| La Mer Orchestra [Study Score / Miniature] Barenreiter
(Trois esquisses symphoniques). Composed by Claude Debussy (1862-1918). Edited b...(+)
(Trois esquisses symphoniques). Composed by Claude Debussy (1862-1918). Edited by Douglas Woodfull-Harris. For orchestra (2 flutes/soprano flute/2 oboes/english horn/clarinet/2 bassoons/5 contrabassoons/2 trumpets/horn/2 trombones/tuba/percussion/celeste/2 harps/strings). This edition: Urtext edition. Paperback. Study score. Text Language: English/French/German. Duration 10 minutes. Published by Baerenreiter Verlag
$28.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Major Works For Orchestra Orchestra [Score] Theodore Presser Co.
Orchestra - all SKU: PR.816600040 Composed by Wolfgang Amadeus Mozart. CD...(+)
Orchestra - all SKU: PR.816600040 Composed by Wolfgang Amadeus Mozart. CD Sheet Music (Version 1). Full Scores to all of the major works for orchestra by Mozart - parts not included. Classical Period. CD Sheet Music. 2000 printable pages. Published by Theodore Presser Company (PR.816600040). UPC: 680160600045. 5.5x5 inches. This disk contains study scores of all 41 of Mozart's Symphonies, as well as Concertos for Winds and Strings (Piano Concertos are on a companion CD-ROM), Serenades, Opera Overtures, Divertimentos, and other works. About CD Sheet Music (Version 1) CD Sheet Music (Version 1) was the initial CD Sheet Music series distributed by Theodore Presser. The CDs include thousands of pages of music that are viewable and printable on Mac or PC. Version 1 titles are a great value at 40% off, as we make room in our warehouse for the newly enhanced CD Sheet Music (Version 2.0) series. $18.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Double Bass Concerto No. 3 Orchestra [Study Score / Miniature] G. Henle
Double Bass; Orchestra (STUDY SCORE) SKU: HL.51487451 Study Score....(+)
Double Bass; Orchestra (STUDY SCORE) SKU: HL.51487451 Study Score. Composed by Serge Koussevitzky. Edited by Tobias Glö and ckler. Henle Study Scores. Classical. Softcover. 92 pages. G. Henle #HN7451. Published by G. Henle (HL.51487451). UPC: 196288158110. 6.75x9.5x0.294 inches. Thanks to its skilful combination of Romantic melody and sparkling virtuosity, KoussevitzkyÂ’s Double Bass Concerto op. 3 has been one of the most popular works of its genre since its Moscow premiere in 1905. No wonder, for the virtuoso double bass player Koussevitzky had composed it for his very own instrument. As early as 1906/07 a first piano reduction was published in Moscow, followed by a second in 1910 in Leipzig. However, both contain so many mistakes in the solo part that there is still uncertainty about the correct musical text in many passages to this day. The double bass player Tobias Glöckler has therefore prepared his Urtext edition using several sources: as well as the manuscript performance material and the piano reductions published during the composer's lifetime, he has also studied recordings with Koussevitzky as soloist - thereby finally producing a thoroughly-researchedUrtext edition of the orchestral score and piano reduction of this classic of the double bass literature. As with all double bass concertos published by Henle Publishers, this edition also contains the piano reduction by Christoph Sobanski in two keys (E minor and F sharp minor) for performance with solo or orchestral tuning. About Henle Urtext What I can expect from Henle Urtext editions: - error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
- preface in 3 languages with information on the genesis and history of the work
- Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions
- most beautiful music engraving
- page-turns, fold-out pages, and cues where you need them
- excellent print quality and binding
- largest Urtext catalogue world-wide
- longest Urtext experience (founded 1948 exclusively for Urtext editions)
$23.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| 1712 Overture Orchestra Theodore Presser Co.
