| Danza Ritual del Fuego Orchestra - Intermediate Belwin
Orchestra - Grade 3.5 SKU: AP.48053 Ritual Fire Dance. Composed by...(+)
Orchestra - Grade 3.5 SKU: AP.48053 Ritual Fire Dance. Composed by Manuel de Falla. Arranged by Douglas E. Wagner. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Belwin Concert String Orchestra. Multicultural. Score and Part(s). 132 pages. Duration 4:35. Belwin Music #00-48053. Published by Belwin Music (AP.48053). UPC: 038081555218. English. Danza Ritual del Fuego arranged by Douglas E. Wagner is from Manuel de Falla's ballet, El amor brujo. This stunning showpiece is a fully realized, unabridged string orchestra with piano arrangement that reflects all of the tonal color and Spanish flair of the composer's original. Characteristic rhythms and harmonic progressions combine with a variety of string techniques, providing players with the makings of a sure-fire concert or contest success. (4:35) This title is available in MakeMusic Cloud. $65.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Danza Ritual del Fuego Orchestra [Score] - Intermediate Belwin
Orchestra - Grade 3.5 SKU: AP.48053S Ritual Fire Dance. Composed b...(+)
Orchestra - Grade 3.5 SKU: AP.48053S Ritual Fire Dance. Composed by Manuel de Falla. Arranged by Douglas E. Wagner. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Belwin Concert String Orchestra. Multicultural. Score. 28 pages. Duration 4:35. Belwin Music #00-48053S. Published by Belwin Music (AP.48053S). UPC: 038081555225. English. Danza Ritual del Fuego arranged by Douglas E. Wagner, is from Manuel de Falla's ballet, El amor brujo. This stunning showpiece is a fully realized, unabridged string orchestra with piano arrangement that reflects all of the tonal color and Spanish flair of the composer's original. Characteristic rhythms and harmonic progressions combine with a variety of string techniques, providing players with the makings of a sure-fire concert or contest success. (4:35) This title available in MakeMusic Cloud. $10.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Die Donau Orchestra Barenreiter
Orchestra SKU: BA.BA06861 Sinfonie (1923-1928). Composed by Leos J...(+)
Orchestra SKU: BA.BA06861 Sinfonie (1923-1928). Composed by Leos Janacek. Arranged by LeoÅ¡ Faltus and MiloÅ¡ Å tedron. This edition: complete edition, urtext edition. Linen. Complete Critical Edition of the Works of Leos Janacek H/3. Complete edition, Score, Set of parts. Duration 40 minutes. Baerenreiter Verlag #BA06861_00. Published by Baerenreiter Verlag (BA.BA06861). ISBN 9790260104211. 34.3 x 27 cm inches. LeoÅ¡ Janácek’s symphonic fragment Dunaj (The Danube) dates from the period of the composition of “Katya Kabanovaâ€. The composer was not concerned with a musical-picturesque description of a river landscape, but with the mythical link between women’s destinies and water.
“Pale green waves of the Danube! There are so many of you, and one followed by another. You remain interlocked in a continuous flow. You surprise yourselves where you ended up – on the Czech shores! Look back downstream and you will have an impression of what you have left behind in your haste. It pleases you here. Here I will rest with my symphony.†Thus Leoš Janácek described the idea behind the composition project which occupied him in 1923/24. However, after further work, it remained incomplete in 1926. His “symphony†entitled Dunaj has survived as a continuously-notated, four-movement bundle of sketches in score form. It is one of the works which occupied him until his death. The scholarly reconstruction by the two Brno composers Miloš Štedron and Leoš Faltus closely follows the original manuscript.
A whole conglomeration of motifs stands behind the incomplete work. What at first seems like a counterpart to Smetana’s Vltava, in fact doesn’t turn out to be a musical depiction of the Danube. On the contrary, the fateful link between the destiny of women, water and death permeates the range of motifs found in the work. It seems to be no coincidence that Janácek, whilst working on the opera Katya Kabanova, in which the Volga, as the river bringing death plays an almost mythical role, planned a Danube symphony, and that its content was linked with the destiny of women: in the sketches, two poems were found which may have provided the stimulus for several movements of the symphony. He copied a poem by Pavla Kriciková into the second movement, in which a girl remarks that whilst bathing in a pond, she was observed by a man. Filled with shame, the young naked woman jumps into the water and drowns. The outer movements likewise draw on the poem “Lola†by the Czech writer Sonja Špálová, published under the pseudonym Alexander Insarov. This is about a prostitute who asks for her heart’s desire: she is given a palace, but then goes on a long search for it and is finally no longer wanted by anyone. She suffers, feels cold and just wants a warm fire. Janácek adds his remark “she jumps into the Danube†to the inconclusive ending.
