SKU: LO.30-3426L

UPC: 000308145977.

Mary McDonald's arrangement of this Hillsong favorite is a moving expression of worship. The powerful contemporary ballad gives thanks for salvation through the sacrifice and resurrection of Christ and reminds us that there's no greater love than this..

SKU: HL.49009618

ISBN 9790200211283. UPC: 073999354379. 5.25x7.5x0.213 inches.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

SKU: LO.30-3691L

UPC: 000308153408.

Orchestral Score and Parts for 10/5303L From Jesus! The Resurrection of the Messiah (55/1188L), this solemn selection by Mary McDonald and Rose Aspinall captures the pain, anguish, and hopelessness surrounding the moment of Christ’s death. Rose’s powerful lyrics challenge the listener to contemplate the feelings of uncertainty and loss that were experienced as Jesus breathed his final breath. Perfect for Good Friday and Holy Week worship.

SKU: AP.41264S

UPC: 038081480787. English.

This trio shines as transcribed for string orchestra and makes possible the inclusion of a viola part, both as an equal player in the primary melodic material and in fulfilling harmonic realizations. All parts are playable in first position with the exception of fourth position required occasionally for cellos. Opportunities abound for students to polish Baroque bowing techniques. (4:30) This title is available in MakeMusic Cloud.

SKU: HL.14028044

ISBN 9788759850640. 12.0x16.5x0.605 inches. Danish.

The full score of Ruders' Solar Triology for large orchestra.

SKU: BR.PB-4771

ISBN 9790004205754. 9 x 12 inches.

SKU: HL.14023215

ISBN 9788759874455. 16.75x11.75x0.42 inches. English.

Work for Percussion Trio.

SKU: HL.14019121

ISBN 9781844492954. 9.0x12.0x0.303 inches.

Commissioned by the first Sibelius Conductor's Competition held in Helsinki in May 1995, as an obligatory piece to be rehearsed by all the competitors, Arena was performed in its totality at the annual Avanti! Chamber Orchestra's festival in Porvoo (Finland). Thematic thinking has never been a main feature in Lindberg's music, but here horizontal lines (one would not yet dare to call them melodies) gain some independence, for example in ornamental figures and in the intense cello solo around the middle of the piece. Arena also reveals some clearly new material - Lindberg has talked about Beethoven-like formal thinking, referring to a passage where the sense of movement seems to accelerate to an extreme so that finally one perceives only a motionless surface. Another new element - which was already used to some extent at the warmly hovering ending of Aura - is the almost romantic sound world and the suspension of the harmonies in the final climax, which can make one think of Mahler and Berg, or Lindberg's grand predecessor and compatriot, Sibelius. This is the Score, published by Chester Music; the duration of the pieces is approximately 16 minutes.