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by ...(+)
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by PDQ Bach. Edited by Prof. Peter Schickele. Study Score. With Standard notation. Duration 11 minutes. Theodore Presser Company #416-41576. Published by Theodore Presser Company (PR.416415760). UPC: 680160636532. 9 x 12 inches. The 1712 Overture stands out in P.D.Q. Bach's oeuvre for two reasons, among others: it is by far the most programmatic instrumental piece among those by the minimeister of Wein-am-Rhein so far unearthed, and 2) its discovery has led to a revelation about the composer's father, Johann Sebastian Bach, that has exploded like a bombshell on the usually serene musicological landscape. The overture is based on an anecdote told to P.D.Q. Bach by a cousin, Peter Ulrich. Since P.U. Bach lived in Dudeldorf, only a few miles down the road from Wein-am-Rhein, he was P.D.Q.'s closest relative, and he was, in fact, one of the few members of the family who was on speaking terms with P.D.Q. The story, related to P.D.Q. (fortunately for us posterity types) in a letter, may be summarized thus: The town of Dudeldorf was founded by two brothers, Rudi and Dieter Dudel, early in the 18th century. Rudi remained mayor of the newborn burg for the rest of his long life, but Dieter had a dream of starting a musicians' colony, an entire city devoted to music, which dream, he finally decided, could be realized only in the New World. In 1712, he and several other bagpipers sailed to Boston, never to return to Germany. (Henceforth, Rudi became known as der deutscher Dudel and Dieter as the Yankee Dudel). Unfortunately, the head of the Boston Musicians' Guild had gotten wind of Dudel's plans, and Wilhelm Wiesel (pron. VEE-zle), known none too affectionately around town as Wiesel the Weasel, was not about to share what few gigs there were in colonial America with more foreigners and outside agitators. He and his cronies were on hand to meet Dudel's boat when it pulled into Boston Harbor; they intended to prevent the newcomers' disembarkation, but Dudel and his companions managed to escape to the other side of the bay in a dinghy, landing with just enough time to rent a carriage and horses before hearing the sound of The Weasel and his men, who had had to come around the long way. The Germans headed West, with the Bostonians in furious pursuit. soon the city had been left far behind, and by midnight so had the pursuers; Dieter Dudel decided that it was safe for him and his men to stop and sleep until daybreak. When they awoke, they found that they were in a beautiful landscape of low, forested mountains and pleasant fields, warmed by the brilliant morning sun and serenaded by an entrancing variety of birds. Here, Dudel thought, her is where I will build my colony. The immigrants continued down the road at a leisurely pace until they came upon a little church, all by itself in the countryside, from which there suddenly emanated the sounds of a pipe organ. At this point, the temptation to quote from P.U. Bach's letter to P.D.Q. cannot be resisted: They went inside and, after listening to the glorious music for a while, introduced themselves to the organist. And who do you think it was? Are you ready for this -- it was your old man! Hey, no kidding -- you know, I'm sure, that your father was the guy to get when it came to testing new organs, and whoever had that one in Massachusetts built offered old Sebastian a tidy sum to go over there and check it out. The unexpected meeting with J.S. Bach and his sponsors was interrupted by the sound of horse hooves, as the dreaded Wiesel and his men thundered on to the scene. They had been riding all night, however, and they were no spring chickens to start with, and as soon as they reached the church they all dropped, exhausted, to the ground. The elated Germans rang the church bells and offered to buy everyone a beer at the nearest tavern. There they were taught, and joined in singing, what might be called the national anthem of the New World. The melody of this pre-revolutionary patriotic song is still remembered (P.D.Q. Bach quotes it, in the bass instruments, near the end of the overture), but is words are now all but forgotten: Freedom, of thee we sing, Freedom e'er is our goal; Death to the English King, Long live Rock and Ross. The striking paucity of biographical references to Johann Sebastian Bah during the year 1712 can now be explained: he was abroad for a significant part of that year, testing organs in the British Colonies. That this revelation has not been accepted as fact by the musicological establishment is no surprise, since it means that a lot of books would have to be rewritten. The members of that establishment haven't even accepted the existence of P.D.Q. Bach, one of whose major works the 1712 Overture certainly is. It is also a work that shows Tchaikowsky up as the shameless plagiarizer that some of us have always known he was. The discovery of this awesome opus was made possible by a Boston Pops Centennial Research Commission; the first modern performance took place at the opening concert of the 100th anniversary season of that orchestra, under the exciting but authentic direction of John Williams. $39.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| 1712 Overture Orchestra Theodore Presser Co.