To these tangible literary models is added Adolf Veselý’s verbal account which reports that the composer wanted to portray “in the Danube, the female sex with all its passions and driving forcesâ€. The third movement is said to characterise the city of Vienna in the form of a woman.
It is evident that in his composition, Janácek was not striving for a simple, natural lyricism. The River Danube is masculine in the Slavic language – “ten Dunaj†– and assumes an almost mythical significance in the national character, indeed often also a role bringing death. The four movements are motivically conceived. Elements of sound painting, small wave-like figures in the first movement, motoric, driving movements in the third are obvious evocations of water. And the content and the literary level are easy to discover. The “tremolo of the four timpaniâ€, which was amongst Janácek’s first inspirations, appears in the second movement. It is not difficult to retrace in it the fate of the drowning bather. The oboe enters lamentoso towards the end of the movement over timpani playing tremolo, its descending figure is taken over by the flute, then upper strings and intensified considerably. The motif of drowning – Lola’s despair – returns again in the fourth movement in the clarinet, before the work ends abruptly and dramatically.
One special effect is the use of a soprano voice in the motor-driven third movement. The singer vocalises mainly in parallel with the solo oboe, but also in dialogue with other parts such as the viola d’amore, which Janácek used in several late works as a sort of “voice of loveâ€.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$249.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Psyché Et Éros from the Symphonic Poem 'Psyché' Orchestra [Score] - Intermediate Hal Leonard
Wind Orchestra (Score) - Grade 4 SKU: HL.4008676 Wind Orchestra, Grade...(+)
Wind Orchestra (Score) - Grade 4 SKU: HL.4008676 Wind Orchestra, Grade 4, 10:30 Score. Composed by Cesar Auguste Franck. Arranged by Franco Cesarini. Editions Franco Cesarini. Classical, Concert, Concert Band. Softcover. Duration 630 seconds. Hal Leonard #EFC021-SC. Published by Hal Leonard (HL.4008676). UPC: 196288190196. César Franck, composer, pianist, organist and music teacher, completed Cupid and Psyché, his sixth and last symphonic poem in 1887. It was first performed in Paris in 1888 and was a complete success, but the piece later fell completely into oblivion, and it was only thanks to some meticulous research that it has returned to concert halls. The intricate love affair between Psyche and Cupid is an original story of the Metamorphoseswritten in the 2nd century AD by Apuleius. The tale is about overcoming obstacles in love and their final union. The symphonic poem is divided into three parts and calls for a choir. The movement that is the subject of this arrangement, Psyché et Érosis positioned at the end of the second part. Franco Cesarini's version for wind orchestra carefully illustrates the nuances of the instrumental colours, and represents a real test aimed at demonstrating the musicality and interpretative skills of orchestras and their conductors. $39.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| latée, Io RCT 53 und RCT 45 (Versions 1749 and 1745) Orchestra [Score] Barenreiter
Symphonies. Composed by Jean- Philippe Rameau (1683-1764). Edited by Thomas Sou...(+)
Symphonies. Composed by Jean-
Philippe Rameau (1683-1764).
Edited by Thomas Soury. This
edition: urtext edition.
Paperback. Score, anthology.
Baerenreiter Verlag
#BA08895_00. Published by
Baerenreiter Verlag
$79.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Fruhfassungen zur h-Moll Messe BWV 232 Orchestra Barenreiter
First flute, second flute, first oboe (oboe-dam), second oboe, Ob 3, first basso...(+)
First flute, second flute, first oboe (oboe-dam), second oboe, Ob 3, first bassoon, second bassoon, Cor-daccordion, first trumpet, second trumpet, third trumpet, timpani (1. Flute, 2. Flute, 1. Oboe (Oboe d´amore), 2. Oboe, 3. Oboe, 1. Bassoon, 2. Bassoon, Corno da caccia, 1. Trumpet, 2. Trumpet, 3. Trumpet, Timpani) SKU: BA.BA05293-65 Missa BWV 230I (version of 1733). Credo in unum Deum BVW II/1 (early version in G maj). Sanctus BWV 232III (version of 1724). Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext edition. Stapled. Barenreiter Urtext. Set of wind parts. BWV 230, BWV 232. Baerenreiter Verlag #BA05293_65. Published by Baerenreiter Verlag (BA.BA05293-65). ISBN 9790006532674. 32.5 x 25.5 cm inches. Key: B minor. About Barenreiter Urtext Orchestral Parts Why musicians love to play from B�¤renreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composerâ��s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$126.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
1 |