SKU: HL.14012157
UPC: 884088588175. 12.25x16.5x1.12 inches. English.
SKU: HL.49010257
ISBN 9783795772079. UPC: 841886015593. 7.5x10.5x0.447 inches.
With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
SKU: HL.49009584
ISBN 9790200211009. UPC: 073999596618. 5.25x7.5x0.36 inches.
SKU: HL.50605373
ISBN 9781705181171. UPC: 196288107309. 11.0x17.0x0.433 inches.
Premiere: Boston Pops Orchestra, John Williams conducting, Boston, MA, May 4, 1982. Recording: Lancaster Festival Orchestra, Gary Sheldon, conductor. Dedicated to Eubie Blake and to the memory of George Gershwin.
SKU: PE.EP14581
ISBN 9790014137175.
Memory jolts. Flashes of pink in the brain. by Clara Iannotta is a 17-minute work for string orchestra. Written for the non bthvn project of the Cologne Philharmonic, the work reflects Beethoven's hearing loss and the unbearable condition when his ears began to buzz and roar. The title describes the memory jolts that take place in the inner ear.
Memory jolts. Flashes of pink in the brain. was premiered by Ensemble Resonanz on 31 October 2021 at the Philharmonic Hall Cologne.
The full score (EP 14581) is available for sale as part of the Peters Contemporary Library. The performance material can be hired. This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.
SKU: HL.49019950
ISBN 9783795772598. UPC: 841886021457.
- 10 masterpieces at an attractive package price - The foundation for your classical library - Reader-friendly format incl. representative recordingCurrently comprising more than 80 titles, the EULENBURG AUDIO+SCORE series contains the most important masterpieces of the concert and orchestra repertoire, thus being the ideal choice especially for beginning students and lovers of classical music to delve into the world of score-reading.Apart from their excellent print quality, reader-friendly format and detailed preface in German and English, all editions come with a representative complete CD recording. With the new Top 10 packages, you will get a comprehensive collection of musical world literature each at a most favourable price.
SKU: HL.49044525
ISBN 9790220135569. UPC: 888680080495. 8.25x11.75x0.388 inches. English.
Taking Thomas Hardy's short story as its starting point, we are transported to the present for a contemporary take on the novella which explores the power the mind can have over that person's actions. A closed door sparks an obsession so strong that the boundaries between reality and fantasy begin to blur.Ella and her high-finance husband Stephen rent a room in a holiday home on the coast, owned by Susan. Ella discovers that a locked room in the house is rented by a poet - Ben Pascoe - whose work holds a deep fascination for her. The room is held for Pascoe, though he visits rarely.Ella's obsession with Pascoe grows in parallel with the progress of Stephen's biggest City deal. She begins by imagining the poet's voice as she reads his work, but this quickly grows to fantasised encounters with Pascoe in his locked room. Stephen returns from the City and makes love to Ella, but it is not him she wishes for. We see the real Pascoe only once, with Susan.As Stephen's financial dreams are realised and Ella's fantasy consumes her, she learns of Pascoe's death. Despite her changed circumstances, Ella chooses to stay in her new world.
SKU: HL.49019239
ISBN 9790220133282. 8.25x11.75x0.342 inches.
Leonardo was originally written for television. During the early 1980s, I became involved in a BBC project to make a film about Leonardo da Vinci, with particular attention to his influence on 20th century technology and philosophy. As a visual artist, but one who was originally trained as a physicist, any individual who's life-work spans and conjoins the arts with sciences is fascinating to me. Edward Cowie 2010.
SKU: HL.14043017
ISBN 9788759826591.
Prelude To Your Silence was composed in 1978 by Danish composer Pelle Gudmundsen-Holmgreen .
SKU: HL.50601278
UPC: 888680743802. 8x11.75 inches.
The violinist Dana Anka from Bucharest is a member of the Nathan Quartet. She made a highly successful adaptation of the Goldberg Variations, BWV 988 for string quartet which she has frequently performed with the Nathan Quartet, as well as a string orchestra version.