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by PDQ Bach. Edited by Peter Schickele. Large Score. With Standard notation. Duration 11 minutes. Theodore Presser Company #416-41576L. Published by Theodore Presser Company (PR.41641576L). UPC: 680160636549. 11 x 17 inches. The 1712 Overture stands out in P.D.Q. Bach's oeuvre for two reasons, among others: it is by far the most programmatic instrumental piece among those by the minimeister of Wein-am-Rhein so far unearthed, and 2) its discovery has led to a revelation about the composer's father, Johann Sebastian Bach, that has exploded like a bombshell on the usually serene musicological landscape. The overture is based on an anecdote told to P.D.Q. Bach by a cousin, Peter Ulrich. Since P.U. Bach lived in Dudeldorf, only a few miles down the road from Wein-am-Rhein, he was P.D.Q.'s closest relative, and he was, in fact, one of the few members of the family who was on speaking terms with P.D.Q. The story, related to P.D.Q. (fortunately for us posterity types) in a letter, may be summarized thus: The town of Dudeldorf was founded by two brothers, Rudi and Dieter Dudel, early in the 18th century. Rudi remained mayor of the newborn burg for the rest of his long life, but Dieter had a dream of starting a musicians' colony, an entire city devoted to music, which dream, he finally decided, could be realized only in the New World. In 1712, he and several other bagpipers sailed to Boston, never to return to Germany. (Henceforth, Rudi became known as der deutscher Dudel and Dieter as the Yankee Dudel). Unfortunately, the head of the Boston Musicians' Guild had gotten wind of Dudel's plans, and Wilhelm Wiesel (pron. VEE-zle), known none too affectionately around town as Wiesel the Weasel, was not about to share what few gigs there were in colonial America with more foreigners and outside agitators. He and his cronies were on hand to meet Dudel's boat when it pulled into Boston Harbor; they intended to prevent the newcomers' disembarkation, but Dudel and his companions managed to escape to the other side of the bay in a dinghy, landing with just enough time to rent a carriage and horses before hearing the sound of The Weasel and his men, who had had to come around the long way. The Germans headed West, with the Bostonians in furious pursuit. soon the city had been left far behind, and by midnight so had the pursuers; Dieter Dudel decided that it was safe for him and his men to stop and sleep until daybreak. When they awoke, they found that they were in a beautiful landscape of low, forested mountains and pleasant fields, warmed by the brilliant morning sun and serenaded by an entrancing variety of birds. Here, Dudel thought, her is where I will build my colony. The immigrants continued down the road at a leisurely pace until they came upon a little church, all by itself in the countryside, from which there suddenly emanated the sounds of a pipe organ. At this point, the temptation to quote from P.U. Bach's letter to P.D.Q. cannot be resisted: They went inside and, after listening to the glorious music for a while, introduced themselves to the organist. And who do you think it was? Are you ready for this -- it was your old man! Hey, no kidding -- you know, I'm sure, that your father was the guy to get when it came to testing new organs, and whoever had that one in Massachusetts built offered old Sebastian a tidy sum to go over there and check it out. The unexpected meeting with J.S. Bach and his sponsors was interrupted by the sound of horse hooves, as the dreaded Wiesel and his men thundered on to the scene. They had been riding all night, however, and they were no spring chickens to start with, and as soon as they reached the church they all dropped, exhausted, to the ground. The elated Germans rang the church bells and offered to buy everyone a beer at the nearest tavern. There they were taught, and joined in singing, what might be called the national anthem of the New World. The melody of this pre-revolutionary patriotic song is still remembered (P.D.Q. Bach quotes it, in the bass instruments, near the end of the overture), but is words are now all but forgotten: Freedom, of thee we sing, Freedom e'er is our goal; Death to the English King, Long live Rock and Ross. The striking paucity of biographical references to Johann Sebastian Bah during the year 1712 can now be explained: he was abroad for a significant part of that year, testing organs in the British Colonies. That this revelation has not been accepted as fact by the musicological establishment is no surprise, since it means that a lot of books would have to be rewritten. The members of that establishment haven't even accepted the existence of P.D.Q. Bach, one of whose major works the 1712 Overture certainly is. It is also a work that shows Tchaikowsky up as the shameless plagiarizer that some of us have always known he was. The discovery of this awesome opus was made possible by a Boston Pops Centennial Research Commission; the first modern performance took place at the opening concert of the 100th anniversary season of that orchestra, under the exciting but authentic direction of John Williams. $80.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| There Stands A Little Man Orchestra [Score and Parts] Alfred Publishing
Arranged by Sandra Dackow. Conductor's score and set of performance parts for st...(+)
Arranged by Sandra Dackow. Conductor's score and set of performance parts for string orchestra (8 - 1st violin, 8 - 2nd violin, 5 - 3rd violin/viola (treble clef), 5 - viola, 5 - cello, 5 - string bass, 1 - piano accompaniment). Series: Orchestra Expressions Series. Published by Alfred Publishing.
$40.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sumarovo dite - Des Spielmanns Kind - The Fiddlers Child Orchestra Barenreiter
Orchestra (2 Fl, 2 Ob, 2 clarinet, clarinet-B, 2 bassoon, 3Hn, 2 Trp, 3trombone,...(+)
Orchestra (2 Fl, 2 Ob, 2 clarinet, clarinet-B, 2 bassoon, 3Hn, 2 Trp, 3trombone, Tb, harp, timpani, percussion, Str) SKU: BA.BA06848 Orchester-Ballade. Composed by Leos Janacek. Edited by Jarmil Burghauser and Radomil Eliska. This edition: complete edition, urtext edition. Linen. Complete Critical Edition of the Works of Leos Janacek D/6. Complete edition, Score. Composed 1912-1914. Duration 12 minutes. Baerenreiter Verlag #BA06848_00. Published by Baerenreiter Verlag (BA.BA06848). ISBN 9790006483303. 34.4 x 27 cm inches. Text: Svatopluk Cech. Over the years Janácek’s uvre has increasingly received the recognition it so richly merits and performances of his works are becoming more and more frequent. This development is, however, offset by a manuscript tradition so disorderly that some of Janácek’s works continue, as before, to be played in versions which are heavily adapted, corrupt or otherwise contrary to the composer’s intentions. Thus, a critical edition of Janácek’s music is indispensable for scholars and performers alike.
