SKU: BR.PB-5225
ISBN 9790004209554. 10 x 12.5 inches.
The publishers of the Reger Complete Edition present Reger's most frequently performed orchestral work as a new addition to the acclaimed PB/OB Library. The critical examination of the main sources - the autograph, Reger's corrections for the first edition, a working copy belonging to the composer, and the Complete Edition - brought forth a number of changes with respect to the previously known material. This is thus the first reliable, practice-oriented edition with orchestral parts available for sale - which is another first for this extensive and important work.
SKU: BA.BA08841-79
ISBN 9790006541232. 32.5 x 25.5 cm inches.
Prelude a l'apres-midi d'un faune, often referred to as the first composition of the modern era, is one of Debussy's most popular and frequently performed orchestral works. The piece comes down to us in an array of sources, and several important ones are drawn upon for the first time in Baerenreiter's new scholarly-critical edition. Most of the currently available editions are based on the first edition from 1895 which, however, contains many engraver errors. When the corresponding orchestral parts are also taken into consideration, countless discrepancies are revealed.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: BA.BA08899
ISBN 9790006523351. 33 x 24 cm inches. Preface: Denis Herlin. Text: Charles-Antoine Leclerc de La Bruere.
“Dardanus†is Rameau’s third “Tragdie lyrique†composed for Paris after “Hippolyte et Aricie†and “Castor et Polluxâ€. With its multi-facetted music it represents quite a high point of this genre. Its performance history is remarkable in that within only five years two clearly different versions were being performed.The new critical edition by Denis Herlin for the first time offers the possibility to reconstruct the version of May 1744 in addition to the version of 1739. Also, the Appendices include the complete performance material of the version of April 1744, many parts of which could not be heard since. Last but not least the changes of the successful re-staging of 1760 are presented.This performing edition contains all the purely instrumental numbers of the opera in their various versions. Apart from the preludes and ritornellos, these are above all the diverse dance numbers.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: AP.45870S
UPC: 038081523729. English.
This totally unique (and somewhat crazy!) selection by Richard Meyer will be the hit of your holiday concert! Your audience will be delighted when they hear what happens when the festive Welsh carol Deck the Halls is combined with the dark and mysterious Hall of the Mountain King from Grieg's Peer Gynt Suite. Many key playing skills---including accidentals, tempo changes, and important balance issues---are reinforced throughout. Sleigh bells and crash cymbals add just the right amount of color to this fun, good-natured seasonal gem. (2:10).
SKU: HL.14019145
ISBN 9788759860625. 12.0x16.5x0.436 inches. English.
This work was written with a mix between computer technology and the more traditional orchestra, the piece was composed in such a way that it would support its own acoustics. Lindberg worked with amplification of instruments and electronically transformed sounds thus producing greater possibilities to abandon acoustic limits. In order for the piece to be supported by it's own acoustics, the piece had to be written in terms of foreground and background harmony, every foreground chord would always have it's background, a shadow existing without it's main chord. Another theme to the piece is that of textural motion as rapid gestures and motions are a big part of the composer's interest. Static repitions seemed to limit the piece however so they were compensated for on another level, so with a repetitive rhythmic pattern, the harmonic material changes rapidly or when a chain of chords is static the rhythmic and timbral qualities vary frequently. Work for orchestra commissioned by the Finnish Broadcasting Company.
SKU: LO.30-3717L
UPC: 000308154887.
Orchestral Score and CD with Printable Parts for 10/5332L Molly Ijames breathes life into this beloved hymn. Soaring vocal lines, rich sonorities, and dramatic key changes underscore the profound and enduring promise that God is faithful in all seasons of life. This truly inspired setting is equally effective with full orchestra or with solo violin and piano.
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