| Marche fatale Orchestra Breitkopf & Härtel
Orchestra SKU: BR.PB-5432 Composed by Helmut Lachenmann. Orchestra; stapl...(+)
Orchestra SKU: BR.PB-5432 Composed by Helmut Lachenmann. Orchestra; stapled. Partitur-Bibliothek (Score Library). World premiere of the orchestral version: Stuttgart, January 1, 2018World premiere of the piano version: Mito, June 17, 2017 Have a look into EB 9283. New music (post-2000). Full score. Composed 2016/17/20. 48 pages. Duration 8'. Breitkopf and Haertel #PB 5432. Published by Breitkopf and Haertel (BR.PB-5432). ISBN 9790004212790. 10 x 12.5 inches. Marche fatale is an incautiously daring escapade that may annoy the fans of my compositions more than my earlier works, many of which have prevailed only after scandals at their world premieres. My Marche fatale has, though, little stylistically to do with my previous compositional path; it presents itself without restraint, if not as a regression, then still as a recourse to those empty phrases to which modern civilization still clings in its daily utility music, whereas music in the 20th and 21st centuries has long since advanced to new, unfamiliar soundscapes and expressive possibilities. The key term is banality. As creators we despise it, we try to avoid it - though we are not safe from the cheap banal even within new aesthetic achievements.Many composers have incidentally accepted the banal. Mozart wrote Ein musikalischer Spass [A Musical Jape], a deliberately amateurishly miscarried sextet. Beethoven's Bagatellen op. 119 were rejected by the publisher on the grounds that few will believe that this minor work is by the famous Beethoven. Mauricio Kagel wrote, tongue in cheek, so to speak, Marsche, um den Sieg zu verfehlen [Marches for being Unvictorious], Ligeti wrote Hungarian Rock; in his Circus Polka Stravinsky quoted and distorted the famous, all too popular Schubert military march, composed at the time for piano duet. I myself do not know, though, whether I ought to rank my Marche fatale alongside these examples: I accept the humor in daily life, the more so as this daily life for some of us is not otherwise to be borne. In music, I mistrust it, considering myself all the closer to the profounder idea of cheerfulness having little to do with humor. However: Isn't a march with its compelling claim to a collectively martial or festive mood absurd, a priori? Is it even music at all? Can one march and at the same time listen? Eventually, I resolved to take the absurd seriously - perhaps bitterly seriously - as a debunking emblem of our civilization that is standing on the brink. The way - seemingly unstoppable - into the black hole of all debilitating demons: that can become serene. My old request of myself and my music-creating surroundings is to write a non-music, whence the familiar concept of music is repeatedly re-defined anew and differently, so that derailed here - perhaps? - in a treacherous way, the concert hall becomes the place of mind-opening adventures instead of a refuge in illusory security. How could that happen? The rest is - thinking.(Helmut Lachenmann, 2017)CD (Version for Piano):Nicolas Hodges CD Wergo WER 7393 2 Bibliography:Ich bin nicht ,,pietistisch verformt. Ein Gesprach [von Jan Brachmann] mit dem Komponisten Helmut Lachenmann, in: FAZ vom 7. Juni 2018, p. 15.
