SKU: RM.JOHN01963-CO
SKU: RM.JOHN01963-BA
ISBN 9790231019636.
SKU: AP.7155EB7XC
UPC: 654979194309. English. Bryan Adams; Robert John Mutt Lange; Michael Kamen.
From the movie Robin Hood - Prince of Thieves, this very musical arrangement will soothe your listeners. Melodic content is fluid, with a rich harmonic foundation. A real winner!
SKU: RM.DARL07627-BA
ISBN 9790231076271.
SKU: RM.DARL07627-CO
SKU: RM.BRIV02327-BA
ISBN 9790231023275.
SKU: RM.BRIV02327-CO
SKU: RM.ELLI01046-CO
SKU: RM.ELLI01056-CO
SKU: AP.47443S
ISBN 9781470653118. UPC: 038081547336. English.
This chart-topping hit from the group Portugal. The Man won the GRAMMY Award for Best Pop Duo/Group Performance in 2018. Utilizing parts of the 1961 hit song Please Mr. Postman by the Marvelettes, the song has a unique, catchy groove that will be a hit with your students and audience alike. Although arranged by Michael Story to be completely playable by string orchestra alone, there are also easy optional parts included for piano and percussion.
SKU: AP.36-A258196
ISBN 9798892701891. UPC: 659359762505. English.
Anton Bruckner (1824-1896) completed the 1st version of his Mass No. 3 in F minor in 1863, as Otto Kitzler was introducing him to the music of Richard Wagner, the composer he would emulate for the rest of his life. John Herbeck, who conducted the initial rehearsals for its premiere at the Augustinerkirch on June 16, 1872, warmly declared that it stood beside Beethoven's Missa Solemnis in greatness. Bruckner, often self-critical as a composer, went on to revise the work no less than four times until it was finally published it in 1894. More often heard today in the concert hall than in the church, the sprawling, hour-long work is admired today for its powerful directness. This critical edition was created in 1944 for the Bruckner Gesamtausgabe by Robert Maria Haas.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: AP.36-A258195
ISBN 9798892701884. UPC: 659359625268. English.
SKU: AP.36-A258193
ISBN 9798892701860. UPC: 659359564956. English.
SKU: HL.1189996
ISBN 9781705192443. UPC: 196288131649.
“Based on the motion picture A Wedding by Robert Altman and John Considine, premiered at Lyric Opera of Chicago. Libretto by Arnold Weinstein and Robert Altman....there is no reason to resist this rarest of creations: a meaningful American comic opera.†-Mark Swed, LA Times.
SKU: AP.36-A258101
ISBN 9798892701853. UPC: 659359980039. English.
Anton Bruckner (1824-1896) completed the 1st version of his Mass No. 3 in F minor in 1863, as Otto Kitzler was introducing him to the music of Richard Wagner, the composer he would emulate for the rest of his life. John Herbeck, who conducted the initial rehearsals for its premiere at the Augustinerkirch on June 16, 1872, warmly declared that it stood beside Beethoven's Missa Solemnis in greatness. Bruckner, often self-critical as a composer, went on to revise the work no less than four times until it was finally published it in 1894. More often heard today in the concert hall than in the church, the sprawling, hour-long work is admired today for its powerful directness. This critical edition was created in 1944 for the Bruckner Gesamtausgabe by Robert Maria Haas. Instrumentation: 2.2.2.2: 2.2.3.0: Timp: Org (ad libitum): Str (4-4-3-3-3 in set): Solo SATB: Mix Chor. The organ ad libitum is absent from the Haas edition.
SKU: AP.36-A258194
ISBN 9798892701877. UPC: 659359823619. English.
SKU: AP.36-A258102
UPC: 659359527715. English.
SKU: BT.YKM570369270
A Hymn to the Thames was commissioned by James Turnbull and the Music Director of the St Paul’s Sinfonia, Andrew Morley. It was begun in 2019 and completed early in 2020. There are four movements played without a break, which follow the Thames from its Cotswold source to the North Sea. As the first performance took place in St ALfege’s Church, Greenwich, this seemed appropriate. The solo oboe represents both a wanderer along the river path and the spirit of the river. The pitch centres of the movements spell out the musical letters of the river (tHAmES—B natural, A, E and E flat) so that the river’s name is projected across the whole work. In addition, the musical letters found in James Turnbull, Andrew Morley and my wife, Teresa Cahill ( who was born in Maidenhead and brought up by the river in Rotherhithe) are entwined in various guises. The first movement grows from the depths, the soloist entering with fanfare-like gestures, followed by lyrical music and breaks into a dance as the river gathers momentum. The third movement is slow and sustained and geographically the Thames flows through Oxford. The music is based on the well-known In Nomine ‘head motif’ from the Gloria tibi Trinitas Mass by the early Tudor composer, John Taverner, who was the first Director of Music at Christ Church, Oxford. The orchestra provides a screen or veil above which the solo oboe dreams and ruminates. This leads directly into the fourth and final movement which begins in the depths once more, interrupting the oboe’s held note from the end of the third movement. The waters’ increasing intensity and power are represented throughout by a moto perpetuo of quick, steady semiquavers. Near the close, the woodwind play O Nata Lux by Thomas Tallis, the great Tudor composer who, with his wife Joan, is buried in St Alfege’s. Beneath this, the lower strings continue the fast semiquaver movement of the river and, above, the violins are heard as a halo of harmonics. At the close, the oboe rises, opening out to the future, and celebrating its voyage, while the orchestra fades as the river meets the sea. A Hymn to the Thames lasts approximately 17 minutes.
SKU: HL.14008163
10.25x14.5x0.45 inches.
Orpheus, written for the John Currie Singers who commissioned it with funds provided by the Scottish Arts Council, is based on a poem by Robert Lowell. This is an imitation of Rilke's Orpheus, Euridike, Hermes.
SKU: HL.4491221
UPC: 884088872649. 10.5x14 inches.
Performance time - ca. 4:30Originally written for concert band (and commissioned by the U.S. Marine Band), Esprit de Corps is a fantasy-march that serves as a tribute to both the Marine Corps and the Marine Band. Composed immediately after the 1983 bombing of the Marine barracks in Beirut, Lebanon, the composer chose to forego an elegiac tribute in favor of a work that reflects the positive spirit of the Corps, full of energy and dynamism. Even the tempo marking, ?Tempo di Bourgeois,? reflects the dramatic and spirited conducting of Col. John R. Bourgeois, conductor of the Marine Band at the time of composition.
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