a scholarly edition of one of the composer's major works, it is also a model for the philological editing of music in general. ... JSW has chosen to have the emendations reflected in two places, in certain cases even in three: as graphic indications in the music text, in prose form in the critical commentary, and sometimes also in the form of a warning footnote on the music page. There can be no doubt that such a procedure is very user-friendly, but it disturbs the appearance of the music and may mislead the user into thinking that there are two or more equally valid readings. Niels Krabbe, Fontes Artis Musicae 54/2, 2007: 248 Editorial standards are high throughout, and maintain a careful balance between the competing demands of practical exigency and the need to provide as much scholarly evidence of variants as possible. The critical commentaries provide concise and effective descriptions of the sources and, where appropriate, information on compositional genesis and historical context. The introduction to each volume provide useful background information on historical reception, including much new material not previously brought to light in Tawaststjerna's biography. Daniel M. Grimley, Nineteenth-Century Music Review 2/2, 2005: 244.
SKU: BT.MUSM570202294
English.
For Flute, Clarinet, Horn, Harp, Piano, Violin and Cello. Published 1992, rev. 1999 First performance: 22nd July 1992, Pembroke Chapel, Cambridge Festival, New Music Players, conducted by Paul Hoskins. First performance revised version: 15th May 1999, Brighton Festival, New Music Players, conducted by Patrick Bailey.
SKU: BA.BA08841-79
ISBN 9790006541232. 32.5 x 25.5 cm inches.
Prelude a l'apres-midi d'un faune, often referred to as the first composition of the modern era, is one of Debussy's most popular and frequently performed orchestral works. The piece comes down to us in an array of sources, and several important ones are drawn upon for the first time in Baerenreiter's new scholarly-critical edition. Most of the currently available editions are based on the first edition from 1895 which, however, contains many engraver errors. When the corresponding orchestral parts are also taken into consideration, countless discrepancies are revealed.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: HL.50495052
(1982 - 83, REV. 1988) - PARTITURA.
SKU: SU.25100370
A tribute to the fallen. Suitable for July 4th concerts.Orchestra [2,1 2,1 2(alt),1 2,1; 4331; timp, 3perc; stgs] Duration: 9’ Composed: 2004, rev. 2019 Published by: Gusthold Music Publisher Performance materials available on rental:.
SKU: SU.25100110
A zany fight scene from the composer's ballet.2,1 2,1 2,1 2; 4331; timp, 4perc; stgs Duration: 5’30 Composed: 1988, rev. 2015 Published by: Gusthold Music Publisher Performance materials available on rental only:.
SKU: SU.25100420
A grand, lush symphony for the new milliennium. Listen for the hymn in the 4th movement!2,1 2,1 3(1) 2,1; 43(flug)31; timp, 3perc, cel/kbd; stgs Duration: 50' Composed: 2002, rev. 2019 Published by: Gusthold Music Publisher Performance materials available on rental:.
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