SKU: SU.25100160
A lush retelling of Genesis 1:1 through 2:1. Orchestra [SATB Chorus; 2,1 2 2,1 1; 4331; timp, 4perc; stgs] Duration: 47’ Composed: 2018 Published by: Gusthold Music Publisher Performance materials available on rental only:.
SKU: FG.55011-315-2
ISBN 9790550113152.
The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone.Normally, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time. The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell. The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone. Normally, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time. The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell. The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone. Normally, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time. The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell. The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone. Normally, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time. The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell.
SKU: FG.55011-235-3
ISBN 9790550112353.
First publication! This is the first version of Cassazione op. 6 (1904) for large orchestra with double woodwinds, four French horns, two trumpets and three trombones - a chamber orchestra version was made by the composer later during 1904. Sibelius made his first sketches for material that would later find its way into Cassazione at the end of the 1890s. There are already hints of it among the sketches of his first symphony.
SKU: SU.25100400
A musical celebration of the River, the Cloud Forest, and the Trees.Orchestra [2,1 2,1 2,1 2,1; 4331; timp, 5perc, pno; stgs] Duration: 35’ Composed: 2017 Published by: Gusthold Music Publisher Performance materials available on rental:.
SKU: SU.25100280
11x17 Full ScoreNew orchestration of Liebau's 1978 piano suite: Lethargy, Fidgety, Elegy, and Energy.Orchestra Duration: 12' Composed: 2020 Published by: Gusthold Music Publisher Performance materials available on rental only:.
SKU: SU.25100010
A medley of classic Christmas carols. An ideal Christmas concert opener. Dr. Brown's answer to Leroy Anderson.Orchestra Duration: 9’ Composed: 2005 Published by: Gusthold Music Publisher Performance materials available on rental only:.
SKU: SU.25100140
A musical tribute to the far north of Europe - the ends of the earth in Greco-Roman culture (theultima Thule).Orchestra Duration: 12’ Composed: 2017 Published by: Gusthold Music Publisher Performance materials available on rental only:.
SKU: SU.25100290
11x17 Full ScoreThree scenes of Iceland, all based on Icelandic folk tunes.Orchestra Duration: 14' Composed: 2018 Published by: Gusthold Music Publisher Performance materials available on rental only:.
SKU: SU.25100360
Another zany scene from The Robber Princess, featuring hyenas and lions.Orchestra [2,1 2,1 2,cnt alt 2; 4331; timp, 3perc; stgs] Duration: 7’30 Composed: 2015 Published by: Gusthold Music Publisher Performance materials available on rental:.
SKU: SU.25100200
Nine short dances from the composer's ballet, featuring Ireland, the Alps, New York, Texas, the Andes, Brazil, China, the Himalayas, and India. Orchestra [2,1 2,1 2,1 2; 4331; 4perc, hp, kbd; stgs] Duration: 15’ Composed: 2015 Published by: Gusthold Music Publisher Performance materials available on rental only:.
SKU: AP.K00952
ISBN 9780757994128. UPC: 029156689051. English.
A collection of pieces composed by Wolfgang Amadeus Mozart for Full Orchestra.
SKU: SU.25100050
A continuation of Holst's The Planets, adding Pluto, Eris, and Ceres. Modern, but audience accessible.3,1 3,1 3,1 3,1; 4331; timp, 3perc, hp; stgs Duration: 18’ Composed: 2015 Published by: Gusthold Music Publisher Performance materials available on rental only:.
SKU: FG.55011-610-8
ISBN 9790550116108.
Two Mythical Scenes for orchestra was completed in 1956, when Sallinen was Aarre Merikanto's composition student for his second term. The work received its premiere performance only after a good deal of pressure from Prof. Merikanto's side, and was finally premiered in a concert by the Sibelius Academy Symphony Orchestra, conducted by Jussi Jalas. The work received opus number 1, as it was the first publicly performed work by Sallinen. The composer has told that he was inspired by a 1947 book published by the Finnish Literary Society (SKS) Myytillisia kuvia (Mythical Scenes/Images). The second movement of the work, Kalmanvaen joulukirkko (The Christmas Service of the Dead) is based on the stories in which the dead rise from their graves early in the Christmas Day morning to attend their own special ceremony led by a dead priest. The opening movement Kulkue (Procession) depicts the dead in a procession towards the church. In 2020 Sallinen revised the score slightly. In his own words with very small changes helping the sixty years younger and less experienced self. The revisions mostly concerned nuances and dynamics, bowings and some bridges. The original structure, rhythmic and harmonic world is still the same as they were when young Sallinen composed the work in 1956.
SKU: FG.706309-15-6
ISBN 979-0-706309-15-6.
Juhani Nuorvala's hit piece for orchestra which has been performed by almost every professional orchestra in Finland.
SKU: SU.25100530
Full size score (11x17)The composer's answer to Ravel's Bolero.2,1 222; 4331; timp, 3perc, hp; stgs Duration: 8’30 Composed: 2020 Published by: Gusthold Music Publisher Performance materials available on rental:.
SKU: SU.25100110
A zany fight scene from the composer's ballet.2,1 2,1 2,1 2; 4331; timp, 4perc; stgs Duration: 5’30 Composed: 1988, rev. 2015 Published by: Gusthold Music Publisher Performance materials available on rental only:.
SKU: SU.25100420
A grand, lush symphony for the new milliennium. Listen for the hymn in the 4th movement!2,1 2,1 3(1) 2,1; 43(flug)31; timp, 3perc, cel/kbd; stgs Duration: 50' Composed: 2002, rev. 2019 Published by: Gusthold Music Publisher Performance materials available on rental:.
SKU: HL.50499306
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