This editon presents an authentic printed text based on all available sources for each work. In addition to the musical text, each volume also contains a critical report (Czech / German), a rendition of deleted or rejected versions, and a comprehensive appendix of facsimiles.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$141.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Basic Fiddlers Philharmonic Celtic Fiddle Tunes Orchestra [Sheet music + CD] Alfred Publishing
(Teacher's Manual). By Bob Phillips and Andrew H. Dabczynski. Orchestra. For Tea...(+)
(Teacher's Manual). By Bob Phillips and Andrew H. Dabczynski. Orchestra. For Teacher's Manual. String Orchestra Collection. World. Book and CD. 40 pages
$16.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Les Paladins RCT 51 Orchestra Barenreiter
Orchestra (Flutes (2) (Picc), Oboes (2), 2Musettes, Bassoons (2), Horns (2), Str...(+)
Orchestra (Flutes (2) (Picc), Oboes (2), 2Musettes, Bassoons (2), Horns (2), Strings, Basso continuo) SKU: BA.BA08893 Comédie-ballet in three Acts. Composed by Jean-Philippe Rameau. Edited by Thomas Soury. This edition: urtext edition. Paperback. Symphonies. Score, anthology. RCT 51. Baerenreiter Verlag #BA08893_00. Published by Baerenreiter Verlag (BA.BA08893). ISBN 9790006567560. 33 x 24.3 cm inches. Text: Duplat de Monticourt, Pierre-Jacques. This edition unites all the purely instrumental parts of Rameau’s comdie-ballet “Les Paladins†for performance as a suite in the concert hall.
In view of the wealth of the work’s musical treasures and the stylistic innovations – similar to the “Borades†– the rather frosty reception of the premiere series in the spring of 1760 seems completely incomprehensible to us today. It led to this stage work not being performed again until well into the 20th century. The story that the comdie-ballet tells is based on a fable by La Fontaine, “Le Petit chien qui secoue de l’argent et des pierreries†(i.e. “The little dog who shakes silver and stonesâ€). In medieval Veneto, the guardian Anselme undermines the love affairs of his ward Argies. Scenes of tragic expression are contrasted with folk-comic ones; and last but not least, the sexually ambiguous fairy Manto may have caused difficulties for the bold work at the Paris Opra.
This critical edition is based on the corresponding volume issued in the series “Opera omnia Rameau†(BA 8870-01). Since “Les Paladins†remained unpublished during Rameau’s lifetime and was also not included in the “Œuvres complètesâ€, this is the first edition of the work. It satisfies both scholarly demand and the practical needs of musicians.
The orchestral parts are available on hire.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$109.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Prima la musica e poi le parole Orchestra Barenreiter
Orchestra (2 Soprano Voice Solo, 2 Bass Voice Solo, 2 Ob, 2 clarinet, 2 bassoon,...(+)
Orchestra (2 Soprano Voice Solo, 2 Bass Voice Solo, 2 Ob, 2 clarinet, 2 bassoon, 2 Hn, 2 Trp, 2 V, Va, Basso, Continuo) SKU: BA.BA08811 Divertimento teatrale in one act. Operetta for four voices. Composed by Antonio Salieri. Edited by Adrian La Salvia and Thomas Betzwieser. This edition: Edition of selected works, Urtext edition. Linen. Spectrum of European Music Theatre in Separate Editions 1. Edition of selected works, Score, Critical commentary, USB flash drive. Duration 1 hour, 15 minutes. Baerenreiter Verlag #BA08811_00. Published by Baerenreiter Verlag (BA.BA08811). ISBN 9790006539840. 33.1 x 26.5 cm inches. Text Language: Italian. Preface: Betzwieser, Thomas. Text: Giambattista Casti. A memorable musical competition commissioned by the emperor Joseph II took place on 7 February 1786 as part of a festival in the orangery of the Schönbrunn palace. A German Singspiel ensemble performed Mozart’s “Schauspieldirektor†whilst Antonio Salieri’s “Prima la musica e poi le parole†was performed by the Italian court singers and musicians. This charming opera satire belongs to the genre of “metamelodramma†in which the opera itself becomes the subject of the action. The people who are part of an opera production, for example the librettist, composer and prima donna, appear as characters on the stage and are presented in a humorous self-reflection. In this ‘theatre about theatre’ Salieri parodies the music from Giuseppe Sarti’s “Giulio Sabino†in his insert arias, thus playing on the music which was totally familiar with the audience of the time. By reflecting on the musical-dramatic style of that period and discussing whether ‘the word’ or ‘the music’ should take priority, this masterpiece is considered to be an early forerunner to Richard Strauss’s “Capriccioâ€.
The new edition of the score is published as part of “opera – Spectrum of European Music Theatre in Separate Editionsâ€. There are several alterations regarding the libretto text, stage directions, articulation, ornamentation, etc. which have been incorporated into this newly engraved vocal score. Furthermore, all appendix numbers from the score which concern the quotations from Giuseppe Sarti’s “Giulio Sabino†have also been incorporated.
