SKU: AP.48071S
UPC: 038081557601. English.
This title features Alfred Music's String Orchestra FLEX options. That means that every part in this set is now transposed into every other part, so you can play this title with any combination of like- or mixed-string ensemble. After purchasing this set, decide what additional parts you need to meet the unique needs of your ensemble, then download and print them for free at alfred.com/supplemental---free of charge. Tongue-in-cheek and beautiful, Bottom of the Ninths is the perfect way to delve into these masterworks with young players in a fun context! All sections remain in 1st position, in the key of D major, with no high 3's or low 1's as the melodies are passed throughout the orchestra. Easy to play and showcasing the beauty of these great composers, this piece, arranged by Bob Phillips, would shine at a festival or contest. The medley features Take Me Out to the Ball Game; the opening theme from Schubert's Symphony No. 9 which is, of course, at the beginning of that work; the famous Going Home theme from the middle of Dvorák's Symphony No. 9; and the Ode to Joy theme from Beethoven's Symphony No. 9, which is at the end, or the bottom, of the 9th. Correlated to Sound Innovations for String Orchestra, Book 1, Level 5. (2:30) This title available in MakeMusic Cloud.
SKU: AP.48071
UPC: 038081557595. English.
This title features Alfred Music's String Orchestra FLEX options. That means that every part in this set is now transposed into every other part, so you can play this title with any combination of like- or mixed-string ensemble. After purchasing this set, decide what additional parts you need to meet the unique needs of your ensemble, then download and print them for free at alfred.com/supplemental---free of charge. Tongue-in-cheek and beautiful, Bottom of the Ninths is the perfect way to delve into these masterworks with young players in a fun context! All sections remain in 1st position, in the key of D major, with no high 3's or low 1's as the melodies are passed throughout the orchestra. Easy to play and showcasing the beauty of these great composers, this piece, arranged by Bob Phillips, would shine at a festival or contest. The medley features Take Me Out to the Ball Game; the opening theme from Schubert's Symphony No. 9 which is, of course, at the beginning of that work; the famous Going Home theme from the middle of Dvorák's Symphony No. 9; and the Ode to Joy theme from Beethoven's Symphony No. 9, which is at the end, or the bottom, of the 9th. Correlated to Sound Innovations for String Orchestra, Book 1, Level 5. (2:30) This title is available in MakeMusic Cloud.
SKU: AP.49056S
ISBN 9781470645717. UPC: 038081564197. English.
This title features Alfred Music's String Orchestra FLEX options. That means that every part in this set is now transposed into every other part, so you can play this title with any combination of like- or mixed-string ensemble. After purchasing this set, decide what additional parts you need to meet the unique needs of your ensemble, then download and print them for free at alfred.com/supplemental---free of charge. Perfect for advanced beginning orchestra, Apache Peak by Susan H. Day, takes its title from the Apache Peak, the 2nd highest mountain peak (13,441 ft) in the Indian Peaks Wilderness of Colorado. This piece tries to capture the excitement and wonder of the breathtaking mountain scenery with melodies for all, easy rhythms, terraced dynamics, and an exciting conclusion. (2:15) This title available in MakeMusic Cloud.
SKU: AP.49882S
ISBN 9781470663766. UPC: 038081580784. English.
This arrangement of the Panic! At the Disco hit High Hopes is perfect for strings! Very smooth, rhythmic transitions and easy playability. It is arranged for 2 different grade levels, so you can include more performers with different playing levels. This can be performed at 2 different tempos with the play along tracks: 164 and 140. The middle section, measure 81, opens up the phrasing for a more legato flavor. Great fun to play! (3:45).
SKU: AP.49882
ISBN 9781470663759. UPC: 038081580777. English.
This arrangement of the Panic! At the Disco hit High Hopes is perfect for strings! Very smooth, rhythmic transitions and easy playability. It is arranged for two different grade levels, so you can include more performers with different playing levels. This can be performed at two different tempos with the play-along tracks: 164 and 140. The middle section, measure 81, opens up the phrasing for a more legato flavor. Great fun to play! (3:45).
SKU: AP.48085S
ISBN 9781470661472. UPC: 038081554365. English.