SKU: SU.28120010
Ballet Suite in 5 movements (revised version)3222; 4331; timp, perc, hp, pno; stgs Duration: 24' Composed: 2008 Published by: Alla Pavlova Music Although it maintains the charm of the original Hans Christian Andersen tale, Alla Pavlova's Thumbelina is a considerable musical, visual and narrative expansion of the story to make it suitable as a full-length ballet and family-programming alternative to The Nutcracker. Musically, it is scored for full symphony orchestra ([3,2,2,2]-[4,3,3,1]-[timp.,perc.]-[Hp]-[Strings], Percussion: Bass dr., Snare dr., Wooden Block, Tambourine, Triangle, Glock., Vibraphone, Celesta) and contains not only many beautiful, lyrical and moving waltzes and other classical themes, but also rhythms such as tango, boogie-woogie and ragtime. Narratively, the story has been adapted to include a varied and colorful cast of characters. The Thumbelina Suite (which has been recorded by the Tchaikovsky Symphony Orchestra for Naxos) can be heard at http://www.allapavlova.com/listen.html or by clicking on the image below. She has created a synopsis of the ballet, which is of course based on the Andersen fairy tale. We’ll gladly send this synopsis on request. Recording: 21st Century Classics – Naxos 8.579003 Performance materials available on rental only:.
SKU: HL.14042978
ISBN 9788759827628.
Invisible Cities by Swedish composer, Britta Bystrom . Britta Bystrom 's careful ear for musical qualities such as timbre and resonance has resulted in an idiom that could almost be labeled impressionistic. She began composing already as a teenager and later studied composition at Musikhogskolan in Stockholm with Par Lindgren and Bent Sorensen.
SKU: HL.1283364
UPC: 196288166641.
Dedication for chamber orchestra by William Bolcom was written in 2021-2022, especially for the ROCO Chamber Orchestra. The commission was the result of a meeting between Alecia Lawyer and the composer at a Great American Songbook concert, hosted by Arthurand Shelley Gottschalk. Dedication is a concise but dramatic work. Its threepart is determined by tempo and motif. The work begins with Intro: Moderato. After a very soft ostinato sounds from the depths of the orchestra, two melodies emerge: the first in the Piccolo and Eb Clarinet, the second in the English Horn and Bassoon. They are complemented by strings in close harmony and lyrical muted brass. This is followed by Feroce! which engages the tutti ensemble in a cascade of brilliant fortissimo block harmonies. The next section, Allegro molto, is characterized by agile, virtuosic passage work and brash chords. Tempo I returns with familiar motifs wrapped in six sharps. Marked espressivo e cantabile, tutti strings provide an incandescent conclusion. Then soft string glissandi allow the music to fade back from wherever it came. Dedication is orchestrated by his former student Edmund Cionek.
SKU: HL.49045270
ISBN 9790220137204. UPC: 841886028883. 8.25x11.75x0.2 inches.
The starting point was the collected letters of Vincent van Gogh. In spite of the tragedies for which van Gogh is best known, his letters are filled with joyous exuberance for the practical considerations of his work: what he will paint next and, most importantly, what colours he will use. For Julian Anderson, it seems the painter relishes 'the sheer stuff of which his art is made'. In Van Gogh Blue, Anderson relishes the sheer stuff of which his own art is made. Its a very physical, highly contrasted work about the joy of sound. Instrumental colour plays a large role, and Andersons use of two mobile clarinetists allows extra colour as their sound moves through the acoustic space of the hall.
SKU: HL.50600661
8.25x11.75x0.136 inches.
With the “Fingertip Dancesâ€, Gerald Resch joins a long tradition of composers who have written pieces for their own children and, in so doing, have immersed themselves in childlike worlds of images and experiences. Mila, Gerald Resch's daughter and the dedicatee of the “Fingertip Dancesâ€, received them as a special present for her ninth birthday: she is able to call her own these thirteen little pieces that have gained considerable attention through their variety of musical ideas and pianistic challenges. Following the original version for piano (SIK 1708), a selection of eight pieces for youth ensemble is now available as part of the edition series “exempla nova – for the young.†Gerald Resch arranged these eight pieces of the (13) “Fingertip Dances†in response to a commission of the “Brücken-Festival†in Mürzzuschlag 2015. All text in German.
