SKU: HL.14014101
ISBN 9788759854440.
This is the full score edition of Johann Halvorsen's Norske Eventyrbilleder for Orchestra.
SKU: AP.48062
UPC: 038081556826. English.
Imagine the quiet, the anticipation, the tree, and all the lights as Christmas Eve becomes Christmas, and you will have the feel of this beautiful rock ballad, Midnight Christmas Eve. As seen in the Trans-Siberian Orchestra stage show The Christmas Attic, this lyric piece, arranged by Bob Phillips, will add depth to any holiday or winter concert. Though an easy piece for high school orchestras, the optional electric violin and guitar parts provide the perfect chance to feature an electric instrument and a more advanced player. If you haven't seen TSO, check it out online and then share this one with your students. Perhaps include a field trip to see the band live with lights and effects. Listen to the original recordings of TSO to decide which distortion effects to use with the electric violin or electric guitar. This is a great listening exercise for the kids. (4:05) This title is available in MakeMusic Cloud.
SKU: AP.48062S
UPC: 038081556833. English.
Imagine the quiet, the anticipation, the tree, and all the lights as Christmas Eve becomes Christmas, and you will have the feel of this beautiful rock ballad, Midnight Christmas Eve. As seen in the Trans-Siberian Orchestra stage show The Christmas Attic, this lyric piece, arranged by Bob Phillips, will add depth to any holiday or winter concert. Though an easy piece for high school orchestras, the optional electric violin and guitar parts provide the perfect chance to feature an electric instrument and a more advanced player. If you haven't seen TSO, check it out online and then share this one with your students. Perhaps include a field trip to see the band live with lights and effects. Listen to the original recordings of TSO to decide which distortion effects to use with the electric violin or electric guitar. This is a great listening exercise for the kids. (4:05) This title available in MakeMusic Cloud.
SKU: CL.016-0181-00
SKU: HL.14032192
ISBN 9788759858394. 12.0x16.5x0.78 inches. International (more than one language).
Symphony No. 6 for orchestra, 1997-99. Preface / Program Note:... with the Lord a day is like a thousand years, and a thousand years is like a day(New Testament, 2 Peter 3:8)My SYMPHONY NO. 6 was commissioned by the Danish National Radio Symphony Orchestra, the Gteborg Symphony Orchestra and the Oslo Philharmonic Orchestra, to be premiered at the millenium 2000.The subtitle AT THE END OF THE DAY can be understood literally or it can mean when all is added up. However, in my opinion, nothing ever quite adds up, there is always something missing, any ending will be provisional ...This symphony appears to end only a few minutes into the first movement, the first passage, as the music fades away to almost-silence, after a start of flying colours. But then there is still something, a small motive (first heard in the initial sound-waves) which reappears, hesitant, but persistent, and this embryo is what leads on the musical progression. An agitated section of many instrumental voices comes next, until all the voices become obsessed with the same phrase, a see-saw motive based on thirds. This section evolves into almost martial ferocity, when broken off by a tutti descent into an extreme bass-world (a bass-world which actually permeates the whole symphony, emplyoing instruments that I have never used before: double-bass tuba, double-bass trombone, double-bass clarinet, and bass flute).The second movement, the second passage, apparently takes off where the first passage ended, but now the events are more ambiguous, and the same music may be perceived as fast-moving one moment and slow-moving the next. This section is a kind of passacaglia, the characteristic baroque bass-variation.Without a break follows the third and last passage, in a contrasting high register. The music is rhythmically knotty as well as freely flowing. As in the beginning of the symphony, a never-ending descent or fall breaks off the events, and at the very end a delta of new beginnings, of other worlds, is revealed ....The symphony is dedicated to Helle, my wife. - Per Norgard.
SKU: AP.47460
UPC: 038081547404. English.
This piece provides a wonderful opportunity to teach phrasing, balance, and dynamics to your developing string orchestra. The beautiful melody is passed throughout the orchestra while other sections provide rich harmonic accompaniment. A perfect selection for contests or festivals, it will inspire students to express themselves musically. (Correlates with Sound Innovations for String Orchestra, Book 2, level 2).
