Arranged by Elena Roussanova Lucas. Traditional. For Full Orchestra. Full Orchestra. Belwin Concert Full Orchestra. Level: 5 (grade 5). Conductor Score and Parts. 324 pages. Published by Alfred Publishing.

By Camille Saint-Saens. Arranged by Jay Bocook. (Score and Parts). MusicWorks Grade 4. Concert Band. Score and full set of parts. Size 9x12 inches. Published by Hal Leonard

By Wolfgang Amadeus Mozart. Arranged by Robert Longfield. (Score and Parts). MusicWorks Grade 4. Concert Band. Score and full set of parts. Size 10.5x14 inches. Published by Hal Leonard.

By Igor Stravinsky. Arranged by Merle J. Isaac. By Igor Stravinsky / arr. Merle Isaac. For Full Orchestra. Full Orchestra. Belwin Concert Full Orchestra. Level: 5 (Blue) (grade 5 Blue). Conductor Score and Parts. 210 pages. Published by Alfred Publishing.

Orchestra - Grade 4

SKU: AP.41225S

Movement 1. Composed by Felix Bartholdy Mendelssohn. Arranged by Kirk Moss. MakeMusic Cloud; Masterworks; Performance Music Ensemble; Single Titles; String Orchestra. Belwin Concert String Orchestra. Masterwork Arrangement; Romantic. Score. 48 pages. Belwin Music #00-41225S. Published by Belwin Music (AP.41225S).

UPC: 038081478876. English.

A slow and somber Grave introduction leads to a light-hearted Allegro, presenting an ideal piece to teach sonata form to your students. The clearly marked bowings and artist-level fingerings will save precious rehearsal minutes and contribute to a professional sound. This arrangement re-scores the first movement of Sinfonia No. 9 from six voices, requiring two separate viola parts, to the traditional five-voice string orchestra. Consistent with selected professional performances of the work, the first of two recapitulations has been seamlessly omitted to create a more balanced form, eliminate redundancies akin to counterpoint exercises, and showcase the young composer's emerging creativity by emphasizing his striking use of the key of A-major before reaffirming the home key. The elimination of a repeat reduces the duration to 8:30. (11:30) This title is available in MakeMusic Cloud.

Orchestra (Full Score) - Grade 4

SKU: HL.14048004

By Ursula A. Olsen. By Pelle Gudmundsen-holmgreen. Music Sales America. Classical. Softcover. Composed 2016. 68 pages. Edition Wilhelm Hansen #WH32746. Published by Edition Wilhelm Hansen (HL.14048004).

ISBN 9788759837139. UPC: 888680688806. 12.0x16.5x0.186 inches. English.

Ad Cor for Double Choir and Orchestra was composed by Pelle Gudmundsen-Holmgreen in 2015. Text: Ursula Andkj''r Olsen (spoken text) and the Old Testament (sung text). Plastic spiral binding.

Orchestra - Grade 4

SKU: HL.14042716

Composed by Sunleif Rasmussen. Choral. Classical. Softcover. Composed 2013. Edition Wilhelm Hansen #WH31387C. Published by Edition Wilhelm Hansen (HL.14042716).

ISBN 9788759881842.

Regin Der Schmied translates, in English, to Regin The Blacksmith. This piece was composed by, Faroese composer of classical music, Sunleif Rasmusse .

Orchestra (Full Score) - Grade 4

SKU: HL.14048283

Full Score. Composed by Peter Bruun. Music Sales America. Classical. Softcover. Composed 2016. 92 pages. Edition Wilhelm Hansen #WH32899. Published by Edition Wilhelm Hansen (HL.14048283).

ISBN 9788759838792. 11.5x16.5 inches. English.

Written for Athelas Sinfonietta Copenhagen and conductor Casper Schreiber. Plastic spiral binding.

Orchestra - Grade 4

SKU: HL.14042978

Composed by Britta Bystrom. Music Sales America. Classical. Softcover. Composed 2013. Edition Wilhelm Hansen #WH31789. Published by Edition Wilhelm Hansen (HL.14042978).

ISBN 9788759827628.