This title features Alfred Music's String Orchestra FLEX options. That means that every part in this set is now transposed into every other part, so you can play this title with any combination of like- or mixed-string ensemble. After purchasing this set, decide what additional parts you need to meet the unique needs of your ensemble, then download and print them for free at alfred.com/supplemental---free of charge. A unique Hanukkah selection, this piece embodies traditional Jewish music with its haunting melodies. In 4/4 time throughout, using easy rhythms, lifts, tremolo, a few two-note slurs, and ties, along with some cello divisi. The viola part doubles the 2nd violin and the cello doubles the bass. This is an excellent teaching piece for dotted-quarter-note rhythms. The prayer Al Hanissim is sung or read at Hanukkah, expressing thanks for the miracles that have been bestowed upon the people's ancestors. A Hanukkah Prayer of Thanks by Susan H. Day will convey a sense of the season. (1:50) This title is available in MakeMusic Cloud.
SKU: AP.48085
ISBN 9781470661465. UPC: 038081554358. English.
SKU: AP.35974S
UPC: 038081411828. English.
A perfect addition for your spooky fall concert! The castanets represent bones rattling and add a scary touch! You can let the string player with the broken arm play the castanet part! Each section of the orchestra gets to play melody lines with easy rhythms. Techniques featured are pizzicato, accents, tremolo, and some 1st finger slides. The use of energetic quarter notes throughout will bring this piece to life. A surprise Boo at the end will get the attention of the audience. Great fun for all! (3:45).
SKU: BA.BA06861
ISBN 9790260104211. 34.3 x 27 cm inches.
LeoÅ¡ Janácek’s symphonic fragment Dunaj (The Danube) dates from the period of the composition of “Katya Kabanovaâ€. The composer was not concerned with a musical-picturesque description of a river landscape, but with the mythical link between women’s destinies and water.“Pale green waves of the Danube! There are so many of you, and one followed by another. You remain interlocked in a continuous flow. You surprise yourselves where you ended up – on the Czech shores! Look back downstream and you will have an impression of what you have left behind in your haste. It pleases you here. Here I will rest with my symphony.†Thus LeoÅ¡ Janácek described the idea behind the composition project which occupied him in 1923/24. However, after further work, it remained incomplete in 1926. His “symphony†entitled Dunaj has survived as a continuously-notated, four-movement bundle of sketches in score form. It is one of the works which occupied him until his death. The scholarly reconstruction by the two Brno composers MiloÅ¡ Å tedron and LeoÅ¡ Faltus closely follows the original manuscript.A whole conglomeration of motifs stands behind the incomplete work. What at first seems like a counterpart to Smetana’s Vltava, in fact doesn’t turn out to be a musical depiction of the Danube. On the contrary, the fateful link between the destiny of women, water and death permeates the range of motifs found in the work. It seems to be no coincidence that Janácek, whilst working on the opera Katya Kabanova, in which the Volga, as the river bringing death plays an almost mythical role, planned a Danube symphony, and that its content was linked with the destiny of women: in the sketches, two poems were found which may have provided the stimulus for several movements of the symphony. He copied a poem by Pavla Kriciková into the second movement, in which a girl remarks that whilst bathing in a pond, she was observed by a man. Filled with shame, the young naked woman jumps into the water and drowns. The outer movements likewise draw on the poem “Lola†by the Czech writer Sonja Å pálová, published under the pseudonym Alexander Insarov. This is about a prostitute who asks for her heart’s desire: she is given a palace, but then goes on a long search for it and is finally no longer wanted by anyone. She suffers, feels cold and just wants a warm fire. Janácek adds his remark “she jumps into the Danube†to the inconclusive ending.To these tangible literary models is added Adolf Veselý’s verbal account which reports that the composer wanted to portray “in the Danube, the female sex with all its passions and driving forcesâ€. The third movement is said to characterise the city of Vienna in the form of a woman.It is evident that in his composition, Janácek was not striving for a simple, natural lyricism. The River Danube is masculine in the Slavic language – “ten Dunaj†– and assumes an almost mythical significance in the national character, indeed often also a role bringing death. The four movements are motivically conceived. Elements of sound painting, small wave-like figures in the first movement, motoric, driving movements in the third are obvious evocations of water. And the content and the literary level are easy to discover. The “tremolo of the four timpaniâ€, which was amongst Janácek’s first inspirations, appears in the second movement. It is not difficult to retrace in it the fate of the drowning bather. The oboe enters lamentoso towards the end of the movement over timpani playing tremolo, its descending figure is taken over by the flute, then upper strings and intensified considerably. The motif of drowning – Lola’s despair – returns again in the fourth movement in the clarinet, before the work ends abruptly and dramatically.One special effect is the use of a soprano voice in the motor-driven third movement. The singer vocalises mainly in parallel with the solo oboe, but also in dialogue with other parts such as the viola d’amore, which Janácek used in several late works as a sort of “voice of loveâ€.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: AP.46720S
UPC: 038081532882. English.