• Urtext vocal score based on the historical-critical hybrid score published as part of “opera – Spectrum of European Music Theatre in Separate Editions†edited by Thomas Betzwieser (music edition) and Adrian La Salvia (text edition). • Original Italian libretto with singable German translation • Comprehensive bilingual foreword (Ger/Eng) on the genesis and reception of the work, on metamelodramma and intertextuality etc. • Includes an extensive appendix to the quotations taken from Giuseppe Sarti’s “Giulio Sabino†• Idiomatic piano reduction
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$632.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Symphonic Extracts from the Conducting Score: Les Fetes de l'Hymen et de l'Amour Orchestra Barenreiter
Orchestra (Fl-Picc, Fl, Trp, V, Va, timpani, bassoon, Vc, double bass, Continuo)...(+)
Orchestra (Fl-Picc, Fl, Trp, V, Va, timpani, bassoon, Vc, double bass, Continuo) SKU: BA.BA07569 Ballet héroïque in one prologue and three entrées. Composed by Jean-Philippe Rameau. Edited by Thomas Soury. This edition: urtext edition. Paperback. Symphonies. Score, anthology. Baerenreiter Verlag #BA07569_00. Published by Baerenreiter Verlag (BA.BA07569). ISBN 9790006523375. 32.9 x 23.9 cm inches. Text Language: French/German. Preface: Soury, Thomas. Louis de Cahusac. Rameau's “Les Fêtes de l'Hymen et de l'Amour†was long considered second-rate because its première was associated with a political event. Yet this ballet abounds in novel dramaturgical effects that foreshadow his later operas, such as “Zaïsâ€, “Zoroastre†and “Les Boradesâ€. Working together with his librettist Cahusac, Rameau sought to weave the dance numbers, choruses and stage machinery more tightly into the main plot. He also experimented with stylistic devices unique to this work, the most famous being unquestionably the scene in which the Nile overflows its banks (an impressive ten-voice double chorus with solo voices and orchestra) and the sextet from “Arurisâ€, a scoring found nowhere else in his uvre.
For the first time, this scholarly-critical edition of “Les Fêtes de l'Hymen et de l'Amour†presents a reference version of the work that is based on all the major sources for both the libretto and the music, including two recent musical discoveries. As most of the performance material for the première has vanished, our edition is based on the version prepared for the Acadmie Royale de Musique in 1748.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$67.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Symphony in G major Hob. I:88 Orchestra [Score] Barenreiter
Orchestra (Fl, 2 Ob, 2 bassoon, 2 Hn, 2 Trp, timpani, 2 V, Va, double bass, Vc) ...(+)
Orchestra (Fl, 2 Ob, 2 bassoon, 2 Hn, 2 Trp, timpani, 2 V, Va, double bass, Vc) SKU: BA.BA10980 Composed by Franz Joseph Haydn. Edited by Andreas Friesenhagen. This edition: urtext edition. Stapled. Score. Hob. I:88. Duration 23 minutes. Baerenreiter Verlag #BA10980_00. Published by Baerenreiter Verlag (BA.BA10980). ISBN 9790006562831. 31 x 24.3 cm inches. Key: G major. Text Language: German, English. Preface: Andreas Friesenhagen. This edition clarifies a performance aspect of Haydn’s Symphony in G major that has long been misunderstood: in m. 1 of the second movement (Largo) the viola, violoncello and several wind instrument parts are marked “soloâ€, indicating that they play important motifs or themes and ought to stand out. Contrary to other editions, the “solo†marking in the violoncello should not be construed as indicating a solo instrument with the remaining cellos doubling the basses. Rather, the cellos should play as a section so as to stand out all the more clearly.
Continuing the collaboration between Bärenreiter and the Henle publishing company in large-scale choral works, operas and symphonies, this edition is based on the Henle Complete Edition of the “Works of Joseph Haydnâ€. The complete performance material for several “Sturm und Drang†symphonies and all of the London and Paris symphonies is now available from Bärenreiter.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$53.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Symphony in D minor Hob. I:80 Orchestra [Score] Barenreiter
Orchestra (Fl,2Ob,2bassoon,2Hn,2V,V a,Bassi) SKU: BA.BA10982 Composed by ...(+)
Orchestra (Fl,2Ob,2bassoon,2Hn,2V,Va,Bassi) SKU: BA.BA10982 Composed by Franz Joseph Haydn. Edited by Sonja Gerlach and Sterling E. Murray. This edition: urtext edition. Stapled. Urtext from: Joseph Haydn Werke, G. Henle Verlag Munchen. Score. Hob. I:80. Duration 00:21:00. Baerenreiter Verlag #BA10982_00. Published by Baerenreiter Verlag (BA.BA10982). ISBN 9790006565504. 31 x 24.3 cm inches. Key: D minor. Preface: Armin Raab. Along with Symphonies Nos. 79 and 81, Haydn’s D-minor Symphony Hob. I:80 belongs to a set of symphonies that he completed in late 1784. He wrote them for his employer Prince Nikolaus Esterházy, his task being to entertain the prince with new music. The symphonies had to be suitable for the twenty-five to thirty musicians who were in the prince’s orchestra. Continuing the cooperation between Bärenreiter and the G. Henle publishing company regarding Haydn’s large choral works, operas and symphonies, this edition is based on the G. Henle Complete Edition of the “Works of Joseph Haydnâ€.