World premiere of the piano version: Mito/Japan, June 17, 2017, World premiere of the orchestral version: Stuttgart, January 1, 2018, World premiere of the ensemble version: Frankfurt, December 9, 2020. $63.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Preisner: Requiem For My Friend (Full Score) Orchestra [Study Score / Miniature] Chester
SATB Choir, Orchestra (Study Score) SKU: HL.14026108 Composed by Zbigniew...(+)
SATB Choir, Orchestra (Study Score) SKU: HL.14026108 Composed by Zbigniew Preisner. Music Sales America. Post-1900. Sheet Music, Score. With Text language: Greek / Latin / Polish. Chester Music #CH61497. Published by Chester Music (HL.14026108). UPC: 884088811266. 0.408 inches. Composer's Note Once, we had a joint conception to create a concert telling a life story. The premiere was planned to take place on the Acropolis in Athens. It was intended to be a large event, a hybrid of a mystery play and an opera. Krzysztof Kieslowski would be the director, Krzysztof Piesiewicz was responsible for the script, and I was planning to compose the music. We thought it might be the first of a series of musical performances, to be developed in various interesting places around the world in the next few years. But it was life that authored a different ending: Krzysztof Kieslowski died in March of 1996. The first part of Requiem for My Friend is meant as a farewell to Krzysztof Kieslowski. I dedicate this music to him. Zbigniew Preisner. $81.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Music with Robert Schumann Orchestra Breitkopf & Härtel
Orchestra (2.2.2.2. - 4.3.3.0. - timp.perc - hp -str) SKU: BR.PB-4862-07 ...(+)
Orchestra (2.2.2.2. - 4.3.3.0. - timp.perc - hp -str) SKU: BR.PB-4862-07 Study score. Composed by Jurg Baur. Softbound. Partitur-Bibliothek (Score Library). World premiere: Hannover, March 13, 1972 Music post-1945. Study Score. Composed 1972. 82 pages. Duration 15'. Breitkopf and Haertel #PB 4862-07. Published by Breitkopf and Haertel (BR.PB-4862-07). ISBN 9790004206591. 7 x 9.5 inches. Variationen (Ouverture / Thema / Variation / Coda), Lyrisches Intermezzo (Sostenuto), Symphonische Nachklange (Allegro con moto).Immer wieder lassen sich Komponisten von Themen alterer oder auch zeitgenossischer Meister zu Variations-Zyklen anregen (Brahms: Handel- und Haydn-Variationen, Reger: Mozart-Variationen, Holler: Sweelinck-Variationen). Themen von Robert Schumann fanden bisher relativ selten Beachtung - (Regers Schumann-Variationen fur zwei Klaviere sind eine Ausnahme) - vielleicht, weil sie zu sehr in sich vollendet und abgeschlossen sind und deshalb kaum Moglichkeiten zur Veranderung enthalten. Dennoch beschaftigte mich schon langer die Idee, eine ,,Musik mit Schumann, Nachklange oder Erinnerungen an Schumann zu gestalten, mit der Absicht, ein heiteres, liebenswurdiges (und nachdenkliches) Werk zu schreiben, einmal ohne Experimente-, als ,,Divertimento fur den Normalhorer, gelegentlich behutsam verbunden mit modernen Techniken - nicht ohne hintergrundigen Humor. Der 1. Satz wurde inspiriert von den ,,Papillons (opus 2 fur Klavier); er gliedert sich in vier variationsahnliche Abschnitte. Die ,,Ouverture exponiert drei kurze Themen, die sich trotz ihres gegensatzlichen Charakters wie selbstverstandlich erganzen (Einleitungsgirlande und Schlussfanfare der Papillons und das bekannte Anfangsmotiv aus ,,Vogel als Prophet). Die Abschnitte ,,Thema, ,,Variationen und ,,Coda entwickeln und verandern das Hauptthema der ,,Papillons; dieses dominiert uber weite Strecken des Satzes und wird mit den Motiven der Ouverture kombiniert. Vielfaltig gegliedert ist das ,,Lyrische Intermezzo. Zu Beginn gewinnt ein Motiv aus den ,,Nachtstucken (fur Klavier) Bedeutung, taucht mehrere Male auf, von mehrtonigen b-a-c-h Clustern ,,gestort. Im Mittelpunkt stehen das Thema des 2. Satzes der g-moll Klavier-Sonate op. 22 (ein Mondnachtlied ohne Worte; Holzblaser) und ein Adagio-Gedanke aus dem Klavier-Zyklus ,,Kreisleriana (tiefe Streicher); beide Themen werden kontrapunktiert von zwolftonigen Strukturen und Klangbandern (Holzblaser). Die ,,Fruhlings-Symphonie-Fanfare eroffnet das Finale. Danach bilden sich uber rotierenden Klangflachen (Streicher) einzelne Tone und Intervalle, aleatorisch frei, verdichten sich, wie aus der Erinnerung auftauchend, zu Motiven aus Schumanns bekanntester Symphonie. Nach diesem zogernden Beginn entwickelt sich ein fast klassisch anmutender Sonaten-Durchfuhrungsteil mit mehreren melodischen Gedanken (Kopfmotiv der g-moll Klaviersonate, tanzerische und ostinate Themen aus der Fruhlings-Symphonie), die zum Teil in- und ubereinander geschichtet werden, bis auf dem Hohepunkt des Satzes das Schlussthema der Klavierfantasie op. 17, pathetisch-ironisch in den Blechblasern erklingt. Eine kurze Reprise mit dem Hauptgedanken fuhrt zur Anfangsfanfare zuruck; der Satz verklingt im pianissimo. Wollte man dem ganzen opus ein Motto voranstellen, dann die Schumann-Uberschrift (aus den Kinderszenen) : ,,Fast zu ernst - aber eben nur ,,fast. (Jurg Baur)CD:Sinfonieorchester des Bayerischen Rundfunks, cond. Hanns-Martin SchneidtCD Thorofon CTH 2270 Bibliography:Wallerang, Lars: Die Orchesterwerke Jurg Baurs als Dialog zwischen Tradition und Moderne, Koln: Dohr 2003.Nonnenmann, Rainer: Vergegenwartigungen. Umgang mit historischem Material bei Zimmermann, Baur, Killmayer, Schnebel und Zender, in: Jurg Baur, hrsg. von Ulrich Tadday (= Musik-Konzepte. Neue Folge, Heft 184/185), Munchen: Edition Text+Kritik 2019, S. 26-46. $79.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| 3 German Dances K. 605 Orchestra Breitkopf & Härtel
Orchestra (2(picc).2.0.2. - 2.2 post-hn.2.0.0. - timp.perc(3) - str(without va))...(+)
Orchestra (2(picc).2.0.2. - 2.2 post-hn.2.0.0. - timp.perc(3) - str(without va)) SKU: BR.PB-4906 With the Trio Die Schlittenfahrt. Composed by Wolfgang Amadeus Mozart. Orchestra; Softcover. Partitur-Bibliothek (Score Library). Dances/marches; Classical. Full score. 8 pages. Duration 7'. Breitkopf and Haertel #PB 4906. Published by Breitkopf and Haertel (BR.PB-4906). ISBN 9790004207024. 9 x 12 inches. $13.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| 12 German Dances WoO 8 Orchestra Breitkopf & Härtel
Orchestra (picc.2.2.2.2. - 2.2.corn.0.0. - timp.perc(2) - str (ohne va)) SKU:...(+)
Orchestra (picc.2.2.2.2. - 2.2.corn.0.0. - timp.perc(2) - str (ohne va)) SKU: BR.PB-4799 With Post-horn Solo. Composed by Ludwig van Beethoven. Orchestra; Softcover. Partitur-Bibliothek (Score Library). Dances/marches; Classical. Full score. 28 pages. Duration 21'. Breitkopf and Haertel #PB 4799. Published by Breitkopf and Haertel (BR.PB-4799). ISBN 9790004206010. 9 x 12 inches. $31.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Chaconne Werk 71 Orchestra Breitkopf & Härtel
Orchestra (2.2.2.2 - 4.2.3.0 - timp.perc - str) SKU: BR.PB-4897-07 Stu...(+)
Orchestra (2.2.2.2 - 4.2.3.0 - timp.perc - str) SKU: BR.PB-4897-07 Study score. Composed by Johann Nepomuk David. Softcover. Partitur-Bibliothek (Score Library). Dances/marches; Music post-1945. Study Score. Composed 1972. 32 pages. Duration 13'. Breitkopf and Haertel #PB 4897-07. Published by Breitkopf and Haertel (BR.PB-4897-07). ISBN 9790004206935. 5.5 x 7.5 inches. $17.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Spiegelkabinett Werk 55 Orchestra Breitkopf & Härtel
Orchestra (3(picc).2.2.2. - 4.2.3.0. - timp.perc(5) - hp - str) SKU: BR.PB-38...(+)
Orchestra (3(picc).2.2.2. - 4.2.3.0. - timp.perc(5) - hp - str) SKU: BR.PB-3871-07 Waltz. Composed by Johann Nepomuk David. Softcover. Partitur-Bibliothek (Score Library). Dances/marches; Music post-1945. Study Score. Composed 1960. 44 pages. Duration 13'. Breitkopf and Haertel #PB 3871-07. Published by Breitkopf and Haertel (BR.PB-3871-07). ISBN 9790004202098. 5.5 x 7.5 inches. $20.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
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