SKU: AP.47460S
UPC: 038081547411. English.
SKU: AP.49822
ISBN 9781470648442. UPC: 038081569239. English.
Sound Orchestra: Ensemble Development for String or Full Orchestra provides a comprehensive and clear approach to developing ensemble performance skills at the intermediate through advanced level with the goal of improving technical facility and musicianship in the string or full orchestra. This method focuses on improving an ensemble's tone quality, intonation, and technique with 270 exercises grouped by key signature, including chorales and orchestral themes, that students will find both a joy and challenge to work through. Sound Orchestra thoroughly complements performance music for string or full orchestra by isolating and reinforcing each ensemble concept, focusing on improving blend, balance, phrasing, pitch accuracy, and articulation. Additional features: Percussion parts are included * Violin 3 book that replicates the viola book is available * Optional piano and saxophone parts are included * Teacher's scores are available for string orchestra or full orchestra * For intermediate through advanced string orchestra alone, full orchestra, or string orchestra with any combination of wind and percussion players. Written by By Bob Phillips, Peter Boonshaft, Chris Bernotas, Jim Palmer, and David Pope, this addition to the revolutionary Sound Innovations series will help your students create beautiful music.
SKU: AP.49823
ISBN 9781470648459. UPC: 038081569246. English.
SKU: BA.BA08841-79
ISBN 9790006541232. 32.5 x 25.5 cm inches.
Prelude a l'apres-midi d'un faune, often referred to as the first composition of the modern era, is one of Debussy's most popular and frequently performed orchestral works. The piece comes down to us in an array of sources, and several important ones are drawn upon for the first time in Baerenreiter's new scholarly-critical edition. Most of the currently available editions are based on the first edition from 1895 which, however, contains many engraver errors. When the corresponding orchestral parts are also taken into consideration, countless discrepancies are revealed.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: AP.44827S
UPC: 038081518176. English. James Weldon Johnson.
The poem and original hymn-like music of Lift Every Voice and Sing, by James and J. Rosamond Johnson, reverberate through the decades of the civil rights movement. Originally performed for Booker T. Washington in 1900, it is sometimes called the African-American National Anthem. This setting, by Bob Phillips, teaches 6/8 and uses chromatic alterations in first position. A vocal lead sheet is included in the reproducible educational packets. The cross-curricular programming possibilities are vast. (2:40).
SKU: HL.49045487
ISBN 9790001157179. UPC: 888680747992. 8.25x11.75x0.41 inches. Latin - German.
Deeply moved by his first visit to the city of Jerusalem with its seven gates, Krzysztof Penderecki composed this major vocal work to celebrate the city's 3,000th anniversary in 1995. Two years later, it was premiered as Symphony No. 7 in which the magic number seven has a special meaning: From the seven movements representing the seven gates to the seven powerful fortissimo chords concluding the oratorio, the biblical number runs through the entire work.4 (3. u. 4. auch Picc.) * 3 * Engl. Hr. * 3 (3. auch Es-Klar.) * Bassklar. * 3 * Kfg. - 4 * 3 * 4 (3. auch Basstrp.) * 1 - S. (I.: P. * Beckenpaar * 2 Tamt. (t.) * Rohrengl. * gr. Tr. m. Beck. * Crotalenbaum * 5 Tomt. * Marimba * Bin-Sasara * kl. Tr. * Ruhrtr.; II.: Trgl.-baum * 4 hg. Beck. * Tamt. (t.) * Rohrengl. * Kirchengl. * Tubaphon * Glsp. * Xyl. * Vibr. * Ruhrtr. * Tempelbl. * 2 Gongs; III.: 3 hg. Beck. * Mil. Tr. * Tubaphon * Kuhgl. * Tempelbl. * 2 Gongs; IV.: P. * hg. Beck. * 2 Tamt. * Beckenpaar * 5 Tomt. * gr. Tr. * Ruhrtr. * Bin-Sasara) (12 Spieler) - Cel. * Klav. * Org. ad lib. - Str.Im Saal: 0 * 0 * 3 * Bassklar. (auch Es-Klar.) * 3 * Kfg. - 4 * 3 * 4 * 1.
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