SKU: HL.48024114
ISBN 9780851628363. UPC: 888680708900. 8.25x11.75 inches. Hawkes Pocket Score 1390.
Chorale (2001-02), for orchestra, is a kind of musical meditation on the chorale Es ist genug from Bach's cantata O Ewigkeit, du Donnerwort, itself a harmonisation of J R Ahle's 1662 hymn. Nick Kimberley's preface outlines the context of the Bach original and refers to Alban Berg's use of the chorale in his Violin Concerto almost 300 years later. In contrast to both of these works, Lindberg's Chorale has no extra-musical agenda. The composer explains that he took the harmonic structure of the chorale and embedded it in his own harmonies. “I make an analogy with the rise and fall of the tide. When the tide is in, the sea-bed is invisible; but when the tide goes out, you see the rock formation on the sea-bed.” Tribute is a short show-piece for full orchestra composed in 2004 as a gift to celebrate the 20th anniversary of Esa-Pekka Salonen's debut with the Los Angeles Philharmonic.
SKU: CA.4012950
ISBN 9790007254650. German/English.
Mendelssohn's St. Paul with just seven instead of the usual 18 wind instruments? Thanks to this arrangement for chamber orchestra, a performance with smaller forces is now possible, and presents an attractive alternative for performing Mendelssohn's first oratorio - not only in times of Corona. For it is often considerations of space, a limited budget, or the size of the chorus which call for flexibility in scoring.The arrangement is based on the Carus Urtext edition. By reducing the symphonic wind and brass in particular, the volume of sound is more restrained, but nevertheless the symphonic character and a wide dynamic range are retained. All the vocal parts (soloists and chorus) are identical with the original version, so that the vocal scores, choral scores, and practice aids of the existing Carus edition can still be used. Major oratorio can also be performed by smaller choirsWind and brass parts of the original version reduced to just seven single instruments vocal scores and choral scores from the original version can be used carus plus: the work (original version) is available in carus music, the Choir Coach, and in the Carus Choir Coach (Audio only) series.. Score available separately - see item CA.4012900.
SKU: AP.47452S
UPC: 038081548326. English.
J. K. Rowling's Wizarding World is awakened again in this emotionally charged, action-packed medley that includes six musical moments drawn from the soundtrack of Fantastic Beasts: The Crimes of Grindelwald. This arrangement perfectly captures all of the drama.
SKU: LO.30-3640H
UPC: 000308154870.
Orchestral Score and Parts for 45/1635H A true testament to his strength and skill as a composer, Andre Thomas's Mass combines the power of love and joy with the beauty and sophistication of top-tier choral music. Written in five movements, the Mass can be performed in its entirety or as separate selections. This gospel-style work may be performed with piano, piano with bass and drums, or with full orchestra. Also available is a piano accompaniment CD (99/3967H). The Mass is dedicated to the Tallahassee Community Chorus.
SKU: AP.38437S
UPC: 038081432328. English.
This versatile arrangement can be combined with choir and/or concert band to make a brilliant program finale. Technical accommodations make this piece very playable. Excerpts from three Baroque Christmas masterworks come together in this festive musical celebration of the season. Titles included are Gloria by Vivaldi, From Heaven Above to Earth I Come by J. S. Bach, and two movements from Handel's Messiah.
SKU: AP.34001S
UPC: 038081376226. English.
Stretch your performance music budget further with a collection of pieces for the price of one! The Alfred and Belwin Signature Performance Series combine several best-selling pieces by our popular composers and arrangers into one set of score and parts. Made for young bands and orchestras, each set contains full-length pieces that can be used together in one concert or separately, with themes such as classic popular Christmas, movies, international, pop, and Classics appropriate for Contest. Also available for choir and handbell choir. Enjoy quality music at a great value price! This title features classics from Merle Isaac, perfect for festivals, concerts, and contests. Titles: The Apollo Suite * Quinto-Quinto Suite * Belvedere Suite.
SKU: AP.12753
UPC: 038081003528. English.
SKU: PR.416415760
UPC: 680160636532. 9 x 12 inches.