This stately grade 1.5 piece, Coronation of the Queen by Susan H. Day, uses easy rhythms, features interesting harmonies and memorable melodies, and reinforces low 2nd finger on D and A strings. Imagine a royal procession and celebration with crowds cheering as their beloved Queen passes by. You can hear the rhythmical chant Here Comes the Queen, and that quarter--eight--eight--half-note rhythm is found throughout the rest of the piece in all parts. Visualizing the story will bring this music to life! This title is available in MakeMusic Cloud.
SKU: HL.50485100
ISBN 9790080143384. UPC: 073999639308. 9.0x12.0x0.488 inches. Joseph Franz Haydn; Andras Soos.
This latest volume in the series is devoted mainly to works written by Joseph Haydn in his youth: dances, divertimento and quartet-movements, arranged for three violins and cello. Every part can be played in the first position.
SKU: AP.38400S
UPC: 038081433639. English.
An original tune in the style of Mexico, celebrating true love, and very easy---what's not to like? Optional, very simple guitar, piano, and percussion parts are included. This one will be fun for all and is a great way to include those garage band players in your school. This title is available in MakeMusic Cloud.
SKU: HL.49046988
ISBN 9781705174333. UPC: 842819115281. 8.25x11.75x0.695 inches.
SYNOPSIS Aribert Reimann's 'Trilogie lyrique' is based on three plays by Maurice Maeterlinck: In L'Intruse, a family is sitting at the table with their blind grandfather. They are waiting for the doctor to arrive and tend to his daughter who is lying ill in bed after having given birth: her new-born son has not yet made a single sound. The old man senses that something is wrong due to the uneasy atmosphere in the room. Who is sitting in our midst? he asks. He is the only one who cansee the presence of death. Interieur: Once again a family is gathered round the table in the evening, but this time we observe the action from outside, looking through the window with the grandfather and a stranger: no sound can be heard. Outside the house, the stranger reports that the eldest daughter has drowned and that he has pulled her out of the river. Although the corpse is already being carried through the village to the family, the grandfather cannot bring himself to destroy this idyll. La Mort de Tintagiles: The young Tintagiles is told a story about a mysterious castle and the aged queen who has all potential heirsto the throne murdered. His siblings sense that Tintagiles has been summoned to the castle to be murdered, but nobody openly expresses this fact. It is the sinister messengers of death from the interludes, now visible as the queens servants, who ful?l her demand and snatch the sleeping boy from his sisters'arms. Commentary 'In comparison with his Medea for example with its stormy outbreaks of emotion and violence, Reimann's score is worked in an impressive refinement of sound. It begins with rumbling, hesitating and expressive music in the first section, demanding highly ingenious sound effects from the lower strings including tapping and faltering glissandos in its noisy expression of mortal fear. Inthe second part, the woodwind formation plays at times almost in chamber music fashion and is then suddenly painfully shrill. The third part luxuriates and rages in its rich, full orchestration. The manner in which Reimann displays his mastery in textural shading, the invention of sounds welling up and fading away, the rhythmic and melodic capacity of suffering and the music's inner violence are all utterly compelling.'(Wolfgang Schreiber, Opernwelt, November 2017).
SKU: HL.49027096
ISBN 9790001023061.
This valuable though seldom played early work from his Salzburg period contains the entire youthful charm of Mozart. It can be played without wind instruments whose parts are included in the strings. In this case, even the piano or harpsichord can be added as sound filler as was often done by Mozart himself when he conducted a work sitting at the respective instrument.
SKU: HL.49001676
ISBN 9790001023054. 0.271 inches.
SKU: AP.41193S
UPC: 038081471730. English.
This is a set of four individual arrangements of classic popular songs, each of which introduce or reinforce specific musical objectives. In addition, this collection is designed to serve as a complete or partial repertoire for any concert program. These highly recognizable tunes with identifiable teaching objectives can be performed in one concert or distributed throughout the year. There are piano accompaniment and percussion parts included, which are both completely optional. The percussion part is easy enough for your string players to perform.
SKU: AP.48037S
UPC: 038081557489. English. Traditional French Folk Songs; Jacques Offenbach.
This piece arranged by Bob Phillips is a cute, fun, and easy medley of French music that uses four (quatre) well-known songs and builds to an exciting finish with the famous Can Can. It will also provide the opportunity for cross-cultural study. The melodies lie well on all the instruments, so it can be a great way to feature any section. Challenge your orchestra to see how fast they can play the ending! (2:50).