SKU: HL.49002149
ISBN 9790001022859. UPC: 073999621150. 9.0x12.0x0.097 inches.
It was the Weihnachtskonzert (Christmas concerto) in C major that won special popularity continuing a tradition which was cultivated by Corelli with his pastoral at the end of Op. 6 No. 8 or by Torelli in his Op. 8 No. 6 and reaching to the pastoral in Handel's Messiahs and to the sinfonia in the second cantata of Johann Sebastian Bach's Christmas oratorium. This, finally, originates from the music-making of shepherds - coming from the Abruzzi and from Calabria to Rome at Christmas to play the shawm and the bagpipes in front of the cribs. Hence the popular consecutive thirds and the sustained bass tones characterizing the first Largo, a genuine siciliano in the rocking, typically dotted 12/8 time.
SKU: HL.48010970
UPC: 073999989304. 8.25x11.75x0.196 inches.
Set of parts available: 48010971.
SKU: HL.48010971
UPC: 073999978896. 9.0x12.0x0.295 inches.
Contents: The Golden Bow * The King and the Miller * Don Quixote Rides Again * Roundabouts * A Sad Song * Mr. Carey's Romance.
SKU: HL.49010227
ISBN 9783795772550. UPC: 841886020993. 5.25x7.5x0.26 inches. (ed. Blume/Matthews) Edition Eulenburg No. 774.
His concertos justifiably rank among the milestones of solo music accompanied by orchestra. In Viennese Classicism, piano music flourished thanks to innovations in the instrumental technique, and even Mozart fully exploited the advantages of the fortepiano action over the rigid sound of the harpsichord in his works.Piano Concerto No. 25 is Mozart's longest concerto. The harmonic structure, the continuous change between major and minor, the witty dialoguing between solo and orchestra, the strong contrapuntal saturation, the frequent use of the pedal point as well as the overflowing melodic abundance give the work a character all its own.
SKU: HL.49045561
ISBN 9783901974045.
Strauss's first tone poem distinguishes itself from all other subsequent orchestral compositions in its existence in three different versions. Even among the operas and other compositions in his hand there is no other work with a comparable history of origin and publication. What is more, the final version of Macbeth is the only valid form of the work and the only variant with further sources (cf. Critical Report) in addition to the autograph score. In contrast, the second version has only been preserved in an autograph score and autograph piano reduction (the orchestral parts which must have existed have obviously not survived). This was never printed and was replaced by the published third version. The two surviving versions should therefore not be considered to be of equal status. Unlike the case of Ariadne auf Naxos in which the earlier version was for a time the sole valid alternative and was yet never completely displaced by the soon dominating later version of the opera, only the final third version of Macbeth is considered as valid. Right from the outset, it was a matter of course for the editors of the present volume to include the second version as a first publication (in addition to the above-mentioned surviving pages of the first version), albeit in different forms. The surviving pages of the first version are reproduced in facsimile and the second version, as a subordinate form of the work, appears alongside Strauss's piano reduction in a modified source edition, i.e. without intervention on the part of the editors. The ultimate third version is published as a full edition (please refer to the Critical Report for further details). In order to facilitate a comparative study of the second and third versions, the relevant page numbers of the score are placed opposite one another (the autograph piano reduction of the second version is included at the end of the music section of the volume). The editors hope that this synoptic representation will prompt interest in further studies on Strauss's art of orchestration: a field of research which has still remained insufficiently examined. A study of Macbeth namely illuminates as clearly as could be wished how much significance Strauss allotted to sound alongside form. The subjects were not merely intended to generate an individual figure, but also specific tonal colours, and the instrumentation was simultaneously designed to provide an optimal communication of thematic-motivic texture to the audience. The 'new path' threw up consequences which caused Strauss a considerable amount of difficulty. He was however a fast learner and had already swum free with Don Juan and all the more with Tod und Verklarung.
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