The 1712 Overture stands out in P.D.Q. Bach's oeuvre for two reasons, among others: it is by far the most programmatic instrumental piece among those by the minimeister of Wein-am-Rhein so far unearthed, and 2) its discovery has led to a revelation about the composer's father, Johann Sebastian Bach, that has exploded like a bombshell on the usually serene musicological landscape. The overture is based on an anecdote told to P.D.Q. Bach by a cousin, Peter Ulrich. Since P.U. Bach lived in Dudeldorf, only a few miles down the road from Wein-am-Rhein, he was P.D.Q.'s closest relative, and he was, in fact, one of the few members of the family who was on speaking terms with P.D.Q. The story, related to P.D.Q. (fortunately for us posterity types) in a letter, may be summarized thus: The town of Dudeldorf was founded by two brothers, Rudi and Dieter Dudel, early in the 18th century. Rudi remained mayor of the newborn burg for the rest of his long life, but Dieter had a dream of starting a musicians' colony, an entire city devoted to music, which dream, he finally decided, could be realized only in the New World. In 1712, he and several other bagpipers sailed to Boston, never to return to Germany. (Henceforth, Rudi became known as der deutscher Dudel and Dieter as the Yankee Dudel). Unfortunately, the head of the Boston Musicians' Guild had gotten wind of Dudel's plans, and Wilhelm Wiesel (pron. VEE-zle), known none too affectionately around town as Wiesel the Weasel, was not about to share what few gigs there were in colonial America with more foreigners and outside agitators. He and his cronies were on hand to meet Dudel's boat when it pulled into Boston Harbor; they intended to prevent the newcomers' disembarkation, but Dudel and his companions managed to escape to the other side of the bay in a dinghy, landing with just enough time to rent a carriage and horses before hearing the sound of The Weasel and his men, who had had to come around the long way. The Germans headed West, with the Bostonians in furious pursuit. soon the city had been left far behind, and by midnight so had the pursuers; Dieter Dudel decided that it was safe for him and his men to stop and sleep until daybreak. When they awoke, they found that they were in a beautiful landscape of low, forested mountains and pleasant fields, warmed by the brilliant morning sun and serenaded by an entrancing variety of birds. Here, Dudel thought, her is where I will build my colony. The immigrants continued down the road at a leisurely pace until they came upon a little church, all by itself in the countryside, from which there suddenly emanated the sounds of a pipe organ. At this point, the temptation to quote from P.U. Bach's letter to P.D.Q. cannot be resisted: They went inside and, after listening to the glorious music for a while, introduced themselves to the organist. And who do you think it was? Are you ready for this -- it was your old man! Hey, no kidding -- you know, I'm sure, that your father was the guy to get when it came to testing new organs, and whoever had that one in Massachusetts built offered old Sebastian a tidy sum to go over there and check it out. The unexpected meeting with J.S. Bach and his sponsors was interrupted by the sound of horse hooves, as the dreaded Wiesel and his men thundered on to the scene. They had been riding all night, however, and they were no spring chickens to start with, and as soon as they reached the church they all dropped, exhausted, to the ground. The elated Germans rang the church bells and offered to buy everyone a beer at the nearest tavern. There they were taught, and joined in singing, what might be called the national anthem of the New World. The melody of this pre-revolutionary patriotic song is still remembered (P.D.Q. Bach quotes it, in the bass instruments, near the end of the overture), but is words are now all but forgotten: Freedom, of thee we sing, Freedom e'er is our goal; Death to the English King, Long live Rock and Ross. The striking paucity of biographical references to Johann Sebastian Bah during the year 1712 can now be explained: he was abroad for a significant part of that year, testing organs in the British Colonies. That this revelation has not been accepted as fact by the musicological establishment is no surprise, since it means that a lot of books would have to be rewritten. The members of that establishment haven't even accepted the existence of P.D.Q. Bach, one of whose major works the 1712 Overture certainly is. It is also a work that shows Tchaikowsky up as the shameless plagiarizer that some of us have always known he was. The discovery of this awesome opus was made possible by a Boston Pops Centennial Research Commission; the first modern performance took place at the opening concert of the 100th anniversary season of that orchestra, under the exciting but authentic direction of John Williams.
SKU: AP.49444
ISBN 9781470650469. UPC: 038081571249. English.
Franz Gruber's beloved Christmas carol, Silent Night, receives a unique treatment for strings. The tune is heard twice. The first time, it is paired with a motive from the Prelude of J. S. Bach's Cello Suite No. 1 (BWV 1007); the second time, the melody shifts from part to part, giving everyone a chance to shine. Richly scored, warm and embracing, a real audience pleaser for your December concerts. (3:00) This title is available in MakeMusic Cloud.
SKU: HL.50490143
8.25x11.75x0.213 inches.
SKU: HL.49028911
ISBN 9790001028172.
SKU: AP.35898S
UPC: 038081407500. English.
As soon as your young string players have learned their low 2 finger patterns, they are ready for this catchy teaching tune. Written in the attention-grabbing key of A minor, this mystical piece reinforces the neighborly half-step relationship between E-F on the D string and B-C on the A string. Every section gets the melody, a winner with the kids, and you'll like how each section learns to play their half steps more in tune. A great supplement to your method book, and also a successful crowd-pleaser on your next concert!
SKU: HL.49028865
ISBN 9790001027724.
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