SKU: AP.48037
UPC: 038081557472. English. Traditional French Folk Songs; Jacques Offenbach.
This piece arranged by Bob Phillips is a cute, fun, and easy medley of French music that uses four (quatre) well-known songs and builds to an exciting finish with the famous Can Can. It will also provide the opportunity for cross-cultural study. The melodies lie well on all the instruments, so it can be a great way to feature any section. Challenge your orchestra to see how fast they can play the ending! (2:50) This title is available in MakeMusic Cloud.
SKU: HL.49018056
ISBN 9790001168298. UPC: 884088531195. 9.0x12.0x0.097 inches.
Harald Genzmer has done a lot for the work with young musicians, and many a string player can recall school orchestra days when Sinfonietta was on the programme quite often. But the probably best-known pupil of Hindemith has written far more of such educational music: all in all, 3 sinfoniettas, apart from collections of simple settings like the eleven Character Pieces for String Orchestra from 1998. They are expressive, entirely songlike miniatures, livened up by two rousing pieces and a pizzicato setting.The pieces can either be played separately or put together into little suites and are ideally suited for school, hobby and amateur orchestras. And despite all educational intentions: It is enjoyable and lively music which is fun to play.
SKU: AP.49928S
ISBN 9781470657871. UPC: 038081575735. English.
Feel the momentum and excitement in this very easy piece that will come together nicely! All sections get a chance at the quarter-note melody and the repeated eighth-note pattern that drives the work. Speed Force, an original by Bob Phillips, will become a standard for your orchestras at the end of their first year of instruction or early in the second year. Spark a challenge to see if the orchestra can play faster than the director can conduct! Correlated to Sound Innovations for String Orchestra, Book 1, Level 4. (1:55).
SKU: AP.49928
ISBN 9781470657864. UPC: 038081575728. English.
Feel the momentum and excitement in this very easy piece that will come together nicely! All sections get a chance at the quarter-note melody and the repeated eighth-note pattern that drives the work. Speed Force, an original by Bob Phillips, will become a standard for your orchestras at the end of their first year of instruction or early in the second year. Spark a challenge to see if the orchestra can play faster than the director can conduct! (1:55) Correlates to Sound Innovations, Book 1, Level 4.
SKU: AP.40483S
UPC: 038081456386. English.
Feature your magnificent violas in this Western-flavored section feature that will give your unsung heroes a chance to show off a variety of playing styles. The piece is divided into three distinct parts---a heroic opening theme, a rousing and flashy fiddle melody, and a beautifully flowing legato section. Easy to put together and fun for every section, this is a wonderful way to introduce your audience (and the rest of your string orchestra) to the wide variety of timbres this too-often neglected instrument can achieve. Great for recruiting concerts! This title is available in MakeMusic Cloud.
SKU: AP.24992S
UPC: 038081278834. English.
Cast a spell up and down the fingerboard as fingers add and subtract. A strong string march rhythm provides structure and drive as young players practice beginning finger patterns! March of the Mathemagicians can be played by first year players who have mastered the D Major scale and all notes are in first position with no high 3s or forward extensions. With the exception of a few notes on the G in the basses, all sections use only the D and A strings. Each section has the opportunity to play the very easy melody. This catchy, toe-tapping tune is readily accessible for first year players and will be a highlight of any concert.
SKU: AP.45872S
UPC: 038081523743. English.
Archaic Voices by Doug Spata was written at the request of a friend of the composer who wanted an easy piece she could use to introduce low 1st-finger B-flats. Her students really responded to the aggressive style, approachable rhythms, and quick tempo. Part independence is kept to a minimum to help young players stay together, and the wide dynamic range adds to the drama of the piece. This is a bold selection that students and teachers can both appreciate. (1:50) This title is available in MakeMusic Cloud.
SKU: AP.20189UK
English.
This collection of seven pieces is suitable for young string players in the early stages of orchestral playing. The rhythms and notes used in all the parts are still quite basic, the third violin/viola being the easiest, but the overall effect is very satisfying for performer and listener. The Violin 3 and Viola parts are the same and the Double Bass part is optional. The optional Piano parts can be used in rehearsals or if any of the string parts are missing.
SKU: AP.20191UK
SKU: AP.46716S
UPC: 038081532868. English.
Created with easy notes and rhythms, this regal march in the style of William Walton is playable by beginners for graduation ceremonies. It can also be learned quickly by more advanced ensembles for any concert or special event. The form is modular, so adding cuts and repeats to extend the piece is perfect for timing a procession. Enter the Laureates by Doug Spata is the perfect way to showcase your orchestra at community events!
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