Invisible Cities by Swedish composer, Britta Bystrom . Britta Bystrom 's careful ear for musical qualities such as timbre and resonance has resulted in an idiom that could almost be labeled impressionistic. She began composing already as a teenager and later studied composition at Musikhogskolan in Stockholm with Par Lindgren and Bent Sorensen.

Orchestra (Score) - Grade 4

SKU: HL.14027994

Composed by Poul Ruders. Music Sales America. Classical. Set. 86 pages. Edition Wilhelm Hansen #WH29830. Published by Edition Wilhelm Hansen (HL.14027994).

ISBN 9788759864593.

New York is the city which fascinates and inspires Ruders. Time and again he goes back there to work. 'Manhattan Abstraction' (1982) subtitles - a symphonic skyline for large orchestra - was conceived there. Ruders' Brittish colleague Oliver Knussen defines the piece as: - a performance of an extraordinary Morden-Times-like construction. It is a sort of symphonic sculpture, which in the composer's own words words propels forth from one particular inspiration: the New York profile, as seen from Liberty Island, one icy cold January day with it's open, clear sky and dazzling sun light. 'Manhatten Abstraction' appears as an amalgam of some of the compositorical habits found in present pieces. For instance, are present here compositorical ideas and melodic loans from 'Capriccio Pian'e Forte', 2nd String Quartet(1979), 'Four Compositions' (1980), and 2nd Piano Sonata(1982). The question at hand is mainly concerned with the enhanced elaboration of Ruders' use of the classic English change-ringing system: a permuting method pre-determining the order of tone-appearances and /or tone groups; a serial technique in other words. In spite of the rigidly fixed material, Ruders somehow manages to chisel out a personal expression by way of emphasising contrasting elements already existing within the material itself. The spiky, repetitive sections form a counterpart to a more human violin-solo. This dialectical tension is - as hinted by the title - a symphonic abstraction of a fascinating metropolis; the most beautiful and the ugliest. The subtitle: a symphonic skyline reflects the musical erection of the Manhattan profile, which under the clear sky, materializes into the most powerful and compelling man-made sculpture on earth. Thus 'Manhattan Abstraction' is a homage to, as well as a vision of, this giant contraption of concrete, glass, and chrome.

Orchestra - Grade 4

SKU: HL.14000916

Composed by Hans Abrahamsen. Music Sales America. Classical. Score. Composed 2002. 55 pages. Edition Wilhelm Hansen #WH29689. Published by Edition Wilhelm Hansen (HL.14000916).

ISBN 9788759859179. 12.0x16.5x0.538 inches. English.

Stratifications was composed by Hans Abrahamsen in 1973-75 and was premiered in the summer 1977 by the Iceland Symphony Orchestra at the Young Nordic Music Festival in Reykjavik. Programme note: The stratifications referred to in the title unfold two different levels. There is the stratification of the time dimension produced by the opposition of contrasting parts, at the same time the polyphony, the presence of several simultaneously sounding layers, is of great importance to the music. By garish colours and clear-cut outlines a polyrhythmic simultaneousness of simple melodies is produced with more gestic music and other material which give a peculiar set piece-like effect inthe sound picture. The new simplicity details are here woven together in a new kind of complex whole. Stratifications begins with a series of concretistic masklike pictures of the music. It is like seeing lantern slides. But this fictive form crackles and the music gets attentive and real. The music is in a night-mare condition, where it is not getting anywhere in spite of a great dynamic display. But finally is liberating itself and rising in triumph.

Orchestra - Grade 4

SKU: AP.38495S

First Movement. Composed by Ludwig van Beethoven. Arranged by Robert Sieving. Masterworks; Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Form: Transcription. Classical; Masterwork Arrangement; Romantic. Score. 24 pages. Highland/Etling #00-38495S. Published by Highland/Etling (AP.38495S).

UPC: 038081436807. English.

A bold string adaptation of this revolutionary work, this piece includes the original string parts with the essential material from the wind parts added in. Eminently playable, the second violin and viola parts remain in first position throughout. The first violin part includes some fifth position notes, usually doubled at the octave. Cellos go to fourth position and basses to sixth. Perfect for contest or festival performance!