Bärenreiter has already published the complete performance material for several “Sturm und Drang†symphonies and all the London and Paris symphonies.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$53.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Symphony in G Major, Hob. I:81 Orchestra [Score] Barenreiter
Orchestra (Fl, 2 Ob, 2 bassoon, 2 Hn, 2 V, Va, Bassi) SKU: BA.BA10983 Com...(+)
Orchestra (Fl, 2 Ob, 2 bassoon, 2 Hn, 2 V, Va, Bassi) SKU: BA.BA10983 Composed by Franz Joseph Haydn. Edited by Sonja Gerlach and Sterling E. Murray. This edition: urtext edition. Stapled. Score. Hob. I:81. Duration 12 hours. Baerenreiter Verlag #BA10983_00. Published by Baerenreiter Verlag (BA.BA10983). ISBN 9790006565573. 31 x 24.3 cm inches. Key: G major. Preface: Armin Raab. Haydn’s Symphony in G major Hob. I:81 comes from a series of three symphonies completed in late 1784 (nos. 81, 80 and 79, presumably in that order). No autograph score survives for Hob. I:81, thus our Urtext edition is based on copyists’ manuscripts and first editions. As with so many of his symphonies, Haydn wrote this one to provide new music for his employer, Prince Nikolaus Esterházy.
Continuing the collaboration between Bärenreiter and the G. Henle publishing company regarding Haydn’s large-scale choral works, operas and symphonies, this edition is based on the G. Henle Complete Edition of the Works of Joseph Haydn. Bärenreiter has now published the complete performance material for several Sturm und Drang symphonies and all the London and Paris symphonies (Nos. 81 to 104).
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
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| Le Temple de la Gloire RCT 59 (Symphonies / Versions of 1746 and 1745) Orchestra [Score] Barenreiter
Fete with a Prologue and 3 Acts. Composed by Jean- Philippe Rameau (1683-1764)....(+)
Fete with a Prologue and 3
Acts. Composed by Jean-
Philippe Rameau (1683-1764).
Edited by Julien Dubruque.
This edition: urtext edition.
Paperback. Symphonies /
Versions of 1746 and 1745.
Score, anthology. RCT 59.
Baerenreiter Verlag #BA07563.
Published by Baerenreiter
Verlag
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| Alfonso und Estrella D 732 Orchestra Barenreiter
Orchestra (bassoon, 4Hn, 2 Trp, 3trombone, timpani, percussion, harp, Str) SK...(+)
Orchestra (bassoon, 4Hn, 2 Trp, 3trombone, timpani, percussion, harp, Str) SKU: BA.BA05540 Romantic opera in three acts. Composed by Franz Schubert. Edited by Walther Durr. This edition: complete edition, urtext edition. Linen. New Schubert Edition (Neue Ausgabe samtlicher Werke) Series II, Volume 6. 3 part volumes. Opern, dt. (German Opera). Complete edition, Score. D 732. Duration 2 hours, 30 minutes. Baerenreiter Verlag #BA05540_00. Published by Baerenreiter Verlag (BA.BA05540). ISBN 9790006497126. 33 x 26 cm inches. Text: Franz von Schober. In late September or early October 1821 Schubert and his close friend, Franz von Schober, vacationed in the countryside of Lower Austria. Their first stopover was at Ochsenburg Castle, which belonged to the Bishop of St. Pölten (a close relative of Schober’s), after which they moved on to St. Pölten itself. Roughly a year earlier, two stage works by Schubert had been performed in Vienna: the one-act singspiel Die Zwillingsbrüder and the melodrama Die Zauberharfe. The librettos were both written by the seasoned Viennese playwright Georg von Hofmann, who blamed the press for the indifferent reception the two works were given by the audience. Schubert and Schober now decided, it would seem, to write a grand romantic opera uninfluenced by the workaday world of the theatre and beholden solely to their own ideas of what an opera should be.
