(1st Movement). Composed by Ludwig van Beethoven (1770-1827). Arranged by Richard Rigg. Orchestra. Full Orchestra; Masterworks; Part(s); Score. Highland Full Orchestra. Form: Transcription. Classical; Masterwork Arrangement; Romantic. Grade 2.5. 214 pages. Published by Highland/Etling

Orchestra

SKU: CF.C1232

Arranged by Sean O'Loughlin. Set of Score and Parts. 12+1+1+1+1+1+1+1+1+1+1+1+1+1+1+1+1+1+1+1+1+1+1+1+1+1+1+1+1+1+1 pages. Carl Fischer Music #C1232. Published by Carl Fischer Music (CF.C1232).

ISBN 9781491160923. UPC: 680160919529. Transcribed by John Stafford Smith.

The celebratory and dramatic rendition of The Star-Spangled Banner by Sean O'Loughlin, first arranged for brass and percussion, is now beautifully scored for full orchestra. O'Loughlin's popular arrangement has become a favorite of both the Oregon Symphony and Baltimore Symphony brass players, being played at sporting events including Portland Trailblazers NBA basketball games, Baltimore Orioles baseball games, and Baltimore Ravens football games.With fanfare flourishes and colorful touches, this grand arrangement gives each section an opportunity to play the melody, making for a truly dynamic experience.

Incidental music for a radio production of William Shakespeare\'s play. Composed by Ralph Vaughan Williams (1872-1958). Full score. Promethean Editions #PME16S. Published by Promethean Editions

3rd Movement. Composed by Ludwig van Beethoven (1770- 1827). Arranged by Richard Meyer. Full Orchestra; Masterworks; Score. Highland/Etling First Philharmonic. Form: Scherzo. Classical; Masterwork Arrangement; Romantic. 24 pages. Published by Highland/Etling

Orchestra piccolo, English horn, B-clarinet, contrabassoon-4, 1-timpani-4 percussion-harp-piano-strings

SKU: PE.EP73403

Liepaja Concerto No. 3 (Liepajas koncerts Nr. 3). Composed by Rihards Dubra. Orchestra. Edition Peters. Book. Duration 00:33:00. Edition Peters #98-EP73403. Published by Edition Peters (PE.EP73403).

ISBN 9790577018331. 297 x 420 mm inches. English.

Rihards Dubra (born Latvia, 1964) wrote his piano concerto – Liepaja Concerto No. 3 – in 2012. A 33-minute work for solo piano and symphony orchestra comprising triple wind and brass, percussion, harp and strings, the concerto starts with a mournful piano melody. It has an elemental beauty – we hear water in the sonorities of harps and chime-bells, earth in the rhythmic formulae, and fire in his colourful harmonic sequences – ending with a majestic and vibrant conclusion.

This full score (EP 73403) is now available as part of the Peters Baltic Library.

• Peters Baltic Library is a new series of full scores of orchestral music by contemporary composers from the Baltic States.
• Published in partnership with the leading music publisher from the region: Musica Baltica.
• Peters Baltic Library presents a rich selection of compositions that demonstrates both the distinctiveness and the variety of stylistic approaches adopted by the region's most prominent composers.

This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.

Orchestra

SKU: PR.11641867S

Composed by William Kraft. Full score. Duration 16 minutes, 25 seconds. Theodore Presser Company #116-41867S. Published by Theodore Presser Company (PR.11641867S).

UPC: 680160683208.

Contextures: Riots -Decade '60 was commissioned by Zubin Mehta and the Southern California Symphony Association after the successful premiere of the Concerto for Four Percussion Soloists and Orchestra. It was written during the spring and summer months of 1967. Riots stemming from resentment against the racial situation in the United States and the war in Vietnam were occurring throughout the country and inevitably invaded the composer's creative subconscious. Contextures, as the title implies, was intended to exploit various and varying textures. As the work progressed the correspondence between the fabric of music and the fabric of society became apparent and the allegory grew in significance. So I found myself translating social aspects into musical techniques. Social stratification became a polymetric situation where disparate groups function together. The conflict between the forces of expansion and the forces of containment is expressed through and opposition of tonal fluidity vs. rigidity. This is epitomized in the fourth movement, where the brass is divided into two groups - a muted group, encircled by the unmuted one, which does its utmost to keep the first group within a restricted pitch area. The playful jazzy bits (one between the first and second movements and one at the end of the piece) are simply saying that somehow in this age of turmoil and anxiety ways of having fun are found even though that fun may seem inappropriate. The piece is in five movements, with an interlude between the first and second movements. It is scored for a large orchestra, supplemented by six groups of percussion, including newly created roto-toms (small tunable drums) and some original devices, such as muted gongs and muted vibraphone. There is also an offstage jazz quartet: bass, drums, soprano saxophone and trumpet. The first movement begins with a solo by the first clarinetist which is interrupted by intermittent heckling from his colleagues leading to a configuration of large disparate elements. The interlude of solo violin and snare-drum follows without pause. The second movement, Prestissimo, is a display piece of virtuosity for the entire orchestra. The third movement marks a period of repose and reflection and calls for some expressive solos, particularly by the horn and alto saxophone. The fourth movement opens with a rather lengthy oboe solo, which is threatened by large blocks of sound from the orchestra, against an underlying current of agitated energy in the piano and percussion. This leads to a section in which large orchestral forces oppose one another, ultimately bringing the work to a climax, if not to a denouement. Various thematic elements are strewn all over the orchestra, resulting in the formation of a general haze of sound. A transition leads to the fifth movement without pause. The musical haze is pierced gently by the offstage jazz group as if they were attempting to ignore and even dispel the gloom, but a legato bell sound enters and hovers over both the jazz group and the orchestra, the latter making statements of disquieting finality. Two films were conceived to accompany portions of Contextures. The first done by Herbert Kosowar, was a chemography film (painting directly into the film using dyes and various implements) with fast clips of riot photographs. The second was a film collage made by photographically abstracting details from paintings of Reginald Pollack. The purpose was to invoke a non-specific response - as in music - but at the same time to define the subject matter of the piece. The films were constructed to correspond with certain developments in the piece and in no way affect the independence and musical flow of the piece, having been made after the piece was completed. Contextures: Riots - Decade '60 is dedicated to Mehta, the Southern California Symphony Association and the Los Angeles Philharmonic Orchestra. The news of the assassination of Dr. Martin Luther King came the afternoon of the premiere, April 4, 1968. That evening's performances, and also the succeeding ones, were dedicated to him and a special dedication to Dr. King has been inserted into he score. All the music that follows the jazz group - beginning with the legato bell sound playing the first 2 notes to We shall overcome constitutes a new ending to commemorate Dr. King's death.

By Richard Meyer. Music by Richard Meyer. For Full Orchestra. Full Orchestra. Full Orchestra. Level: 3 (grade 3). Conductor Score and Parts. 206 pages. Published by Alfred Publishing.

Full Orchestra

SKU: SU.32010131

For Full Orchestra. Edited by David Bernard. Orchestra. Set of Parts. Subito Music Corporation #32010131. Published by Subito Music Corporation (SU.32010131).

Performance Edition edited by David BernardIncludes Full Score, Winds, Brass, Percussion and Strings (8-7-6-5-4)2222; 2230; timp; stgs Composed: 1847.