SKU: PR.816600040
UPC: 680160600045. 5.5x5 inches.
This disk contains study scores of all 41 of Mozart's Symphonies, as well as Concertos for Winds and Strings (Piano Concertos are on a companion CD-ROM), Serenades, Opera Overtures, Divertimentos, and other works.
About CD Sheet Music (Version 1)
CD Sheet Music (Version 1) was the initial CD Sheet Music series distributed by Theodore Presser. The CDs include thousands of pages of music that are viewable and printable on Mac or PC. Version 1 titles are a great value at 40% off, as we make room in our warehouse for the newly enhanced CD Sheet Music (Version 2.0) series.
SKU: HL.49010056
ISBN 9783795767365. UPC: 841886003491. 5.25x7.5x0.12 inches.
With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
SKU: BR.PB-14615
The study score (,,Studien-Edition) is available at G. Henle Verlag.
ISBN 9790004214909. 10 x 12.5 inches.
The Famous One in the Leading EditionBeethoven spent a relatively long time on his 5th Symphony. Thus, first sketches can already be found from as early as 1804, four years before the work was premiered in Vienna in December 1808. Not only impressive is its striking opening theme, letting everyone know immediately that this is Beethoven being played, but also its nickname symphony of fate. Nothing in the sources prefigures the much-cited fate, musically knocking here at the door. The autograph of the score and the set of parts prepared from it, including Beethoven's revisions, serve as the main sources of this Urtext edition, together with the missing copy of the score, now extant only incomplete in photographs, and the original edition of the parts authorized by Beethoven. The new performance material is based on the recently published volume of the New Beethoven Complete Edition.
SKU: HL.14023384
ISBN 9788759850466. UPC: 884088435851. 12.0x16.5x0.582 inches. English.
Work for Orchestra dating from 1970.
SKU: HL.14032192
ISBN 9788759858394. 12.0x16.5x0.78 inches. International (more than one language).
Symphony No. 6 for orchestra, 1997-99. Preface / Program Note:... with the Lord a day is like a thousand years, and a thousand years is like a day(New Testament, 2 Peter 3:8)My SYMPHONY NO. 6 was commissioned by the Danish National Radio Symphony Orchestra, the Gteborg Symphony Orchestra and the Oslo Philharmonic Orchestra, to be premiered at the millenium 2000.The subtitle AT THE END OF THE DAY can be understood literally or it can mean when all is added up. However, in my opinion, nothing ever quite adds up, there is always something missing, any ending will be provisional ...This symphony appears to end only a few minutes into the first movement, the first passage, as the music fades away to almost-silence, after a start of flying colours. But then there is still something, a small motive (first heard in the initial sound-waves) which reappears, hesitant, but persistent, and this embryo is what leads on the musical progression. An agitated section of many instrumental voices comes next, until all the voices become obsessed with the same phrase, a see-saw motive based on thirds. This section evolves into almost martial ferocity, when broken off by a tutti descent into an extreme bass-world (a bass-world which actually permeates the whole symphony, emplyoing instruments that I have never used before: double-bass tuba, double-bass trombone, double-bass clarinet, and bass flute).The second movement, the second passage, apparently takes off where the first passage ended, but now the events are more ambiguous, and the same music may be perceived as fast-moving one moment and slow-moving the next. This section is a kind of passacaglia, the characteristic baroque bass-variation.Without a break follows the third and last passage, in a contrasting high register. The music is rhythmically knotty as well as freely flowing. As in the beginning of the symphony, a never-ending descent or fall breaks off the events, and at the very end a delta of new beginnings, of other worlds, is revealed ....The symphony is dedicated to Helle, my wife. - Per Norgard.
SKU: OU.9780193376335
ISBN 9780193376335. 12 x 9 inches.
For this newly engraved edition of Vaughan Williams's powerful symphony, editor David Lloyd-Jones has consulted all extant sources and materials to create a score matching the composer's intentions. The score is completed with full Textual Notes and Preface, and accompanying orchestral parts are available on hire from the publisher.
SKU: M7.DOHR-28748
ISBN 9790202017487.