Not until 24 June 1854 was the opera finally performed in Weimar, under the baton of Franz Liszt. It only achieved success, however, in an arrangement by Johann Nepomuk Fuchs that was staged on many German and Austrian stages in 1881–2, allegedly with brilliant acclaim.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$1113.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Overture Of Joy! - Orchestration Orchestra - Intermediate Word Music
Orchestra - Grade 4 SKU: WD.080689303579 A Christmas Medley. Compo...(+)
Orchestra - Grade 4 SKU: WD.080689303579 A Christmas Medley. Composed by Lari Goss. Arranged by Lari Goss & Michael Lawrence. Choral, cantatas. Coronation Series. Christmas. Orchestration. Duration 3'00. Word Music #080689303579. Published by Word Music (WD.080689303579). UPC: 080689303579. About Coronation Series Coronation Series Instrumentation: Woodwinds: 2 Flute, Oboe, 2 Clarinet, Bass Clarinet (doubles Tuba), Alto Sax (doubles French Horn), Tenor Sax/Baritone T.C. (doubles Trombone,) - All charts released since 3/1/02 include a Bari Sax part that doubles Tuba. Brass: 2 French Horn, 3 Trumpet, 3 Trombone, Tuba Percussion:Percussion Strings: 2 Violin*, Viola* Cello/Bassoon, String Bass *simplified parts included Additional Parts: Harp, Rhythm, String Reduction $79.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| I Will Enter His Gates - Orchestration Orchestra - Intermediate Word Music
Orchestra - Grade 4 SKU: WD.080689111396 Composed by Richard Kingsmore. A...(+)
Orchestra - Grade 4 SKU: WD.080689111396 Composed by Richard Kingsmore. Arranged by Richard Kingsmore. Coronation Series. Modern Christian, Sacred, Orchestral. Orchestration. Word Music #080689111396. Published by Word Music (WD.080689111396). UPC: 080689111396. About Coronation Series Coronation Series Instrumentation: Woodwinds: 2 Flute, Oboe, 2 Clarinet, Bass Clarinet (doubles Tuba), Alto Sax (doubles French Horn), Tenor Sax/Baritone T.C. (doubles Trombone,) - All charts released since 3/1/02 include a Bari Sax part that doubles Tuba. Brass: 2 French Horn, 3 Trumpet, 3 Trombone, Tuba Percussion:Percussion Strings: 2 Violin*, Viola* Cello/Bassoon, String Bass *simplified parts included Additional Parts: Harp, Rhythm, String Reduction $79.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Tidings Of Joy! - Orchestration Orchestra - Easy Word Music
Orchestra - Grade 3 SKU: WD.080689314575 Composed by David Winkler. Arran...(+)
Orchestra - Grade 3 SKU: WD.080689314575 Composed by David Winkler. Arranged by David Winkler. Coronation Series. O Come, O Come Emmanuel/God Rest Ye Merry, Gentlemen/Joy to the World! Christmas. Orchestration. Word Music #080689314575. Published by Word Music (WD.080689314575). UPC: 080689314575. About Coronation Series Coronation Series Instrumentation: Woodwinds: 2 Flute, Oboe, 2 Clarinet, Bass Clarinet (doubles Tuba), Alto Sax (doubles French Horn), Tenor Sax/Baritone T.C. (doubles Trombone,) - All charts released since 3/1/02 include a Bari Sax part that doubles Tuba. Brass: 2 French Horn, 3 Trumpet, 3 Trombone, Tuba Percussion:Percussion Strings: 2 Violin*, Viola* Cello/Bassoon, String Bass *simplified parts included Additional Parts: Harp, Rhythm, String Reduction $79.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| To God Be The Glory - Orchestration Orchestra - Easy Word Music
Orchestra - Grade 3 SKU: WD.080689256394 Composed by Keith Wilbanks. Arra...(+)
Orchestra - Grade 3 SKU: WD.080689256394 Composed by Keith Wilbanks. Arranged by Keith Wilbanks. Coronation Series. Christmas. Orchestration. Word Music #080689256394. Published by Word Music (WD.080689256394). UPC: 080689256394. About Coronation Series Coronation Series Instrumentation: Woodwinds: 2 Flute, Oboe, 2 Clarinet, Bass Clarinet (doubles Tuba), Alto Sax (doubles French Horn), Tenor Sax/Baritone T.C. (doubles Trombone,) - All charts released since 3/1/02 include a Bari Sax part that doubles Tuba. Brass: 2 French Horn, 3 Trumpet, 3 Trombone, Tuba Percussion:Percussion Strings: 2 Violin*, Viola* Cello/Bassoon, String Bass *simplified parts included Additional Parts: Harp, Rhythm, String Reduction $79.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Soldiers Of The Cross - Orchestration Orchestra - Intermediate Word Music
Orchestra - Grade 4 SKU: WD.080689277696 Composed by Michael Lawrence. Ar...(+)
Orchestra - Grade 4 SKU: WD.080689277696 Composed by Michael Lawrence. Arranged by Michael Lawrence. Coronation Series. Modern Christian, Sacred, Orchestral. Orchestration. Word Music #080689277696. Published by Word Music (WD.080689277696). UPC: 080689277696. About Coronation Series Coronation Series Instrumentation: Woodwinds: 2 Flute, Oboe, 2 Clarinet, Bass Clarinet (doubles Tuba), Alto Sax (doubles French Horn), Tenor Sax/Baritone T.C. (doubles Trombone,) - All charts released since 3/1/02 include a Bari Sax part that doubles Tuba. Brass: 2 French Horn, 3 Trumpet, 3 Trombone, Tuba Percussion:Percussion Strings: 2 Violin*, Viola* Cello/Bassoon, String Bass *simplified parts included Additional Parts: Harp, Rhythm, String Reduction $79.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Adeste Fideles - Orchestration Orchestra - Intermediate Word Music
