SKU: SU.29040020
A swirling depiction of leaves in the fall. Very good as a concert opener2222; 4231; timp, 2 perc, hp; stgs Duration: 7' Composed: 2017 Published by: Peckham Publications A full size score (11x17) is available on special request (sales@subitomusic.com) Performance materials available on rental only:.
SKU: PE.EP67890
ISBN 9790300747613. 297 x 420mm inches. English.
Libretto by James Fenton
In a make-believe world, based loosely on Bombay and Kashmir, the story of Haroun is a tale of a fight between the free imagination and the powers that oppose it. Haroun's father, Rashid, the Shah of Blah, is a professional and gifted story-teller, a popular figure much in demand at public events. Feeling neglected, his wife is persuaded to leave him and run away with a neighbor. After this, Rashid loses confidence in his powers of story-tellling, haunted by his son's question: 'What's the use of stories that aren't even there?' Rashid is due to speak at a political rally to be held by the sinister politician, Snooty Buttoo. He is told that if he does not come up with his usual fund of tales, his tongue will be cut out. As Rashid despairs, Haroun determines to rescue his father's talent - a project in which he learns that the Ocean of the Sea of Stories, the source of all stories, is being polluted by the enemy of all stories, the evil Khattam Shud. In a series of brilliant imagined adventures, Haroun succeeds in defeating the powers of darkness, and restoring happiness to his family, and to the city where he lives.
Salman Ruishdie's children's book, written in the aftermath of the fatwa, has an effervescent style which is full of rhymes and wordplay. The libretto stays very close to the spirit of the original, conjuring up a fantasy world in which, nonetheless, one never loses sight of harsh political reality and the great issues of freedom of speech and imagination. -- James Fenton, 1998
SKU: LO.9780787752095
ISBN 9780787752095.
Add excitement and anticipation to your Christmas celebration with this cheerful interpretation of two perennial favorites! Michael Lawrence's orchestration culminates in an ensemble-wide proclamation of Go, Tell it on the Mountain! that will leave listeners humming. A reference recording is also included.
SKU: AP.49437S
ISBN 9781470650599. UPC: 038081571379. English.
Jonas Brothers in Concert contains two hits from the talented siblings---Leave Before You Love Me and Mercy (from Space Jam: A New Legacy). Although it is scored for full orchestra, this arrangement is completely playable by string orchestra alone, or with any number of added winds or percussion. (3:20) This title is available in MakeMusic Cloud.
SKU: AP.49437
ISBN 9781470650582. UPC: 038081571362. English.
SKU: LO.30-3705MD
UPC: 000308154085.
Orchestral Score and CD with Printable Parts for 10/5313MD Arranged and orchestrated by Richard Kingsmore, this worship song has a gospel groove that will energize your choir and congregation. The song alternates between soloist and choir, providing a wonderful opportunity for a soloist to shine. This alternation between choir and soloist ultimately leads to a full-choir ending that will leave worshipers breathless! A perfect choice for any Advent Sunday or as part of a larger program.
SKU: HL.14043174
ISBN 9788759830796.
Five Leaves From A Blue Lotus by the Danish composer Anders Nordentoft , scored for Chamber Orchestra.
SKU: AP.50831
ISBN 9781470666194. UPC: 038081584805. English.
Fury, by Chris M. Bernotas, is an exhilarating piece that will excite and energize your intermediate string orchestra. It features angular rhythms, strong melodic lines for all, and intense energy that will keep students on the edge of their seats. Whether played at a contest, as a concert opener or closer, this piece will leave a lasting impression. (2:35) Correlates to Sound Innovations, Book 1, Level 4.
SKU: AP.50831S
ISBN 9781470666200. UPC: 038081584812. English.
SKU: HL.49017939
ISBN 9790001144711. UPC: 884088566869. 8.25x11.75x0.205 inches.
This most frequently played orchestral work by Aribert Reimann quotes from and makes use of Robert Schumann's last finished composition, the so-called 'Geistervariationen' [Ghost Variations] in E flat major for piano from 1854, composed shortly before Schumann's suicide attempt. Reflecting on Schumann's subsequent life in Endenich, Reimann leaves the lyrical character of the original unchanged. But the breaking up of the theme into the third, fifth and seventh fragments symbolizes the transition from dreamy imagination to sickly brooding.
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