SKU: M7.DOHR-28747
ISBN 9790202017470.
SKU: HL.238320
12.0x16.5x0.65 inches.
Symphony No. 2 began its life as Pozcatek, a 'Michael Nyman Band' 'soundtrack' that was written for the Michael Nyman Band to accompany a selection of sequences from post-war Polish films that Nyman selected and edited in 2009. That work has already been networked a Pozcatek for piano trio (recorded by the Fidelio Trio for MN Records) and a song cycle 'Ex Votos Songs' with texts transcribed from Mexican Ex Votos, hence the possibly subtitle for this symphony: Ex Photos. The symphony, which was completed in 2013, consists of four interconnected movements and is Arranged for orchestra. Duration of approximately: 28 minutes.
SKU: HL.227858
UPC: 680160423637. 9x12 inches.
SKU: HL.4491051
UPC: 884088551018. 9.0x12.0x0.009 inches.
Dvorák was extremely interested in Native American and African American melody, and his Symphony No. 9 (From the New World) included influences of both. This easy arrangement wonderfully includes the two best-known melodies from his famous symphony.
SKU: BR.PB-5558
Tchaikovsky's Hamburg Symphony in the Urtext
ISBN 9790004213681. 10 x 12.5 inches.
Like Hamlet Overture, originating at about the same time, Tchaikovsky's 5th symphony, composed in 1888, focuses on the human existential question: To be or not to be - triumph over fate or triumph of fate? The per aspera ad astra dramaturgy underlying the symphony culminates in triumphant certainty. If Tchaikovsky was initially euphoric, then severe self-doubts befell him after he conducted the premiere in St. Petersburg. These doubts demonstrably led him to make interpretative changes for the Hamburg performance in 1889, including a cut in the finale. Only with the extremely positive response to this performance did his doubts dispel. Nevertheless, Tchaikovsky himself never again conducted the 5th symphony. It was only posthumously established in the repertoire through Arthur Nikisch's commitment. The new edition's textual criticism takes into account besides the autograph and first edition also the first edition's orchestral parts, together with the piano arrangement produced from the autograph by Sergei Taneyev. In addition to thoroughly clarifying dynamics and articulation, the source comparison also corrected many errors and solved problematical passages, such as, for instance, the trombone entry in m. 372 of the finale. Considered, moreover, for the first time has been the composer's doubts about his work and its ambiguities, frequently successfully suppressed in the history of its performance and reception. Tchaikovsky's conductor's copy is unfortunately lost, hence his alterations made for the Hamburg performance are not precisely known. They have survived only indirectly through remarks that Willem Mengelberg left to posterity, for which he could draw on Tchaikovsky's conductor's score and oral references by the composer's brother Modest. So, anyone wishing to deal seriously with the work's certainties will not be able to do so in the future without having also to deal with its uncertainties.Tchaikovsky's Hamburg Symphony in the Urtext.
SKU: AP.46690S
UPC: 038081533407. English.
The heroic second movement of Beethoven's Symphony No. 5 in C minor, Op. 67 is a theme and variations. In this arrangement by Michael Hopkins the original key of A-flat major has been changed to C major, and the original time signature of 3/8 has been changed to 3/4 meter. Beethoven's original dynamic markings and harmonies have been preserved. This movement is an excellent piece for teaching legato, hooked, martelé, and spiccato bowings; bow distribution; dynamic contrast; and phrasing. Your students will enjoy playing this accessible arrangement of one of the great masterpieces of the classical era.
SKU: BA.BA05363
ISBN 9790006469369. 31 x 24.3 cm inches. Key: G major.
Urtext der Neuen Mozart-Ausgabe.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: KJ.WO12B
SKU: KJ.WO12S
SKU: HL.14037570
ISBN 9788759856086. 12.0x16.5x0.685 inches. English.
Full Orchestral Score of Vagn Holmboe's Symphony No.5 Op.35.
SKU: HL.14042181
ISBN 9781780389943. 12.0x16.5x0.53 inches.
Witold Lutoslawski's Symphony No.2 in full score.
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