Orchestra - Grade 4 SKU: WD.080689003790 Composed by Mark Hayes. Arranged...(+)
Orchestra - Grade 4 SKU: WD.080689003790 Composed by Mark Hayes. Arranged by Mark Hayes. Coronation Series. Christmas. Orchestration. Word Music #080689003790. Published by Word Music (WD.080689003790). UPC: 080689003790. About Coronation Series Coronation Series Instrumentation: Woodwinds: 2 Flute, Oboe, 2 Clarinet, Bass Clarinet (doubles Tuba), Alto Sax (doubles French Horn), Tenor Sax/Baritone T.C. (doubles Trombone,) - All charts released since 3/1/02 include a Bari Sax part that doubles Tuba. Brass: 2 French Horn, 3 Trumpet, 3 Trombone, Tuba Percussion:Percussion Strings: 2 Violin*, Viola* Cello/Bassoon, String Bass *simplified parts included Additional Parts: Harp, Rhythm, String Reduction $79.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| American Folk Hymn Medley - Orchestration Orchestra - Intermediate Word Music
Orchestra - Grade 4 SKU: WD.080689551789 Composed by Don Hart. Arranged b...(+)
Orchestra - Grade 4 SKU: WD.080689551789 Composed by Don Hart. Arranged by Don Hart. Coronation Series. Modern Christian, Sacred, Orchestral. Orchestration. Word Music #080689551789. Published by Word Music (WD.080689551789). UPC: 080689551789. About Coronation Series Coronation Series Instrumentation: Woodwinds: 2 Flute, Oboe, 2 Clarinet, Bass Clarinet (doubles Tuba), Alto Sax (doubles French Horn), Tenor Sax/Baritone T.C. (doubles Trombone,) - All charts released since 3/1/02 include a Bari Sax part that doubles Tuba. Brass: 2 French Horn, 3 Trumpet, 3 Trombone, Tuba Percussion:Percussion Strings: 2 Violin*, Viola* Cello/Bassoon, String Bass *simplified parts included Additional Parts: Harp, Rhythm, String Reduction $79.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Symphony in C major Hob. I:90 Orchestra [Score] Barenreiter
Orchestra (Fl, 2 Ob, bassoon, 2 Hn, 2 Trp, timpani, 2 Violin, Viola, Cello, Doub...(+)
Orchestra (Fl, 2 Ob, bassoon, 2 Hn, 2 Trp, timpani, 2 Violin, Viola, Cello, Double Bass) SKU: BA.BA10981 Composed by Franz Joseph Haydn. Edited by Andreas Friesenhagen. This edition: urtext edition. Stapled. Score. Hob. I:90. Baerenreiter Verlag #BA10981_00. Published by Baerenreiter Verlag (BA.BA10981). ISBN 9790006564620. 31 x 24.3 cm inches. Key: C major. Preface: Andreas Friesenhagen. Haydn’s Symphony in C major Hob. I: 90, dated 1788 in the autograph, belongs to a group of works that he composed between the Paris symphonies (Hob. I: 82–87) and the London symphonies (Hob. I: 93–104). It thus belongs to the last symphonies he wrote before his journeys to England in 1791–92 and 1794–95. Continuing the collaboration between Bärenreiter and the G. Henle publishing company regarding Haydn's large-scale choral works, operas and symphonies, this edition is based on the G. Henle Complete Edition of the Works of Joseph Haydn. With Symphony No. 90, Bärenreiter has now published the complete performance material for all the symphonies from Nos. 82 to 104 as well as several Sturm und Drang symphonies.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$55.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Great Is The Lord Orchestra [Set of Parts] Word Music
By Michael Lawrence. Modern Christian and Sacred. Orchestration- Stand Alone. Pu...(+)
By Michael Lawrence. Modern Christian and Sacred. Orchestration- Stand Alone. Published by Word Music.
$79.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Symphony in G Major, Opus 88, No. 8 Orchestra [Score] Barenreiter
Orchestra (Fl1, Fl2 (Fl-picc), Ob1(EnglHn), Ob2 , 2 clarinet, 2 bassoon, 4Hn, 2 ...(+)
Orchestra (Fl1, Fl2 (Fl-picc), Ob1(EnglHn), Ob2 , 2 clarinet, 2 bassoon, 4Hn, 2 Trp, 3trombone, Tb, timpani, 2 Violin, Viola, Cello,KB) SKU: BA.BA10418 Composed by Antonin Dvorak. Edited by Jonathan Del Mar. This edition: urtext edition. Paperback. Barenreiter Urtext. Score. Opus 88. Duration 12 hours. Baerenreiter Verlag #BA10418_00. Published by Baerenreiter Verlag (BA.BA10418). ISBN 9790006564644. 32.5 x 25.5 cm inches. Key: G major. Preface: Jonathan Del Mar. The performance material available up till now for Dvorákâ??s sun-filled cheerful Symphony no. 8 has been notorious for its myriad mistakes. The challenge of correcting it has now been taken over by the editor Jonathan Del Mar. He has taken into account the engraverâ??s copy, which was actually discovered in a trash bin at Novelloâ??s in 1964. Its title page bears the words â??Copied from my original manuscriptâ? in Dvorákâ??s hand. This source proves that many of the readings contained in the first edition and faithfully adopted in all subsequent editions, were simply slips of the copyistâ??s pen.
This new edition with score and orchestral parts in an enlarged format is accompanied by a detailed Critical Commentary on the sources and alternative readings. It also contains important facsimile pages to clarify problematical readings.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$106.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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